This “Modern Seinfeld” twitter feed is pretty amusing. I guess the premise is these guys are coming up with Seinfeld ideas, if the show was being made today. This one really made me laugh: George gets dumped for being a “toilet texter.” GEORGE: “What else are you supposed to do in there?!” JERRY: “I can think of a couple things.”
This is awesome: A New Yorker’s Tour of Ghostbusters.
Did you catch the second Robot Chicken DC Special earlier this month? So funny. This DC All Access video contains some of the great bits, and a peek behind-the-scenes:
This article about Police Academy sort of makes me want to re-watch it! I haven’t seen any of those films in YEARS, but Police Academy #1-4 were HUGE parts of my childhood!!
How Gravity should have ended:
A new animated Batman short by Bruce Timm (mastermind behind Batman: The Animated Series) in honor of Batman’s 75th anniversary? And it’s a retro pulp adventure? And Kevin Conroy voices Batman? YES PLEASE!
The funniest thing about this new trailer for 24: Live Another Day is the “red-band” text that opens it:
I have absolutely zero interest in the film Sabotage, but this article’s description of star Josh Holloway as “America’s Sean Bean” made me laugh and laugh. HAS Mr. Holloway actually lived to the end of a movie he’s been in…??
I learned about Operation: Paperclip as a kid from The X-Files. It was real, and represents a fascinating (and morally ambiguous) era of American history. I was pleased to see it referenced as part of the fictional S.H.I.E.L.D./Hydra back-story in Captain America: The Winter Soldier. More on Operation: Paperclip and the Marvel universe can be found here.… [continued]
As Marvel Studios impresses yet again with another high quality super-hero film, one that honors and respects the source material while also being accessible to newbies and entertaining as a film in its own right, it’s easy to forget what a miracle this is. There are so many ways that a character like Captain America could have been done so wrong. Really, it’s so simple to imagine a million different terrible, pain-inducing versions of a Captain America movie. So once again, bravo to Marvel mastermind Kevine Feige and his huge team of collaborators for giving life to another dynamite film.
Captain America: The Winter Soldier is not perfect, but it’s a rollickingly entertaining film that I think would be fun for kids and adults alike. After The Avengers (click here for my review), I wondered if I could ever again be satisfied by these heroes’ solo films, but with the one-two-three punch of Iron Man Three (click here for my review), Thor: The Dark World (click here for my review), and now Captain America: The Winter Soldier, I must say with no small degree of admiration that so far Marvel’s Phase Two (the films taking place after The Avengers and leading up to the next Avengers film, The Avengers: Age of Ultron) has been far more consistent than the much-admired Phase One.
Having been awoken in the twenty-first century, Captain America has continued to fight the good fight as an agent of S.H.I.E.L.D., but the array of cloak-and-dagger missions has left Steve Rogers feeling somewhat dissatisfied. When he learns of S.H.I.E.L.D.’s new plan to use advanced technology and weaponry to take their strategy of eliminating threats before they happen to a whole new level, his dissatisfaction turns to distrust. Soon Captain America finds himself on-the-run, a fugitive from S.H.I.E.L.D., and facing a powerful new enemy in the form of the Winter Soldier, a cybernetically-enhanced mercenary with a shocking tie to Cap’s past.
In a dramatic and savvy tonal shift from Captain America: The First Avenger’s nostalgic, pulp adventure tone, this sequel is a super-hero movie meets political thriller. This is a really smart way to thrown Cap into a whole new kind of adventure in which the character’s inherent honesty and nobility is forced to confront the sticky complexity of twenty-first century threats to our freedom. I loved this aspect of the film, and only wish the script had dug a little deeper into those shades of grey before spelling out for us exactly who the bad guys are.
Chris Evans is again fantastic as Steve Rogers/Captain America. Probably the most important key to the success of all these Marvel movies has been … [continued]
This Star Trek Voyager novel, The Eternal Tide, is one I’d been dreading.
