I’ve enjoyed reading Howard Kurtz’s writing — about politics, and about media — over the years. He screwed up big-time in his reporting about Jason Collins’ coming out as gay. But hoo, boy, this video of him getting mercilessly grilled — on his own CNN show — about the incident is pretty brutal. Click here to see a very uncomfortable fifteen minutes. I was like a deer in the headlights — I couldn’t look away.
Another great season (thank goodness it’s not the last!!) of Parks and Recreation has recently wrapped up, and so once again Hitfix’s Alan Sepinwall has another great post-season wrap-up interview with Parks & Rec’s show-runner (who also has been playing Dwight’s cousin Mose on The Office for the better part of a decade). Click here to read the full interview. (Fortunately, soon after that interview was conducted, the news broke that Parks and Rec has indeed been renewed for a sixth season.)
Is Star Wars the most over-rated franchise ever?? Click here for another fantastic opinion piece from Badass Digest’s Devin Faraci. One fantastic film and one very good film out of six? It’s sort of hard to argue with that…
If you’re a comic book fan and you don’t know who Len Wein is, it’s time to learn. Click here for a wonderful interview with the man who had his hand in creating the All-New X-Men back in the ’70s.
I’ve been waiting for Alfonso Cuaron’s next film for a while (I think Children of Men is pretty much a masterpiece), and this first look at Gravity has me drooling:
Jack Bauer might return — but not in the long-talked-about movie, but rather in a new 24 TV series? That is a wild idea! I loved 24 when it began, but the series’ formulaic story-telling caused me to lose patience by the end, and I didn’t actually watch the last season. But with better writing, I definitely think there is still life in the character and the franchise. I am bummed the movie never happened, but I’d definitely check out a new 24 TV series. It’ll be interesting to see if this goes anywhere… UPDATE! It’s happening! 24: Live Another Day will run 12 episodes and premiere next May. Wow. Could it be good? (That spin on the Die Another Day Bond title doesn’t impress me.) Chloe, open a socket!
So they’ve finally made a movie of Ender’s Game? Feels like this … [continued]
Iron Man was a magical film, a movie that caught a very specific, crazy sort of lightning in a bottle. I remember seeing it in a theater that very first time and realizing immediately that it was something special. It was intense and bad-ass but also incredibly funny and light-hearted. The special effects were terrific, the character arcs were compelling, the ending was magnificent and the post-credits epilogue blew my mind, promising a whole new universe of possibilities (one that I still find it hard to believe came to such spectacular fruition with The Avengers). Yes, I remember seeing Iron Man for the first time (click here for my original review), and I also vividly remember seeing it for the second time, about 24 hours later, because it was a movie I just had to see again, immediately.
The filmmakers stumbled with Iron Man 2, a listless film that seemed to re-tread a lot of the same ground the first film had covered, while at the same time promising us hints at other story-lines and characters (S.H.I.E.L.D., the Black Widow, Howard Stark) that would only come to fruition in future films. (Click here for my original review of Iron Man 2.) But I am pleased to report that Iron Man 3 (or Iron Man Three, as written in the closing credits — and good god do I love that) is a triumphant return to form, a thrilling, action-packed romp that is a true sequel to the first film and a rollicking, riveting start to the Marvel movie universe’s Phase Two. It’s not as perfect as Iron Man — there are a bunch of niggling plot holes that bug me, which I’ll discuss at the very end of this review — but it’s a pretty terrific super-hero adventure film, one that I hope to see again very soon.
