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Josh Reviews Manchester By The Sea

Casey and Ben Affleck both earned my approbation forever with 2007’s Gone Baby Gone, a magnificent and heartbreaking piece of work.  That film was Ben Affleck’s directorial debut and Casey played the lead role.  If you haven’t seen it, go see it right now.  I’ve been waiting ever since for either Affleck brother to be able to top their incredible work in that film.  (Both have come close once or twice over the years, Ben with Argo and Casey with The Assassination of Jesse James by the Coward Robert Ford.)  A decade later, Casey Affleck might have finally done it with his extraordinary work in the wrenching and deeply moving Manchester By the Sea.


In Kenneth Lonergan’s film, Casey Affleck plays Lee Chandler.  When we first meet Lee in the film, he is working as a janitor on the South Shore (Quincy, MA), living a lonely life consisting of brief, mostly-terse interactions with his building’s tenants and picking bar fights.  Then a call summons Lee back to his home on the North Shore, as his brother Joe (Kyle Chandler) has died of a heart attack.

I’d thought the early death of Lee’s brother would be the central tragedy of the film, but no, that’s not really what the film is about at all.  Although the film takes its time in telling us why Lee is known around town as “that” Lee Chandler, we do eventually learn the heartbreaking details of what has turned Lee into such an empty shell of a person.  It is this that is the defining event of the film, and the reason for telling this story.

Casey Affleck is simply remarkable in the role.  He commands the audience’s attention in every moment that he is on-screen (which is almost the entirety of the film’s 137-minute run-time).  As always, Mr. Affleck eschews movie-star histrionics, instead bringing Lee to life through a series of tiny, quiet moments and his gentle, almost mumbling line-delivery.  With every small action or inaction, with his posture and the look in his eyes, Mr. Affleck fully inhabits this deeply broken man.  My favorite moment in the entire film is the quiet scene in which we see Lee stuffing his clothes in a bag and then, almost reverently, carefully wrapping the three objects (I won’t tell you what they are) he picks up off the top of his chest of drawers.  That’s the whole movie right there.

I knew going in that this would be a somber movie and I was fearful that a two-and-a-half movie about grief, however well-crafted, would be a chore.  But the genius of Kenneth Lonergan’s film is how alive it is.  After two-and-a-half hours, when the credits rolled, … [continued]

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From The DVD Shelf: Gone Baby Gone (2007)

I immediately fell in love with Gone Baby Gone, Ben Affleck’s directorial debut, the first time I saw it in theatres in 2007.  I’ve seen it several times since, and after watching it again a few months ago, I was surprised to realize I’d never written about the film on my site!

The film, adapted by Ben Affleck and Aaron Stockard from the novel by Dennis Lehane, is set in Dorchester (a neighborhood of Boston).  A young private eye couple, Patrick Kenzie (Casey Affleck) and his girlfriend, Angie Gennaro (Michelle Monaghan) are hired to investigate the disappearance of a young girl, Amanda McCready.  The first two-thirds of the film covers their investigation over the next several days, looking for Amanda.  Patrick and Angie eventually learn that Amanda’s mother, Helene (Amy Ryan), was involved in an attempt to scam drug money from a local drug lord named Cheese.  Working with the police detectives assigned to the case, Remy Bressant (Ed Harris) and Nick Poole (John Ashton), Patrick and Angie set up up a meeting to trade the stolen money for the kidnapped Amanda.  But the deal goes badly, and the panicked criminals throw Amanda into the water, where she apparently drowns.

That feels like the end of the story, but in fact it’s all just set-up for the film’s third act, in which Patrick and Angie are faced with an impossible moral dilemma.

I absolutely adore this film.  It’s extremely well-made.  The story by Dennis Lehane is extraordinarily compelling, and Ben Affleck and Aaron Stockard have crafted a phenomenal adaptation, one that is sharp in all the right ways.  I can’t believe that this film is the work of a first-time director, as Gone Baby Gone looks like it was crafted by someone extremely confident in their abilities.  The movie is tense from start to finish, and Mr. Affleck brings a rich emotional depth and a taut narrative intensity to the whole film, both the scenes of action and violence and the scenes of conversation.  The film is gorgeous, with a rich color palette and beautifully composed shots.  More than that, the story is put together with exquisite skill, as Mr. Affleck takes us through both a complex narrative and a deeply-felt, emotionally harrowing journey without ever losing complete control over his audience, what we are thinking and feeling.  And then, at the end, he leaves us to ponder the film’s ending and to make our own decisions, rather than directing us to what he wants us to think.  I’ll talk more about the film’s powerhouse of an ending in a moment, but for now I’ll just say that it couldn’t have been pulled off by anything less than an exceptional … [continued]