To my huge shock, I’ve found myself quite enjoying Kirsten Beyer’s post-finale series of Star Trek Voyager novels (click here for my review of Full Circle, here for my review of Unworthy, and here for my review of Children of the Storm). I never much liked Voyager the TV show, but I’ve been intrigued by this series of novels, moving the Voyager characters beyond the universe-shaking events of David Mack’s epic novel trilogy Star Trek Destiny from several years back. These Voyager novels by Kirsten Beyer have had a great mix of strong characters (Ms. Beyer has fleshed out the characters far more than they ever were on the TV show, and thankfully she has moved them all beyond the eternal-status-quo they were trapped in on the show) and some great new sci-fi stories and new concepts for alien species. As opposed to the continuing series of post-finale Next Gen and Deep Space Nine novels, which have been written by a rotating series of authors, it’s interesting that Ms. Beyer has apparently been given full control (for now, at least) of the Voyager corner of the Trek universe. Having one author write this series has given it a tight continuity and cohesiveness that has been particularly enjoyable for me, now, reading these books one after the other.
But while I’ve enjoyed the previous three Voyager books, I was not looking forward to this one. Why? Because of Kathryn Janeway’s face staring out at me from the book’s cover.
I adored the decision made, in Peter David’s Next Gen novel Before Dishonor (one of the books leading up to the big Destiny crossover) to kill off Captain Janeway. It was a shocking move, one I did not see coming, and it was a thrilling raising-of-the-stakes as the threat of the Borg grew in anticipation of the massive Borg invasion of the Alpha Quadrant that occurred in Destiny. More than that, the manner of Janeway’s death — her arrogance allowing her to wind up assimilated by the Borg Queen — seemed to me a support of everything I’d ever disliked about the Janeway character.
One of many reasons why I never took to Voyager was the character of Captain Janeway. I like Kate Mulgrew. She’s a great actress, and clearly capable of terrific work (just look at how amazing she is on Orange is the New Black). So Ms. Mulgrew wasn’t the problem. Nor did I have any issue with a female being the lead of a Star Trek series. I love plenty of female-centric shows and movies, and the strong … [continued]
Shockingly, the animated TV show Star Wars: The Clone Wars has, over the years, grown into a pretty terrific show and a fascinating expansion of the Star Wars saga. When the animated film was released to theatres back in 2008, I skipped it. I was totally soured on the prequels, and the animated project didn’t interest me at all. The CG animation looked stiff and fake, and the project seemed too kid-focused to interest me. When the series began airing on cartoon network, I avoided it at first, but eventually watched a few episodes. It wasn’t great, but it was good enough to keep me periodically checking back in with the show. There were a lot of episodes I missed, but I’d catch one here and there. By the third or fourth season, I felt the quality had increased dramatically, and I started watching the show more regularly. When it was announced at the end of the fifth season that the show was being cancelled, I actually found myself rather upset!
I was disappointed at the end of a show I’d been enjoying, and more to the point I was disappointed that the story was being left incomplete. Half the fun of the show wasn’t just my enjoyment of the episodes themselves, but my growing interest in how all of the character-arcs and story-lines would be wrapped up, as the show inched closer and closer to the events of Episode III — which would, of course, mean the brutal, tragic deaths of all the show’s characters! Just like the whole point of the prequels was to eventually get to the end of Episode III and the events of Anakin’s fall and the destruction of the Jedi, it feels like half the point of this show was to arrive at that same end, and to see the story cut down in the middle was extremely frustrating. (I’ve read the show was planned to last eight seasons.)
It’s all the more painful that the show was cut down at its creative height, and for something as stupid as the corporate bottom line. (From what I understand, once Lucasfilm was sold to Disney, Disney didn’t want to be locked into Cartoon Network’s ownership of the show.) And the show really was at a creative height. The animation had improved dramatically, to the point where I found the episodes to be quite gorgeous. This show gave us some phenomenal fight sequences: massive space battles; complex planet-based fights on land, in the air, and in the sea; and some extraordinary lightsaber fights. We really got to explore the universe of the Star Wars, and the epic conflict of the Clone Wars, far more than the … [continued]
Written and directed by Sofia Coppola, The Bling Ring is loosely based on the true story of a group of California teenagers who, in 2008-09, robbed the homes of a number of Hollywood celebrities including Paris Hilton, Lindsay Lohan, Rachel Bilson, and others.
