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Mad Max: Fury Road (2015)

Holy Shit! Mad Max: Fury Road!!

Based on the awesome trailers and the strong early reviews, I had high hopes for Mad Max: Fury Road, but holy cow, I was not expecting the masterpiece I have just beheld.  Fury Road is a triumph, a guts-gripping thrill-ride filled to overflowing with extraordinary visual inventiveness, absolutely bonkers insane action, wonderfully compelling characters with rich emotional arcs, humor and horror and fun all wrapped up together in a breathtaking cinematic package.  I stand amazed.

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This movie really should not exist.  George Miller directed a trilogy of low-budget Mad Max films back in the seventies and eighties, with Mel Gibson in the lead.  I’ve been reading for decades that Mr. Miller wanted to mount a fourth film, but it seemed like his chance had long-since passed.  This franchise felt well and truly done.  The last Mad Max movie was back in 1985.  In the last twenty years, Mr. Miller has only directed four films, one of which was a TV documentary and two of which were the animated Happy Feet and its sequel.  It didn’t seem to me that Mr. Miller had ANY films left in him, and if he did, the chances that they would be any good seemed slim.  And returning to a thirty-year-old franchise?  I can’t think of a single example of that happening and working — the most well-known similar examples of a sequel made after many years had passed all resulted in enormous levels of fan disappointment.  (I’m thinking of the Star Wars prequels, Indiana Jones and the Kingdom of the Crystal Skull, and The Godfather Part III.)

But my goodness has seventy-year-old George Miller blown the barn doors off of my expectations.  Mad Max: Fury Road is one of the most astonishing films I have seen in years.  This is a big-screen film if ever there was one.  Every frame of the film is filled with extraordinary creativity, and this is a movie worth soaking in on the very biggest screen you can possibly see it on.

Fury Road is the fourth Mad Max film, but it completely stands on its own.  Everything you need to know about Max is established in the film’s opening minutes, and all of the other characters and situations in the film are completely original to this film.  (The Mad Max films have always had a very loose sense of continuity — see Bruce Spence appearing as two entirely different characters in The Road Warrior and then Beyond Thunderdome.  And that continues to be the case here, as Max somehow has his iconic car back when the film begins, despite the fact that it was destroyed back in The Road Warrior.)  The film’s opening is clever.  I loved … [continued]