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Unbreakable Kimmy Schmidt (season 04 part 2)

Josh Bids Farewell to Unbreakable Kimmy Schmidt!

I wasn’t expecting to enjoy Tina Fey’s 30 Rock nearly as much as I did.  (That first season, it was Aaron Sorkin’s Studio 60 on the Sunset Strip that was the “behind-the-scenes at an SNL-like show” that I was most interested in.  But Studio 60 was gone by the end of the year, whereas the joys of watching Jane Krakowski say “the Rural Juror” cemented my love for 30 Rock.)  When 30 Rock ended, I was eager to watch Ms. Fey and Robert Carlock’s follow-up series, Unbreakable Kimmy Schmidt.  Right from the beginning I knew that Kimmy was something special.  I wish the series had run as long as 30 Rock.  Sadly, these final six episodes conclude Kimmy Schmidt’s fourth season and, it seems, the series.  (However, rumors of a follow-up Netflix movie persist, so hope springs eternal!)

Unbreakable Kimmy Schmidt is a wonderfully endearing, original creation.  I feel like the show has been under-appreciated while it was around; I hope and expect that its renown will grow in the years ahead.  The show is hilarious.  It’s as stuffed-full with jokes as the very best TV comedies of the modern era, shows like The Simpsons, Arrested Development, and the previously-mentioned 30 Rock.  This is a show with gags piled upon gags piled upon gags.  (For one tiny example, just look at the fake titles of the kids’ books around Kimmy in the image above!)

At the same time, Unbreakable Kimmy Schmidt is an unwaveringly positive, life-affirming show.  The show believes fully in its core messages of niceness and positivity.  Kimmy herself is one of the most positive, joyful lead characters on a TV series in recent memory, and the show has gotten a lot of mileage out of showing how Kimmy’s unbreakable core of moral strength and sunniness have positively affected every character with whom she interacts.  I love that about the show.

This season, the show has focused itself on the issues of how women are treated in today’s society.  This has always been an aspect of the show, as the premise is about how Kimmy and other women were kidnapped and half captive by the Reverend (Jon Hamm, in a hilarious and disturbing series of guest appearances).  So this show has always dealt with how women are (mis)treated by men.  But, energized by today’s #MeToo movement, the show has found a new energy in addressing those issues head-on.  This finale batch of episodes dealt with a number of stories that explored those issues in different ways.  Most primarily, there was Kimmy’s transition into becoming the J.K. Rowling-like author of a fantasy book series called “The Legends of Greemulax,” which was all about teaching boys how … [continued]