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Loving (2016)

Josh Reviews Loving

Jeff Nichols’ film Loving tells the true story of Richard and Mildred Loving.  In the nineteen fifties, Richard, a white man, and Mildred, a black woman, fall in love and decide to get married.  They get married in Washington, DC, but their home state of Virginia outlaws interracial marriage.  They are arrested twice in Virginia and eventually, to avoid prison, they agree to leave Virginia for twenty-five years, abandoning their families and the lives they had known.  Their case eventually winds up before the Supreme Court, and the landmark 1967 decision Loving vs Virginia would invalidate all laws preventing interracial marriage.

Loving.cropped

This is an important story, and writer/director Jeff Nichols brings it to life with artistry and dignity.  (Mr. Nichols has unbelievably written and directed TWO 2016 films.  Earlier this year saw the release of the sci-fi story Midnight Special, a film that I have not yet seen but one to which I very much hope to catch up before finalizing my end of the year lists.)

Loving is anchored by the phenomenal performances of its two lead actors.  Ruth Negga plays Mildred.  I enjoyed her work on Marvel’s Agents of S.H.I.E.L.D. (and apparently she was terrific in the first season of Preacher, which I have not yet seen but hope to), but this performance is leagues beyond what I have seen her do before.  With small gestures, Ms. Negga brings Mildred’s warmth and honesty and integrity to life.  Joel Edgerton, meanwhile, plays Richard.  This is an almost silent performance, as Richard is a man of very few words.  And yet, Mr. Edgerton’s work renders dialogue almost irrelevant, as he’s able to bring the audience right into Richard’s mind and heart.  What a joy it’s been to watch Mr. Edgerton’s work develop over the past decade.  He was wasted (as were much of his fellow cast-members, let’s be honest), in a tiny role as a young Owen Lars in Star Wars Episode II and III.  He was solid in Zero Dark Thirty and terrific in leading roles in Black Mass and Exodus: Gods and Kings, two not-great films in which he, nevertheless, shined.  Comparing his work here in Loving to his role in Exodus shows Mr. Edgerton’s range, as in Exodus he is all blustery talk while here in Loving he is quiet and internal.  The chemistry between Ms. Negga and Mr. Edgerton is wonderful, carrying the film on their shoulders.

Mr. Nichols avoids any Oscar-bait speechifying or other artificial, overly-grand silliness in his film.  There are no overly-caricaturized villains and while it is tough to watch at times, the film avoids the unpleasantness that some films focusing on the Civil Rights struggle of this era dive deeply … [continued]