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Josh Reviews Amazon’s Adaptation of Good Omens

This past summer, Amazon released a six-episode adaptation of Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch, the wonderful novel by Terry Pratchett and Neil Gaiman.  I love the novel.  It’s a deliriously funny, clever romp that reminds me very much of the work of Douglas Adams.  The mini-series, like the novel, charts the unlikely friendship between an angel, Aziraphale, and a demon, Crowley.  When the Antichrist is born on Earth, and the sides of Heaven and Hell ready for war, Aziraphale and Crowley, having grown to quite like life on Earth, realize they have no choice but to work together to try to prevent the end of the world.

In the mini-series adaptation, Michael Sheen plays Aziraphale and David Tennant plays Crowley.  This is genius casting for both characters, and what I liked best about this mini-series was seeing these two characters brought to life so well, and watching them bounce off one another.  Both Mr. Sheen and Mr. Tennant are absolutely perfect, and they both have tremendous comedic timing which is put to good use here.  I loved their scenes together.  I was particularly taken by episode three, “Hard Times,” one of the few times in which the show diverged from the novel, showing us the history of Crowley & Aziraphale’s strange friendship over the centuries, from Noah’s ark through the time of Jesus to the modern day.

This mini-series is one of those curious projects which is incredibly faithful to the source material and yet still, somehow, winds up missing the certain spark that made the source material so special.  The mini-series lacks the comedic pulse of the novel, and its light tone.  Most importantly, the novel is so, so funny, and unfortunately the mini-series isn’t.  It’s a shame, because I was generally impressed with how carefully they adapted the story.  The six-episode length gave the show plenty of time to fit in almost all of the novel’s many twists and turns.  They even included the narration, using the great Frances McDormand to play the narrating voice of God.  This inclusion of the narration is a great example of where the mini-series wound up going just a tad bit astray.  Including the narration — unusual for a TV show to have — allows the mini-series to include many of the book’s best jokes.  But on the other hand, I found the narration slowed down the show and prevented me as an audience member for connecting as deeply with the characters as I might have expected.  The narration kept me at a distance.  And as such, I found the jokes in the narration didn’t land nearly as well as they did in the novel.

The … [continued]

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Josh Reviews Baby Driver!

I have enormous love for all of writer/director Edgar Wright’s collaborations with Simon Pegg and Nick Frost, from their fantastic TV show Spaced to their trilogy of films Shaun of the Dead, Hot Fuzz, and The World’s End.  Though actually, I have to admit that my absolute favorite Edgar Wright film is his criminally underrated 2010 film Scott Pilgrim vs. the World, which I adore with all my heart.  That Edgar Wright has not directed a film since that 2010 release is a crime.  And so I was more than a little excited for his new film, Baby Driver.

The film does not disappoint.

The titular Baby Driver is played by Ansel Elgort (The Fault in Our Stars).  Baby is a young man who has found himself in the position of being a getaway driver for a cadre of criminals and reprobates.  He has tinnitus and is a great lover of music, so he is almost always listening to music on his ear buds as a way to drown out the ringing in his ears and, perhaps, to keep him safely isolated from the big bad world around him.  Baby’s float-through approach to his life is rattled when he meets and begins to fall in love with a young waitress named Debora (Lily James).  The two young lovebirds hatch a plan to leave town and the lives they hate, but Baby finds it harder than he expected to get out from under the thumb of the big bad men for whom he works.

Oh man did I love this movie!  Edgar Wright has concocted a fiercely entertaining rush of a film, with every instant of screen-time packed to the gills with great music, exciting action sequences, and witty dialogue.

Mr. Wright has assembled an incredible ensemble of actors for his film, and he rewards his cast by giving each one of them a ton of fun stuff to do, allowing them each to create extraordinarily memorable characters in whatever amount of time they have on-screen.

Kevin Spacey plays Doc, the man-with-the-plan who comes up with all the criminal schemes and assembles the team.  It’s a great role for Mr. Spacey, who is terrific at playing loquacious characters with an edge of danger.  Mr. Spacey also allows us a tiny glimpse at the beating heart beneath the polished facade, which only emphasizes Doc’s dangerousness.  Jon Hamm plays Buddy, the confident, smooth-with-the-ladies man of action.  It’s fun (and sort of endearing) to see Mr. Hamm try to play scruffy-looking.  Mr. Hamm’s performance is fun in the first half but really comes alive in the second half when his character is pushed into some tight corners.  Eiza González plays … [continued]

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Josh Reviews Unbreakable Kimmy Schmidt Season One

Tina Fey and Robert Carlock have followed up the magnificent 30 Rock with another wonderfully unique, funny, sweet creation: Unbreakable Kimmy Schmidt.  The show was developed for NBC who, for some unfathomable-to-me decision, passed on the show after the entire thirteen-episode first season had been completed.  Thankfully Netflix rode to the rescue to release the first season (and commissioned a second one!).

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Ellie Kemper (The Office, Bridesmaids) stars as the titular Kimmy Schmidt who, when the show begins, has just been rescued from 15 years of captivity underground, where she was held along with three other women by an apocalyptic cult leader.  Ready to start a new life, she moves to New York City where she finds an apartment to share with the jovial, wannabe-Hollywood star Titus Andromedon (Tituss Burgess) and a job as a nanny for the wealthy, neurotic Jacqueline Vorhees (30 Rock veteran Jane Krakowski).

What’s so remarkable about Unbreakable Kimmy Schmidt is its tone.  The show manages to pull off an unapologetically positive, upbeat vibe, something very rare in a post-Seinfeld era of snarky comedies.  Note: I am not criticizing all snarky comedies, and I think Seinfeld is one of the greatest TV shows ever made.  But what a refreshing delight it is to watch a comedy that manages to be very funny and also so life-affirming and upbeat.  As we get to know Kimmy over the course of these first thirteen episodes, we see that her positive outlook on life has made her spirit “unbreakable”, and the show shows us how her sunny disposition is able to positively affect those around her.  This is a very sweet idea for a show, and it’s impressive that Ms. Fey & Mr. Carlock and their team are able to pull this off so smoothly.  (I love that all of the show’s episode titles end with a jovial exclamation point!)

And make no mistake, the show is very funny.  Unbreakable Kimmy Schmidt possesses the fast-paced loopiness and quotability that made 30 Rock so endearing, as well as that show’s ability to dive deeply into a gag.  As an example: Titus’ “Pinot Noir” music video from episode six, “Kimmy Goes to School!” is a triumph, and one of the best things I have seen on TV all year.

The show represents a star-making turn for Ellie Kemper.  Ms. Kemper has demonstrated her comedic chops on TV (The Office) and on film (Bridesmaids), but in Kimmy she has found her greatest role so far.  Ms. Kemper is tremendous in the role, able to sell both Kimmy’s toughness and her sweet innocence.  She’s able to play both the straight-woman (particularly in any scene with Tituss Burgess or Jane … [continued]