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Zero Dark Thirty (2012)

Josh Reviews Zero Dark Thirty

Kathryn Bigelow has directed some terrific films.  I’m a sucker for Strange Days (the futuristic sci-film from 1995, written by James Cameron and starring Ralph Fiennes) and The Hurt Locker (click here for my review) was terrific, but I’d say with Zero Dark Thirty she has made her masterpiece.

Based on true events (though to what extent the film is completely factually accurate seems to be a subject of much debate — more on that in just a minute), the film begins on September 11th, 2001. Over a black screen, we hear intercut bits of dialogue — mostly phone calls — of panicked people on that terrible day.  The film takes us through the long hunt for Osama bin Laden until May 2, 2011 — almost a full decade later — when he was shot and killed in a Pakistani compound by US forces.  The focus of the film is on a woman named Maya (we never learn her last name), played by Jessica Chastain.  A CIA operative, when we first meet her in 2003, she has been assigned to the US embassy in Pakistan, with her focus being the hunt for bin Laden.  In several difficult-t0-watch early sequences in the film, Maya observes a fellow operative, Dan (Jason Clarke), torturing a detainee with suspected ties to al-Qaeda.  One tidbit of information that he mentions turns into the breadcrumb that Maya spends years following, trying in many different ways to turn a potential hint of a lead into something concrete.

The film is an incredibly complex piece of work.  For almost three full hours, we live with Maya through the myriad twists and turns of the CIA’s investigations during their hunt for bin Laden.  The film piles on the details, not in a confusing way but rather in a way that illuminates the insanely daunting needle-in-a-haystack nature of the search.  Kathryn Bigelow’s patient, taut direction works in perfect concert with Mark Boal’s dense, sophisticated script to bring all these details to life and to make them sing.  It is in the accumulation of details, in the way the film thrusts us into the head-spinningly complex web of secrets and doubts in which Maya and her fellow CIA investigators must live as they push forward their work, that the film weaves its magic and the story gains its power.

This is not a film for someone not willing to pay attention.  The movie does not spell everything out for the audience.  (I was reminded of Tinker, Tailor, Soldier, Spy in the way the film throws around names and terminology without bothering to explain things, immersing the audience in the jargon of this world.)  There are many characters in … [continued]