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Josh Reviews Toy Story 4

I have loved all three previous Toy Story movies.  Toy Story 2 is one of my favorite sequels ever made, and I adored Toy Story 3 as well.  The ending of Toy Story 3 felt like a perfect ending to the series, beautiful and heartfelt.  And so I was a little nervous when Toy Story 4 was announced.  Was Disney/Pixar going to ruin the perfect ending of Toy Story 3 with another installment?

I needn’t have worried.

Once again, the geniuses at Pixar have produced a gorgeous work of art.  Toy Story 4 is beautiful to look at (the animation is extraordinary) and also rich and resonant beyond what I could have imagined.  I loved it.

Set some time after the end of Toy Story 3, Woody and the gang now belong to a young girl named Bonnie.  But whereas Sheriff Woody was, for a long time, Andy’s favorite toy, Bonnie has started leaving him in the closet in favor of other toys she likes more.  To make himself useful, Woody sneaks into Bonnie’s backpack on her first day of kindergarten, where, during an art project time, he sees Bonnie create a new toy she names “Forky” out of a spork, a pipe-cleaner, and other junk.  When Forky comes to life as a brand-new toy, he considers himself trash, rather than a toy, and continually tries to escape Bonnie to throw himself back in the trash.  Woody and the gang, seeing how much Bonnie loves her new creation, consider it their mission to prevent Forky from escaping.  But on a family road trip, Forky gets away from the family’s RV, and Woody chases after him.  Separated from his friends, Woody comes across Bo Peep, who had been given away by Andy’s sister years before.  Bo has been living as a “lost toy” for years, a fate that, at first, horrifies Woody.  This has been his fear for years, a fear that Woody is now forced to confront head-on in a way he never has before.

I love how deeply these Toy Story sequels have explored the very nature of the original premise.  That Forky, made up of pieces of trash, can come to life after Bonnie creates him, leads to all sorts of fascinating questions (as Kristen Schaal’s Trixie says at one point: “I have all the questions”), and the film allows Forky (and the other toys) to explore Forky’s existential dilemma (he considers himself trash, while Woody and co. consider him a toy) in a way that is surprisingly sophisticated for a kids’ film.  (Of course, Pixar’s films have never been solely “kids’ films.”  That’s their magic.)  Tony Hale is magnificent as the innocent and doubt-filled Forky.… [continued]

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Josh Reviews Season One of Mad Men!

I was excited, last month, to finally sample one of the best-reviewed new shows of the past several years: Mad Men.  No surprise, Steph and I made pretty short work of the 13-episode first season on DVD.

Mad Men depicts the lives of the men and women who work at Sterling Cooper, a Madison Avenue advertising agency in the early 1960’s.  It’s a tough business, but one in which the successful have the opportunity to taste great wealth and privilege.  It’s also a rapidly changing world, as social mores shift and the concepts of traditional “family values” and the strictly defined roles of men and women begin to adjust.  

Mad Men is notable for its sharply-written dialogue and its extraordinary ensemble of actors.  Jom Hamm plays the lead character, Don Draper, a enormous success both as an ad man in the office and with the women in his life, although as the season progresses he finds himself struggling to cope with the secrets of his past and to adjust to the new world of the 60’s.  The aforementioned women in Don’s life include his wife Betty (January Jones), who is devoted to Don but also beginning to chafe at the edges of her housewife life, and Rachel Menken, one of the few Jewish clients of Sterling Cooper to whom Don finds himself immediately attracted.  Much of Mad Men focuses on the hierarchical structure of the Sterling Cooper ad agency.  There are the men on top, like Don and Roger Sterling (the absolutely terrific John Slattery, a real stand-out).  There are the younger executives beneath them, looking to get ahead in any way that they can.  These include Pete Campbell (Vincent Kartheiser), Paul Kinsey (Michael Gladis), Ken Cosgrove (Aaron Stanton), Harry Crane (Rich Sommer) and the head of the design department, Salvatore Romano (Bryan Batt).  Then there are the secretaries.  The show’s pilot takes us through the first day at work of Don’s new secretary Peggy Olson (Elisabeth Moss, Zoey Bartlet from The West Wing).  One of the first people she meets is the queen bee of the office, Joan Holloway (Christina Hendricks, a familiar face to fans of Firefly).  The complex interactions between these characters (along with a variety of supporting players and guest stars), each fighting in some way against the confines of his/her job and obligations, each looking for some way to get ahead, and each flawed in his/her own way, make up the meat of the show’s drama.

Of course, along with the talented writers and actors, we must also praise the amazing production team for the great success of the show.  From the sets, to the wardrobe, to the hairstyles and make-up, Mad [continued]