Although the heroes won the day in The Avengers, Tony Stark is shaken by how close he came to death during the big battle in New York City. Faced with the existence of aliens, not to mention super-soldiers, gamma-irradiated behemoths, and Asgardian deities, Tony has had to face the brutal truth that he’s just a mortal human being in a metal suit. He’s tried to find solace and comfort by building new Iron Man suit after new suit, trying to prepare himself for any eventuality, to give himself some sort of guarantee that he’ll be able to protect himself and Pepper, the woman he loves. When his buddy Happy Hogan (Jon Favreau, returning to the role of Happy even though he’s no longer behind the camera as the film’s director) is injured by a terrorist attack by the mysterious … [continued]
So, OK, bloody disgusting ran an article that Fox doesn’t know what to do with a proposed sequel to Ridley Scott’s Prometheus, and that the source of the problem is that when Lost’s Damon Lindelof re-wrote Jon Spaihts’ original Alien prequel script into what became Prometheus, he turned a one-shot film into the start of a trilogy, except now he isn’t returning for film two and so Ridley Scott and Fox are left holding the bag with no idea where to take the story next. The article is pretty fierce in attacking Mr. Lindelof, and no surprise he has responded to defend himself, saying that Ridley Scott and everyone at Fox all wanted Prometheus to be the start of a trilogy and explaining why he isn’t returning for the sequel. I have no reason not to take Mr. Lindelof at his word, but the real story to me, here, is how clear Mr. Lindelof’s comments illustrate the brain-dead decision-making that went into the making of Prometheus. Mr. Lindelof comments that the whole idea was that, if/when they made a sequel to Prometheus, they didn’t want that sequel to be the already-made original Alien. They wanted room to explore the story further, to tell what he describes as a “parallel” story to the events of Alien and its sequels. That’s why instead of making the planet that they find in Prometheus LV-427, the planet where Ripley finds the crashed ship and the alien eggs in Alien, they decided to set Prometheus on a different planet (despite the fact that they kept in the film the Engineer’s ship that looks exactly like the one Ripley found, crashing at the end so it looks exactly like what we saw in Alien. Guess those Engineers just crashed their ships on LOTS of barren planets, huh? So stupid!!). Am I the only one who sees how easily the filmmakers could have had their cake and eaten it too? Had they stuck with Jon Spaihts’ original plan, the events of Prometheus would have beautifully lined up with what we saw in Alien, explaining who the Engineers were and how their ship carrying Alien eggs wound up crashed on that planet… and meanwhile, had the movie ended exactly the way it did, with Dr. Shaw and David’s head surviving the Engineer’s rampage and setting off in search of the Engineer’s home-world, they could have had their “parallel” story-line right there, continuing to explore Shaw’s adventures in future films without connecting any further to Ripley. Am I right or am I crazy?? Once again I am struck by what an enormous, jaw-dropping missed opportunity Prometheus was. (Click here for my original review … [continued]
I am absolutely loving this new Iron Man 3 trailer:
This movie looks fantastic from what we have seen so far. I love seeing Tony really challenged. I love the idea of connecting this film to the Avengers not by featuring other super-heroic characters, but by exploring the psychological ramifications of what Tony went through in that film. I love what we have seen of Ben Kinglsey’s interpretation of the Mandarin as a media-savvy terrorist. I love the teases of what looks to be some great action set-pieces. It’s Shane Black working again with Robert Downey Jr. I am in.
I am intrigued by this announcement of The X-Files Season 10 in comic-book form. And I wholeheartedly agree with Mr. Faraci’s statement that the time is ripe for an X-Files revival. I posted a lament when the date for the alien invasion came and went a few months ago, with no sign of the massive X-Files third movie I had been hoping for. I would love to see that remedied someday, before all the actors get too old. A man can hope…
I am always too busy over the summer to watch The Daily Show, a fact which eased my initial dismay when reading this announcement that Jon Stewart is taking 12 weeks off from the show to direct a film. What’s particularly fascinating is that Mr. Stewart isn’t planning on directing a comedy, but rather an adaptation (that he has written) of the book Then They Came For Me: A Family’s Story of Love, Captivity, and Survival. The book was written by Maziar Bahari and Aimee Molloy, and tells the true story of the detention and torture of Mr. Bahari, a BBC journalist, for 118 days in Iran. Viewers of The Daily Show might recall Mr. Bahari, as he appeared on the show both before and after his ordeal. One of the pieces of evidence used against him by the Iranians, who accused him of being a spy, was a previous comic appearance he had made on The Daily Show.
The fact that Warner Brothers seems to have no idea what to do with all of the DC Universe super-hero franchises they own, exhibited by their inability to get a Justice League movie off the ground, would be hilarious if it wasn’t so disappointing to folks like me who would love to see a whole slew of kick-ass DC movies. Here’s hoping Zack Snyder’s Superman film doesn’t disappoint. Going back to Christopher Nolan and Christian Bale seems like a desperation move to me. Though I would rather see Christian Bale back in the bat-suit than Joseph Gordon-Levitt, as had been rumored. Look, I think Joseph Gordon-Levitt … [continued]
Yesterday I published part one of my list of the Top 15 Comic Book Series of 2012. You can also check out my Top 15 Movies of 2012: click here for part one, here for part two, and here for part three.
And now, on to the conclusion of my list of the Top 15 Comic Book Series of 2012!
5. Batman: Earth One – A staggeringly entertaining ground-one reinvention of Batman, I can’t believe how much I loved this hardcover graphic novel by Geoff Johns and Gary Frank. I don’t have too much patience for creators reworking classic super-hero origins — do they think they know better than the original creators of these long-lived, much-beloved characters? And if you’re going to re-tell Batman’s origin, how could anyone possibly do it better than Frank Miller and David Mazzuchelli’s superlative Batman: Year One from the eighties? While I wouldn’t consider this origin story to be superior to Batman’s established origin, it’s a marvelously entertaining what-if version in which all of the familiar beats play out differently. (And it’s hugely superior to DC’s first “Earth One” graphic novel, J. Michael Straczynski’s woeful Superman: Earth One.) Mr. John’s tweaks to the familiar characters (I particularly love Earth One’s versions of Alfred and Harvey Bullock) plus Mr. Frank’s exquisite art make this a knockout. I hope they make lots more sequels so that I can return to this world for further adventures.
