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Star Trek: Discovery (season 02 episodes 13 & 14)

Josh Reviews the Two-Part Finale of Star Trek: Discovery Season Two: “Such Sweet Sorrow”

Well, I’ll give them some credit, the folks behind Star Trek: Discovery did their best to pull out all the stops for this two-part season finale.  There were huge spaceship battles and hand-to-hand combat sequences, there were big emotional moments, and attempts made to not only answer all of this season’s long-running questions but also to tie up some of the continuity issues that have been present since the start of the series.  Unfortunately, as seems to usually be the case for this show, the things that worked were, in my opinion, vastly outnumbered by all the things that didn’t.

Let’s dive right into the big stuff.  (I’m going to dig deeply into spoiler territory here, folks, so beware.)  The core mystery this season was of the seven signals that appeared simultaneously across the galaxy.  That’s how things were set up in the season premiere.  But then, as the season progressed, new signals kept appearing.  That was a contradiction that never made sense to me.  Were there the seven original signals plus the new signals the Discovery kept encountering?  In this episode, we go back and retrace the steps of the signals that Discovery encountered: four in previous episodes and three more over the course of this two-parter.  That’s seven total, so the original set-up of seven mysterious signals that all appeared at the start of the season has been totally contradicted.  It’s shocking to me that the show could fail so completely on even being consistent and clear with its set-up at this most basic, can-you-count-to-ten level.

We learn in the finale that it was Michael Burnham herself who set the signals.  In theory I like the idea that the events we’ve been following this season are a loop, and that the source is one of our characters and not some made-up external new antagonist or protagonist.  But think about this for even just a few seconds and it all falls apart.  How could Michael create these enormously powerful signals (so powerful that they could be detected from across the galaxy) with just her tiny little suit?  Even if I accept the idea that a human in the years before the Original Series could create a perfectly-functioning time-travel suit (and that Michael could build a new one and learn how to operate it in less than a day), how could this time-suit move Michael, not just through time, but also through space, allowing her to journey back and forth across the galaxy in an instant?  The finale explains that while it was Michael’s mother who traveled through time to interact with Spock as a young boy, it was Michael herself who was behind everything else this season and all … [continued]