Marc is a quiet boy, a new student at a California high school. He makes friends with a girl, Rebecca, and the two of them start committing small crimes, from breaking into parked cars to, eventually, breaking into the house of one of Marc’s out-of-town acquaintances. They realize they can do the same thing to the homes of celebrities by simply using the internet to determine when they’ll be out of town. They and a group of other girls start breaking into the homes of various celebrities and stealing some of their clothes, shoes, jewelry, and more. Eventually the crimes are reported and a media frenzy grows around “The Bling Ring.”
I’ve enjoyed all of Sofia Coppola’s films that I have seen, though there is a coldness I’ve found to most of them, a distance between the audience and the characters/events on-screen. I find that I like her movies intellectually more than I love them. I respect them as the works of a talented filmmaker, more than I feel an emotional attachment to them. I found that to be very much the case with The Bling Ring. I never quite found myself engaged with the characters on screen, though I thought the performances by the actors were all very solid, and I was fascinated by the film’s many potent critiques of today’s media-obsessed culture.
The film is a fascinating commentary on the way our culture is obsessed with celebrity. Marc and Rebecca and their friends want to be like the celebrities they worship, and don’t see anything morally wrong about breaking into their homes and stealing their stuff. These celebrities are in the public eye, therefore they belong, in a way, to these kids. Paris Hilton’s things are already their things. They (the kids) have a perfect right to waltz into these celebrities’ homes and take their things. This is the idea of napster writ large. These things are ours, we don’t have to pay for them. We already own them. More than that, we are ENTITLED to them.
These issues of celebrity and their public/private lives is also all tangled up with these kids’ connection to social media. They follow these celebrities and learn all about them, including tracking their comings and goings, using the internet and social media. Then, after breaking into their homes and stealing their stuff, they post photos of themselves on facebook wearing the stolen items. These kids don’t think twice about … [continued]
Written and directed by Joe Swanberg, Drinking Buddies has a phenomenal cast and a great premise. Set in the world of micro-breweries, the film charts the romantic, beer-fueled entanglements of four friends. Kate (Olivia Wilde) and Luke (Jake Johnson) work together at a small craft brewery, and the two have a tight friendship and a wonderful flirtatious energy. To the audience it is immediately clear that these two would be a fantastic match. But both are seeing other people. Luke has a long-time girlfriend, Jill (Anna Kendrick), while Kate has recently started dating a slightly older man, Chris (Ron Livingston). Will a weekend the four spend together up at Chris’ family’s cottage in the woods solidify or shatter these various friendships and romantic relationships?
Drinking Buddies is a very different movie than I was expecting it to be, and while that is totally on me, I had a hard time shaking that dissatisfaction as I watched the film. I was expecting a raucous, fun comedy — the film equivalent of a happy-go-luck, booze-filled night out with buddies. But the film is a far more serious, painful story of unfulfilling relationships. It’s the film equivalent of the sad, lonely morning after.
As a rich character study, the film succeeds wildly. And don’t get me wrong, there are definitely some laughs. But for most of the run-time the film is an unflinchingly honest, often-painful look at a series of flawed people who are all flailing about, trying to figure out what (and who) they want. I spent the movie rooting for Luke and Kate to realize that they are perfect for one another, but if you go in expecting the type of happy ending that romantic comedies will provide, you’re going to be sorely disappointed.
Personally, I have strongly mixed feelings about this. I love that Drinking Buddies eschews the usual, stupid romantic comedy plot-developments. And I applaud Mr. Swanberg’s creation of a film that is far more honest and real. In that he succeeded with great skill. But damn would I have preferred a little more lightness, a little more happiness, particularly in the ending.
