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Whiplash (2014)

Catching Up! Josh Reviews Whiplash, The One I Love, and A Million Ways to Die in the West

I’m catching up with reviews of movies I’ve seen over the past several months!  Onward:

Whiplash (2014) — Every bit as compelling as I’d heard.  Miles Teller first came to my attention in the excellent film The Spectacular Now (click here for my review), which made me eager to see his follow-up work.  He shines in writer/director Damien Chazelle’s film, playing Andrew, a drum student looking to stand out at an elite music conservatory in New York.  Andrew catches the eye of the brutally tough instructor Terence Fletcher (J. K. Simmons), who invites him to join his studio band.  What seems at first like great fortune for Andrew sours as we the audience experience, along with Andrew, the vicious way in which Fletcher pushes the student musicians who idolize him.  The film is a fascinating exploration of a teacher-student relationship and the tough questions of where is the line between a teacher taking someone with the potential for greatness and pushing him/her hard to achieve that greatness, versus crossing the line into abuse.  These are thorny questions, and the film leaves a lot of room for an audience to reach their own conclusions, which I enjoyed.  There is some spectacular music in the film, which is a delight.  But the real reason to see this film is to relish J. K. Simmons’ barn-busting performance.  Mr. Simmons grabs every iota of the viewer’s attention every second he is on screen.  It’s a bravura performance and deserving of every ounce of praise that Mr. Simmons has received.  This is a great film.

The One I Love (2014) — This is a delightfully weird film, an indie relationship film with a sci-fi twist.  Mark Duplass and Elisabeth Moss play Ethan and Sophie, a married couple having trouble in their marriage.  Their therapist (Ted Danson) recommends that they visit a place he knows, where they can have a romantic weekend together.  When they arrive there, they find the estate has a mysterious cottage in which they each encounter what appears to be an idealized version of the other.  But these doppelgängers only appear when either Ethan or Sophie are in the cottage alone — they vanish if both Ethan and Sophie enter together.  While at first their instinct is to flee the estate, eventually Ethan and Sophie agree to stay for the remainder of their weekend and see where these interactions with these idealized versions of one another go.  Things get twister from there but I fear I have already told you too much.  The One I Love is an intriguing investigation of a troubled relationship, using the sci-fi device as a hook into the story.  Both Mark Duplass and Elisabeth Moss … [continued]