4. America’s Got Powers – This six-issue mini-series (of which four issues have been published so far) has been blowing my socks off. Superstar artist Bryan Hitch (for my money, the very best illustrator of super-hero comic books working today) and Jonathan Ross have teamed up to create this original, powerhouse new series. Something has gifted a whole generation of young people with super-powers. A fearful government has rounded up anyone exhibiting special abilities, but to keep them (and the general population) from focusing on the hideous human rights abuses, they have created a super-powered reality TV show in which the super-powered kids compete for fame and glory. No surprise, the behind-the-scenes reality is far different than the happy, televised spectacle. This series is deft speculative fiction of the very best kind, crossed with a terrific super-hero adventure story. I have loved every single page. I hope this series continues beyond the scheduled six issues.
3. All-New X-Men – The biggest surprise of the year for me has been Brian Michael Bendis’ new X-Men series. The Beast, fearing that his life is nearly over and distraught at the state of the X-Men, the world, and the actions of his former best friend Scott … [continued]
Now let’s jump into my second Best of 2012 list, my list of the Top 15 Comic Book Series of 2012!
First up, some honorable mentions. They didn’t make by best-of list, but I really enjoyed The Manhattan Projects, Secret, The Massive, the publication of Alan Moore’s last scripted issue of Supreme, the conclusion of RASL, Ultimate Spider-Man (dropping off my best-of list for the first time since I started doing this, but still a great comic book), Daredevil: End of Days, and Peter David’s X-Factor.
15. Batman Beyond: Unlimited – I am loving this continuation of the world of Bruce Timm’s animated Batman Beyond series. The comic has picked up on many terrific story-lines left hanging by the show’s conclusion, including Terry’s membership in the Justice League, Superman’s return to Metropolis, Terry’s relationship with Dana, the tragic events that befell former Robin Tim Drake (as depicted in the Return of the Joker DVD movie), and at last the introduction of Dick Grayson into Batman Beyond continuity. With the Justice League and the New Gods front-and-center, as well as a revitalized Jokerz gang, the stories feel suitably big and epic. I love that each issue is double-sized, with several serialized stories running concurrently. The art is a little inconsistent on some of the features, but I love Dustin Nguyen’s work, and I am absolutely delighted to see the great Norm Breyfogle once again illustrating a Batman comic.
14. Winter Soldier — Ed Brubaker’s final Captain America story-line has been terrific, returning full-circle to where his Captain America epic began years ago, with a still-alive Bucky Barnes operating on the fringes of the Marvel Universe, trying his best to be a hero in the murky world of spies and shadows. I love the relationship between Barnes and the Black Widow. I love how heavily SHIELD and Nick Fury are involved in the story. I love Butch Guice’s spectacular illustrations, at once retro and very modern. This is a great noirish super-hero story, and I’m going to be sorry to see it end.
13. Batwoman — J.H. Williams III’s lavishly illustrated series continues to impress me. Without question, the main draw is J.H. Williams III’s jaw-droppingly gorgeous art, so creative in terms of page and panel layout, and his use of different artistic styles for different characters/settings. But Mr. Williams has also been doing fine work as the writer, spinning a great mystery yarn that is grounded but not afraid to embrace the supernatural or the super-heroic. The latest story-line, featuring … [continued]
In Part One of my list of the Top 15 Movies of 2012, I listed numbers 15 through 11, and in Part Two I listed numbers 10 through 6. Let’s bring it home with the final installment of my Best Movies of 2012 list!
5. Django Unchained – Quentin Tarantino’s fierce, fiery, take-no-prisoners assault on the institution of slavery in America is at once a very serious attempt to look this great evil of American history straight in the eye, while also being a phenomenally entertaining, funny, exciting, action-packed and blood-soaked Spaghetti Western adventure. That Mr. Tarantino’s film succeeds so wildly on both counts is a testament to his enormous skills as a filmmaker. Django Unchained is unquestionably the product of Mr. Tarantino’s wonderfully distinct cinematic vision. The film is filled with astoundingly beautiful dialogue, incredible tension, various (very funny) anachronistic touches, spectacular (and very bloody) action, and a glorious musical score — all of which are Mr. Tarantino’s specialties. Jamie Foxx and Christoph Waltz are both absolute perfection as the twin anchors of the film, totally commanding in their roles, with each creating iconic, memorable cinematic characters. Leonardo DiCaprio and Samuel L. Jackson are both equally spectacular as the film’s abhorrent villains. Django Unchained feels transgressive, it feels dangerous. It is without question fiercely alive and engaging from the very first frame to the very last, and I found it to be one of the most fun, visceral, intense experiences I had in a movie theatre this year. (Click here for my original review.)
