\

Browse Josh's Portfolio and the Comic, Reviews or Blog archive.

Josh Reviews On the Rocks

Sofia Coppola’s latest film, On the Rocks, stars Rashida Jones as Laura, a woman who begins to suspect that her husband Dean (Marlon Wayans) is cheating on her.  So Laura enlists the aid of her wealthy, playboy-like father, Felix, to track Dean and get to the bottom of what’s going on.  Felix is played by Bill Murray, reuniting at last with Ms. Coppola for the first time since Lost in Translation.  This was one of my favorite movies of 2020!

On the Rocks is very funny.  The pairing of Mr. Murray and Ms. Jones yields as much comedic fruit as I’d hoped.  At the same time, On the Rocks is also a moving, sometimes sad story of the complicated relationship between Laura and her father.  I love how nuanced this film’s storytelling is.  No one is reduced to a simple character, a hero or a villain.  Everyone in this film is imperfect, and Ms. Coppola demonstrates an endearing amount of affection for these broken, flawed people.  I love that about the film.

Both Rashida Jones and Bill Murray are absolutely delightful in the film.  I love their chemistry with one another.  The film really takes off when the two of them are on-screen together, bouncing off one another.  Thankfully, the film’s loose, leisurely pace gives them plenty of time together to play.

This is not a film that is very heavy on plot.  In less-skilled hands that might have resulted in a boring, meandering story.  But what Ms. Coppola has created is a wonderfully engaging character study of these two imperfect people, and the many layers of their relationship with one another.  The film avoids the type of Big Dramatic plot twists or surprises that you might expect to see.  There are a few crazy situations, but for the most part the movie is pleasurably grounded in what feels like real life.

The film sings because of the performances of its two leads.  Bill Murray is magnetic; his charm and charisma show us how Felix has been able to dance his way so successfully through life.  (One of my favorite scenes in the film is the way Felix is able to almost effortlessly turn around what begins as a tense interaction with a policeman.  What’s unspoken yet omnipresent is that things might have played out very differently for Laura, a woman of color, had her wealthy white father not been there.)  And yet Ms. Coppola doesn’t allow Bill Murray’s likability to ever let Felix all the way off the hook for his bad behavior, the ripples of which Laura is clearly still struggling with.  Felix has left significant damage in his wake; and yet, at the same time, there’s … [continued]

Browse Josh's Portfolio and the Comic, Reviews or Blog archive.

Click here for part one of my list of my Favorite Movies of 2020, and click here for part two.  And now, let’s dive into my top Five Favorite Movies of 2020!

5. News of the World I wrestled with which 2020 Tom Hanks film I preferred: News of the World or Greyhound.  Ultimately I gave News of the World the higher ranking, but I wonder if I’ll feel differently a year from now.  They’re both great films!  In News of the World, Mr. Hanks plays Captain Jefferson Kyle Kidd, a veteran of the Civil War who now eeks out a living by traveling from town to town to read from newspapers for the townspeople’s entertainment and edification.  Captain Kidd winds up entangled with a young girl named Johanna, who was kidnapped from her family years ago and raised among a tribe of Native Americans; now she is alone and Captain Kidd sets out to reunite her with her surviving family members.  The film is adapted from the novel by Paulette Jiles and directed by Paul Greengrass.  I thought the film was a delightful departure for Mr. Greengrass — it’s far more slowly paced and elegiac than the intense dramas and action films for which Mr. Greengrass is best known.  But his skill is on display in every frame of their beautiful, melancholy film.  Tom Hanks gives yet another spectacular performance.  (There’s a scene, late in the film, in which Captain Kidd finally faces the grief he’s buried, and it’s an extraordinary few moments of film.)  This is classical movie-making of the best kind.  (My full review is coming soon.)

4. On the Rocks Sophia Coppola’s latest film stars Rashida Jones as Laura, a woman who begins to suspect that her husband Dean (Marlon Wayans) is cheating on her.  So Laura enlists the aid of her wealthy, lecherous, “man about town” father, Felix (Bill Murray, reuniting at last with Ms. Coppola for the first time since Lost in Translation), to track Dean and get to the bottom of what’s going on.  On the Rocks is very funny at times — the pairing of Mr. Murray and Ms. Jones yields as much comedic fruit as I’d hoped — while also being a moving, sometimes sad story of the complicated relationship between Laura and her father.  I love how nuanced this film’s storytelling is.  No one is reduced to a simple character, a hero or a villain.  Everyone in this film is imperfect, and Ms. Coppola demonstrates an endearing amount of affection for these broken, flawed people.  I love that about the film.  (My full review is coming soon.)

3. The Vast of Night First-time filmmaker … [continued]

Browse Josh's Portfolio and the Comic, Reviews or Blog archive.

