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Checking into the Overlook Hotel: Josh Looks Back at The Shining

The recent release of the film adaptation of Doctor Sleep (which I thought was great!!  My full review is coming soon!!). the sequel to The Shining, made me feel like it was time to look back at The Shining.  And so I started with Stephen King’s novel, which I’d never before read!  I’m a huge Stephen King fan, but somehow I’d never read this, one of his most well-known novels.  And so last month I decided to remedy that, reading the novel before then rewatching Stanley Kubrick’s famous film adaptation from 1980.

I was not at all surprised to find that I loved Mr. King’s novel.  It’s interesting: while I have read many of Mr. King’s Books, The Shining feels to me like the most “Stephen King” novel of all the Stephen King novels I have ever read.  By that I mean that The Shining seems to be a perfect combination of all of the characteristics I’d most expect from a Stephen King novel: a gripping character story that involves horror both from a human source and with a supernatural bent.

I’ve seen Stanley Kubrick’s film several times, so I was decently familiar with the broad strokes of the story.  (Equally as memorable: The Simpsons’ brilliant parody in Treehouse of Horror V, from 1994.  But that’s a whole ‘nother blog post…)  And yet, when reading the book, I was as gripped by the story as if I was completely unfamiliar with it.  Mr. King’s writing is so propulsive.  It grips the reader right in the guts and pulls you right along.  The Shining is a very internal novel, with a great deal of time spent inside the heads of the main characters Danny, Jack, and Wendy.  And yet it’s never slow or boring.  One of my favorite aspects of Stephen King’s writing is how folksy it is, how conversational, how easily it engages with the reader.  Reading a Stephen King novel, I always feel as if Mr. King is right in front of me, telling me the story, spinning me the yarn.  His writing doesn’t have the formality or distance that prose from a lesser hand might sometimes have.

After finishing the novel, I rewatched the film.  It was great fun to see where the film followed the novel faithfully, and where it diverged.

There’s no question that Stanley Kubrick’s film is a masterpiece.  Right from the opening, in which we follow those magnificent, long tracking shots as the camera glides over the water, eventually finding the Torrence’s lone car as it travels along a windy road, while the camera follows from overhead, the film announces itself as something special, something important, something different and unexpected.  Those long tracking shots … [continued]

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From The DVD Shelf: Josh Reviews A Few Good Men (1992)

A Few Good Men is one of those movies that I saw countless times in the nineties, to the point that I knew the film so well that it bored me. But then I stopped watching it, and when I decided to pop the film into my DVD player earlier this month, it had been many years since I’d last seen it.

While there are a few moments that haven’t aged well, overall I found A Few Good Men to still be a powerhouse of a film – just phenomenally entertaining.

This film is part of Rob Reiner’s astounding run of films – This is Spinal Tap (1984), The Sure Thing (1985), Stand By Me (1986), The Princess Bride (1987), When Harry Met Sally (1989). Has any other director had such a run of such phenomenal films, one after another? And what’s really astounding is how different they all are from one another – different genres, different styles. It’s unbelievable how good all of those films are (and how well they all hold up to this day).

Take a director at the top of his game, and mix him with a screenplay by the brilliant Aaron Sorkin (adapting his own play), and you have a recipe for an amazing film. As with much of the work of Mr. Reiner and Mr. Sorkin, the story has a strong dramatic core – but it is also filled with a lot of humor.

It’s fun to watch this movie now and to see just how young Tom Cruise and Demi Moore are in this film. Cruise is just great – you can see his star-power shining through, bright and strong, in his protrayal of hot-shot young lawyer Daniel Kaffee. Moore is a little flatter, but still does well in the role of the stiff Lt. Cdr. Joe Galloway. I think this is one of her best performances. I feel the same way about Kevin Bacon. I tend to think that he’s a much better actor than Demi Moore, and there are certainly plenty of other films in which I’ve really enjoyed his performance. But still, I would argue that his role in A Few Good Men is one of his very best. I love the way he plays his relationship with Cruise’s Kaffee. There’s deep friendship, but also some rivalry and antagonism, between the two young men. In the hands of less-skilled actors, the relationship could have so easily tipped over to one side or the other – but Cruise and Bacon walk that fine line perfectly. I find their characters’ interplay to be endlessly fascinating, and one of the secret treasures of this film.

