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The Marvelous Mrs Maisel (season 01)

Catching Up on 2017: Josh Reviews The Marvelous Mrs. Maisel Season One

The Marvelous Mrs. Maisel is the latest show created by Amy Sherman-Palladino, and produced by Ms. Sherman-Palladino and her husband Daniel Palladino, the duo behind Gilmore Girls.  Set in New York City in 1958, the show tells the story of Midge Maisel, who discovers that she has an aptitude for stand-up comedy and sets out to try to make it in the business.

I have never seen Gilmore Girls, though from what I have read about it I suspect I would have enjoyed the writing.  I certainly quite enjoyed The Marvelous Mrs. Maisel.

Centering on a smart, strong female character, the show feels wonderfully of the moment, and while there are many reasons why the show works, Rachel Brosnahan’s spectacular performance as Miriam “Midge” Maisel is the key.  This is a great blend of character and performer.  Midge isn’t perfect.  She can be a little blind to what those around her are thinking and feeling, and she sure can talk a LOT.  But she is fiercely intelligent and admirably persistent at striving towards her goals.  She is a fascinating character, and Ms. Brosnahan easily shoulders the weight of the show.

I recently wrote about The Deuce, a show that explores the seedy underbelly of New York City in the 1970s.  Compared to that, The Marvelous Mrs. Maisel, set a little over a decade earlier, feels like a fairy tale.  And perhaps it is, but there’s nothing wrong with that!  What I appreciate about the show is that it creates as distinct and complete a portrait of New York City as The Deuce does, albeit one that is very different.  (One example of the gulf between the two shows: I believe that mob boss Rudy Pipilo is the only major character on The Deuce who is nearly as affluent as the majority of characters on The Marvelous Mrs. Maisel.)

I was intrigued by how Jewish The Marvelous Mrs. Maisel is.  Midge and the majority of the characters on the show are Jewish —even the comedians like Lenny Bruce, more on him layer — and the show takes the care to allow this Jewishness to be a major part of these characters’ lives, as of course it would be, without skewing into caricature.  There were a few mis-steps that caught my eye (many TV shows make the mistake of showing a rabbi wearing a tallit outside of prayer services, and in the pilot we see the rabbi wearing a tallit at Midge and Joel’s wedding dinner, which no rabbi would actually do), but overall I was pleased by how smoothly these Jewish elements were integrated into the fabric of the show.

After Rachel Brosnahan as Midge herself, I was most taken … [continued]