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Catching Up on 2012: Jeff, Who Lives at Home

In Jeff, Who Lives at Home, Jason Segel plays Jeff, a young man searching for himself.  Jeff seems like an intelligent and affable fellow, but when we meet him we also see that he’s something of a lazy bum, and he still lives in his mother’s basement.  Ed Helms (The Daily Show, The Office) plays Jeff’s brother, Pat.  Pat is successful in all the ways Jeff is not (he has a job and a house and a wife and a car), though as it turns out, Pat’s life isn’t so swell after all (not the least of which because his wife, played by Arrested Development’s Judy Greer, might be cheating on him).  Susan Sarandon plays their mother, Sharon.  The film chronicles one eventful day in the life of this family.  In the morning, Jeff gets a phone call at home that turns out to be a wrong number.  But Jeff, a firm believer in destiny, becomes convinced that the call holds a clue to something he should be doing.  He holds fast to this conviction over the course of the crazy day that follows, in which his and Pat’s lives come crashing together.

This lovely little movie made it onto my Best Movies of 2012 list, and deservedly so.  I love it.  It’s a very funny film, though it’s not a laugh-a-second joke-fest.  The film is sweet and warm, a tough tone to pull off without being sappy, but writers/directors Jay & Mark Duplass give the film enough edge that the story maintains its bite throughout.  The Duplass brothers and their cast also carefully walk the tricky line of likability.  There’s a lot to dislike about all of the main characters — particularly Ed Helms’ Pat — but they are careful to bring enough humanity and, I’ll use this word again, warmth to all of the characters that I quickly found myself falling in love with the whole ensemble.

Everyone in the cast does superlative work, particularly Mr. Segel and Mr. Helms, who both mine their characters’ sorry lives for big laughs without ever turning themselves into simplistic cartoons.  I loved their chemistry together, and the way in which the slothful, jovial Jeff and the prickly, high-strung Pat bounced off of one another throughout the film was a lot of fun to watch. I also really enjoyed Susan Sarandon’s work in the film.  Her character, Sharon, starts off as just the one-note nagging mom to Jeff & Pat, but I was very pleasantly surprised to see that, by the end of the film, Sharon’s story had blossomed into a journey of self-discovery of her own.  Judy Greer and Rae Dawn Chong round out the ensemble cast, and … [continued]

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Back in 2010, I had a hard time coming up with ten movies I liked enough to put on my Top 10 Movies of the year list.  Last, year, in 2011, I thought there were so many great movies that I had a Top 15 list (and I even squeezed in a few extra movies by including several ties).  I thought 2012 was another fantastic year at the movies.  I could have easily had a Top 20 list this year, but I thought that might have been excessive.

There were a lot of great films I saw in 2012 which didn’t make this list, including: Silver Linings Playbook, Wanderlust, Skyfall, This is 40, Ted, Chronicle, Paul Williams Still Alive, and many more.

As always, I also like to make mention of the many films that interested me that I just didn’t get a chance to see in 2012.  These include: Killing them Softly, Flight, Beasts of the Southern Wild, Hyde Park Hudson, Butter, Hitchcock, Wreck-It Ralph, The Perks of Being a Wallflower, Holy Motors, Smashed, Detention, and Savages.  So if you loved one or more of those films are are wondering why they’re not on my list, well, now you know.

Here now is my list of the Top 15 Movies of 2012:

15. The Five-Year Engagement This film has really grown on me since I first saw it, early this year.  I love how unusual its structure is — whereas most romantic comedies keep the two main characters apart until the very end, this movie starts with Tom (Jason Segel) proposing to Violet (Emily Blunt).  Things go downhill for there.  For a romantic comedy, this film goes into some grim territory — since much of the movie is about the happy couple slowly growing apart, there are certainly some parts of the film without a lot of yuks.  That threw me a bit the first time I saw the film, but I have come to really love and admire this film for its weird structure and premise.  And while there certainly are a few serious moments in the film, everything else is is pretty much jam-packed with big laughs and wonderful, very memorable characters.  Chris Pratt (Parks and Recreation) and Alison Brie (Mad Men, Community) steal the film as Tom’s best-friend and Violet’s sister, who meet at Tom and Violet’s engagement party and quickly fall in love, get married, and have kids before Tom and Violet even make it to the altar.  (Chris Pratt singing to Alison Brie at their characters’ wedding is one of my favorite moments I’ve seen onscreen all year.)  But wait, this film also has substantial, … [continued]

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Catching Up on 2010: Josh Reviews Cyrus

In the film Cyrus, written and directed by Jay & Mark Duplass, John C. Reilly stars a John, a pretty pathetic fellow whose self-confidence is not improved by the news that his ex-wife, Jamie (Catherine Keener), is about to re-marry.  Jamie convinces John to join her and her fiancee at a friend’s party.  To John’s great surprise, he actually winds up hitting it off with a beautiful woman named Molly (Marisa Tomei).  They go on a couple of dates, all of which go very well.  Molly seems wonderful.  But when he notices that Molly never seems willing to spend a whole night at his place, John begins to wonder if she’s married, or if she’s hiding some other secret from him.  When he follows her home one day, he discovers what that secret is: her 21-year-old son, Cyrus.  Molly has raised Cyrus by herself, and neither has ever been able to separate from the other.  He still lives with her, but that’s the least of it!  To call their relationship co-dependant would be a dramatic understatement, and John is forced to wonder whether he can ever fit into the life that those two have created for each other.

I’d read some rave reviews about Cyrus when it played at festivals earlier this year.  Even though it’s release to theatres fizzled this past summer, I was eager to watch it on DVD.  I’d read that this was a black comedy, but I wasn’t quite prepared for the weirdness on display in this film!!  It certainly goes to some places I did not expect.  There’s a lot that I enjoyed about the film, though I can’t really say that it all worked for me.

The biggest problem with the movie, for me, was the first twenty-or-so minutes before we meet Cyrus.  The film takes this time to establish John as a character.  I understand that we need to learn that he’s lonely and odd, because we need to understand why he doesn’t head for the hills at the first whiff of weirdness between Molly & Cyrus.  The filmmakers need to show us that John is a man pretty desperate for love and companionship, and that is what causes him to stick things out and try to fight for Molly’s affections.  But, boy, I think the Duplass brothers went WAY too far over the top in presenting John as such an extraordinarily pathetic loser in those opening scenes.  Those sequences are just PAINFUL to watch — I didn’t find any humor in those scenes, they just made me squirm.

The film comes to life, though once we meet Cyrus.  Jonah Hill has come a long way since the first movie he appeared in … [continued]