The great Kevin Pollack is amazing, as he … [continued]

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Guest Blogger David Edelglass Discusses The Sandlot and A Few Good Men

Below is the third in a three-part contribution from guest blogger David Edelglass to our continuing series in which I asked several of my close friends and colleagues to name their Favorite Movie of All Time. Click here for Part I and here for Part II.

My Favorite Movie From My Childhood: The Sandlot

This is another one of those movies that you can catch on ABC Family or some similar channel just about every month, and that’s A-OK with me.

Whenever I watch this movie, I find myself saying the same thing: “They don’t make kids movies like they used to.” It’s true. Most children’s movies these days are silly, over the top escapades that seem to think kids can’t appreciate a well written story or fully developed characters. The computer animated films have faired slightly better, but only Pixar has really been able to make movies that are funny, heartwarming, and family friendly (in this case I don’t just mean a movie that you can take your kids to, but one that will appeal to all audiences — something that even adults will find enjoyable).

The Sandlot is the story of nine kids during the summer of 1962 in L.A. Scott Smalls, a small, somewhat dorky kid, has just moved to the neighborhood with his mom and stepfather (Karen Allen and Denis Leary). He befriends a group of local kids who play baseball every day, and with the help of their de-facto leader, Benny Rodriguez, he slowly becomes one of the gang (and learns to play baseball to boot). The film is essentially the story of their summer, filled with swimming, giant dogs, James Earl Jones, and lots and lots of baseball.

The nine kids who make up the core of the movie are fantastic. Not only are the actors great, but the characters are all well developed and diverse. Each one has their own personality, and while some get more screen time than others, they all seem like real people, not vague character sketches.

Next time this film is on ABC Family, check it out. You’ll enjoy yourself, no matter how old you are.

Honorable Mention: The Last Starfighter


My Favorite Comedy:

This ones is tough. I spent a lot of time thinking about it in preparation for this post, and ultimately I decided that I just can’t decide. There are just too many great films out there, and comedies in particular seem to be very dependent on when you watch them and who you watch them with.

Some of those that have made me laugh the hardest upon first viewing are Planes Trains and Automobiles, The Hangover, Tropic Thunder, and Wedding Crashers, but movies … [continued]

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From the DVD Shelf: The Departed

As with Charlie Wilson’s War (which I wrote about on Wednesday), The Departed is a movie whose DVD has been sitting on my shelf for a while now, waiting for me to revisit it (after really enjoying my first viewing when I saw it in theatres).  I am pleased to say I enjoyed the film during its second viewing as much as I did during its first.

The Departed is a sprawling film that focuses on two young men who are, in many ways, the mirror opposites of one another.  Leonardo DiCaprio plays Billy Costigan, a state cop assigned to infiltrate the mob run by Frank Costello (Jack Nicholson), while Matt Damon plays Colin Sullivan, one of Costello’s men who is assigned to infiltrate the state police.  The film deftly follows their two stories, as each one works to make a name for himself in his new world, all the while scrambling to stay one step ahead of discovery.  William Monahan’s script is taut and smart, giving DiCaprio and Damon plenty of great character material to work with, while also fashioning a throughly entertaining, twisty narrative.  (I am becoming an enormous fan of Mr. Monahan’s writing, by the way.  In addition to his work in The Departed, I thoroughly enjoyed his script for Ridley Scott’s criminally-underrated Kingdom of Heaven.)

As good as Damon and DiCaprio are, though, they almost have the movie stolen right out from under them by Alec Baldwin and Mark Wahlberg, who are both absolutely magnificent playing two gleefully profane Boston detectives.  Martin Sheen is a great father figure as Police Captain Queenan, and Jack Nicholson — well, he’s Jack!  Completely over-the-top but somehow still believable as the dangerous Costello.

Having lived in both Providence and Boston, I really enjoyed the film’s focus on the distinct flavors of those two great cities.  I love movies that dig into a particular subculture, whether that’s a documentary such as Spellbound or Wordplay, or a movie like Adventureland (which I reviewed here) that captures the life of kids working a summer job at an amusement park.  So it’s no great surprise that I was tickled by The Departed‘s focus on life in Providence and Boston, two cities that are both quite different than, say, New York.  Now, I can’t really vouch for the veracity of the depiction of the crime families of those two towns, but I can say that I think Mr. Scorsese and his collaborators really captured the unique FEEL of those two cities.  

This is a big story being told, taking place over many years and with a lot of characters and a lot of narrative twists and turns.  It is … [continued]