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Cloverfield (2008)

From the DVD Shelf: Cloverfield

In one of my very first posts for this site, I mentioned that I’d really enjoyed Cloverfield when I saw it on the big screen, but I wondered how it would hold up to a second viewing (especially on a TV screen as opposed to on an enormous movie theatre screen).

I was eager to find out, so I scooped up Cloverfield on DVD when it came out, about a year ago.  But, for some reason, that DVD sat on my shelf, unwatched.  I’m not sure why.  Maybe other films just caught my attention.  Maybe I didn’t want to discover that the film didn’t work on a second viewing.

But a few weeks ago I finally decided to pop in that DVD.  And you know what?  I am pleased to report that I enjoyed the film just as much as I did the first time I saw it!

The first 10-15 minutes of the film could be the start of any type of urban dramedy.  A group of friends gather in an NYC loft to throw a good-bye party for one of their friends, Rob (Michael Stahl-David), who is leaving town for a new job in Japan.  Through some fun banter we begin to get a sense of the dynamic between the group of friends, and learn hints at a romance that went wrong between Rob and Beth (Odette Yustman).  Then the power cuts out, they see a huge explosion across the city skyline, and the party-goers rush out of the building in a panic only to see the severed head of the Statue of Liberty smash into the street.

Then, you know, things get worse from there.

The conceit of the film is that one of the friends, Hud (T.J. Miller), who was filming the good-bye party as a favor, winds up capturing on his digital video camera the entire nightmarish scenario that follows.  The entire movie is seen from the point of view of his camera.  This is an enormous conceit, to be sure, and certainly there are a few times in the film where you might find yourself wondering, “I can’t believe he still has the camera on!”  But I think the filmmakers do a pretty credible job at maintaining credibility to this idea throughout the film.  (And, interestingly enough, while on my first viewing I did find myself evaluating, from scene to scene, whether I could really believe that Hud would have been able to capture what I was seeing, on this second viewing I didn’t think about that at all.  I totally accepted the scenario.)

I have to praise the filmmakers, camera-men, editors, etc., for the skill with which the shots were created and … [continued]