The cast is uniformly phenomenal. Anna Kendirck and Ron Livingston are, I feel, reliably great. (I just wish Mr. Livingston was in more of the film. Of the four leads, he gets by far the least amount of screen time.) While Olivia Wilde and Jake Johnson are certainly big names and very successful actors at this point, I have never clicked in to their previous performances the way I did with both of them in this film. Well, I did quite enjoy Mr. Johnson in Safety Not Guaranteed (click here for my review), but … [continued]
Im preparation for seeing 300: Rise of an Empire, I recently went back and re-watched Zack Snder’s film 300 for the first time in a while. While 300 might not be a GREAT film, I do continue to love it. I’m impressed by Zack Snyder’s creativity in creating an extraordinarily faithful adaptation of Frank Miller’s original graphic novel. While many of the stylistic devices used by Mr. Snyder are now overly familiar, when 300 was first released I found them to be incredibly original and inventive, a delightful way to bring the extraordinary images of Frank Miller’s panels to life on a movie screen. Rather than trying to make this story more realistic, Mr. Snyder leaned heavily into the fantasy of Mr. Miller’s graphic novel. Every frame of 300 has been manipulated digitally to create an exaggerated, fantastical world for this crazy story. The result is absolutely gorgeous, and a movie that, in my mind, remains a rather unique and wonderful creation.
It’s not a film for everyone, that’s for sure. There’s an overload of sex and violence that I could see being off-putting to many. I also think the film is slightly troubling in its embrace of the Spartans (as presented in the film, I’m not going to analyze the story’s historical accuracy) and their brutal warrior creed. This society that is presented in the film as an idealized, heroic nation is, frankly, quite horrifying to me. These are a people who kill any baby they find slightly imperfect, who take male children from their mothers to indoctrinate them into a culture of war and violence, and who aspire to nothing more than a Klingon-like “beautiful death” in battle. This is a hard group of people to root for! (This was an issue with Mr. Miller’s original story as well.) But I still find it impossible not to get swept up in the big, crazy, fantastical epic that is the film.
As much as I enjoy 300, it’s not a movie I ever felt cried out for a sequel. And even if a sequel might once have been appealing, as the release of 300: Rise of an Empire drew near, I couldn’t help but wonder whether the time for a sequel had passed. It’s been eight years since the release of Zack Snyder’s 300, and, as I noted above, many of the stylistic devices he used in the film (the slow-motion, the speed-ramping, the digital manipulation of the imagery) have now become overused to the point of irrelevancy.
Additionally, while 300 was a direct adaptation of a graphic novel, the story for this sequel is entirely new. The story is credited to be based on Frank Miller’s graphic novel … [continued]
Is a TV-show adaptation of Brian Michael Bendis & Michael Avon Oeming’s wonderful comic-book series Powers finally going to happen? This project has been developed for YEARS, most recently at FX, but now it seems there’s a 10-episode order from Sony Pictures TV for Playstation, whatever the heck that means. Powers is a phenomenal comic about cops in a world of super-heroes (click here for my detailed thoughts on the series) and, if done right, this could be a fantastic TV show. I hope this actually comes together.
Is the new 24 twelve-episode mini-series going to be more like seasons 1-2 of 24 (good) or seasons 3-8 of 24 (not-so-good)? Dunno. Nice to see this first trailer, though there’s not much here to get me excited, just yet:
We also, at last, have our first glimpse at the long-in-the-works Sin City sequel. The trailer is good but not great. Here too, I need a little more to really get me excited. I desperately want this movie to be good, but I think the time for a sequel may have passed. Crossing my fingers on this one.
Each year, when I read about Paleyfest, I am insanely jealous and wish I could go to all of the panels. Here’s a phenomenal rundown of the Parks and Recreation panel. This is required reading for fans of Parks and Rec. Lord I love that show. I can’t believe it’s survived cancellation as many times as it has, and it was just renewed for another season!
So, they’re really truly going ahead with Ghostbusters 3? Without the participation of Bill Murray? With Harold Ramis having just recently passed away? With Ivan Reitman now saying he WON’T return to direct the film? You know, for years and years I wanted this movie to happen, despite the huge risk that, so many years later, it’d be impossible to recapture the alchemy and make a film that was any good. But now I’ve really soured on the whole idea. Is it in any way conceivable that a Ghostbusters 3 could be any good? Not to me. This lengthy interview with Ivan Reitman is a fascinating look at the process behind this eons-in-development sequel, but I just think it’s a totally misguided notion.
I am absolutely tickled at the idea of Marvel Studios moving to a pattern in which they’d release one new movie each quarter. That is an awesome dream!
Then there’s Fox, who still owns the rights to several Marvel series, including … [continued]