Josh Reviews The Jungle Book

When Jon Favreau shifted from directing smaller character-based films (like Made) to larger, more special-effects-driven films, he at first did so with a strong attachment to using traditional practical effects over CGI.  (I never saw 2005’s Zathura, but I well remember all of the pre-release interviews with Mr. Favreau in which he spoke of his love for the power of practical effects.)  Both Iron Man and Iron Man 2 featured some incredible CGI effects, but I think the effects in both films worked as well as they did because they were skillfully combined with many practical effects, thus creating an immersive illusion for the audience.  And so it’s fascinating now to see how Mr. Favreau approached the creation of The Jungle Book, a film that, other than the performance of one young boy, has been almost entirely created in the digital realm, including all the animal characters and all of the jungle settings.  This approach, overseen by Mr. Favreau and clearly involving the hard work of hundreds of artists and technicians, has resulted in an extraordinary achievement.

TheJungleBook.cropped

Just like the Disney animated version, this new The Jungle Book tells the story of the young boy Mowgli.  As a baby, he is orphaned in the jungle, but the panther Bagheera saves him and brings him to be raised by a pack of wolves led by Akela and Raksha.  This “man cub” grows up in the jungle.  But when the vicious tiger Shere Khan threatens the wolves for protecting him, Mowgli decides to leave the jungle and allows Bagheera to escort him to the nearby man village.  But Shere Khan will not give up his vendetta so easily.

I don’t have any strong attachment to Disney’s animated The Jungle Book.  I remember liking it as a kid, but it’s not one of the Disney movies that I watched over and over, and it’s been well over twenty years since I have seen it last.  I remember the basic story and some of the songs and not much beyond that.  So while Disney studio’s modern desire to create live-action remakes of seemingly all of their classic animated films puzzles me, I was totally open to a new version of this story.

And to call this a live-action remake is somewhat disingenuous, because, as noted above, other than the real boy Neel Sethi as Mowgli, this is an almost entirely animated film.  It’s just that it has been animated using cutting-edge CGI techniques, rather than traditional hand-drawn animation.

The result is astounding.  Mr. Favreau and his team have crafted an almost perfectly photo-real creation.  You completely believe that you are in the jungles of India, not a studio in Hollywood.  And each and every … [continued]

Browse Josh's Portfolio and the Comic, Reviews or Blog archive.

First up, a big thank-you to everyone who has backed the kickstarter for the Jewish Comix Anthology!  This 250-page hardcover will feature the work of 47 Jewish artists, including Art Spiegelman, Harvey Pekar, Robert Crumb, Will Eisner, Joe Kubert… and me!  There’s only a week left to back the project, so please click here to get in on this!  There are some great backer rewards, including a just-added opportunity to own some original Motion Pictures cartoons by yours truly!  That’s right!  Would you like to own the original version of one of these three cartoons…?

MotionPictures.TheHobbit.sm

MotionPictures.DarkKnightRises.sm

MotionPictures.StarTrekIntoDarkness.sm

Click here to view the kickstarter and purchase those cartoons!  Thanks everyone!

OK, moving on… I have watched this trailer a LOT.  I have an excited feeling that this movie is going to take the world by storm.  (I hope so!!)

Oh man I can’t wait for this:

And this!  (It’s always apey-est just before the dawn…)

As if that Guardians of the Galaxy trailer I posted above wasn’t cool enough, they’ve also just released a new poster with a phenomenal tag-line.

Speaking of super-hero film news, Fox made some headlines recently with the announcement of the cast of their new Fantastic Four film.  I for one am crossing my fingers.  I have always loved the FF and nothing would make me happier than an amazing Fantastic Four movie.  But the casting seems to be rather off the mark.  I don’t mind Johnny Storm being black.  Michael B. Jordan is an awesome actor, I am happy he is in the movie.  And he seems like the only one of these four actors who feels like the right “fit” for his character — in this case the young, brash, fun-loving Johnny.  I am more worked up by skinny Jamie Bell being cast as Ben Grimm!!  And I like Miles Teller, he was phenomenal in The Spectacular Now (click here for my review), but he is WAY too young for Reed Richards.  In fact, ALL of these actors are too young, the FF should all be 30-somethings not 20-somethings.  I hope they have something good up their sleeves, but this casting doesn’t seem to indicate they plan on being too faithful to the comic book characters.  (At least, not the original FF.  Marvel comics’ “Ultimate” universe, created a decade-or-so ago, featured a teenaged FF.  But while there have been some great Ultimate universe stories, I was never that taken by that interpretation of the FF.)  And in a world where Marvel Studios exists, where they have been making amazing Marvel movies that are VERY faithful to the comics, I have little patience for another bad Fox-made FF movie.  Well, hope … [continued]