4. Zero Dark Thirty – Kathryn Bigelow and Mark Boal have together created an astonishing cinematic document that powerfully brings to life not only the complex, often seemingly hopeless decade-long search for Osama bin Laden, but also the vast human cost (on all sides) of that pursuit. For almost three full hours, I sat riveted by the drama on-screen as CIA operative Maya (Jessica Chastain), assigned to the U.S. embassy in Pakistan, worked — together with other operatives, interrogators, and analysts — for year after long year, trying to piece together a chain of evidence that would lead U.S. forces to discover the hiding place of Osama bin Laden. This film revels in the details, in the minutia of Maya’s world, without dumbing anything down or over-explaining anything to audiences. This is a film that assumes a lot of its audience: that we are decently well-versed in the historical background, and that we are capable of paying close attention to the film as it unfolds. Jessica Chastain does magnificent, star-making work as the driven but haunted Maya. The action sequences are phenomenal, particularly the climactic assault on bin Landen’s compound in … [continued]
Behold our first glimpse at the post-Avengers Marvel Movie Universe!
How spectacular is that trailer?
It’s visually gorgeous, and it promises a dark, things-go-really-wrong-for-our-hero vibe. Written and directed by Shane Black (go watch his magnificent film Kiss Kiss Bang Bang starring, oh, what a coincidence, Robert Downey Jr., if you want proof of his ginormous talents) I’m sure there will still be a lot of humor in this film, but I love that the trailer teases us with a grim tone.
And at last, after being deliciously teased in the first Iron Man film (and then sadly ignored in Iron Man 2), we’re getting to see Iron Man’s quintessential villain, the Mandarin, on screen! And played by Sir Ben Kingsley, no less. Phenomenal.
After the greatness of The Avengers (click here for my review), the challenge of the next Marvel movie is to not feel like a letdown. A good trailer isn’t proof of anything (exhibit A: Star Wars Episode I: The Phantom Menace) but I am very, very excited for April.… [continued]
Arrested Development lives!! This photo of Buster from the upcoming new episodes (I’m hearing Spring 2013?) really made me laugh.
Rumblings of a Dr. Horrible sequel continue to, well, rumble. Could this actually become a reality next year? Hoping hoping hoping.
Yeahbutwha? The star of the new S.H.I.E.L.D. TV series will be the killed-off-in-The Avengers Agent Phil Coulson?? I love Clark Gregg and love the idea of him headlining a new Marvel Universe TV show, but how is this possible? Does this mean the S.H.I.E.L.D. show is set in the past? Very curious…
This is a fascinating article by screenwriter Jon Spaihts on his original ideas for Prometheus, back when the film was without-question an Alien prequel. (Mr. Spaihts apparently wrote five drafts of the film, before handing it over to Damon Lindelof for further revisions into the film that was actually shot.) Hindsight is of course twenty-twenty, but boy Mr. Spaiht’s ideas as he describes them sound far superior to the film we actually got.
I love the idea that Emily Blunt (originally in the running to play the Black Widow in Iron Man 2, and I must say I think she would have been FAR better casting that Scarlett Johansson) is rumored to now be up for a role in Avengers 2. I hope this happens.
I am fascinated by the massive HD remastering project necessary for the release of Star Trek: The Next Generation on blu-ray. (I loved the sample disc, though I haven’t yet shelled out for the complete season one, released a few months ago.) Because Next Gen was edited on videotape, each individual has had to be re-edited from the original film negatives — the scale of the endeavor just boggles my mind. Trekcore has posted a fantastic interview with the re-mastering team. Here also is an interview with the CBS producers overseeing the project.
Speaking of Star Trek: The Next Generation, last month marked the 25th anniversary of the premiere of Next Gen. Here is a fantastic interview with Ronald D. Moore (one of the key writers for Next Gen and then Deep Space Nine, and of course also the creator and show-runner of the re-launched Battlestar Galactica) on the occasion of Next Gen’s 25th anniversary.
Back in 1990, fans went crazy when they noticed an Alien skull hanging as a trophy in the Predator’s ship in Predator 2. Here is a much less-cool sort of inter-sci-fi-movie crossover. (Well, the idea does have a crazy sort of inspiration, I guess, but the problem is it just doesn’t really make any sense…)
Edgar Wright, Nick Frost, and Simon Pegg’s third film together (after … [continued]
Raiders of the Lost Ark is being re-released to theaters!! IN IMAX!!! I am so there. Here’s a trailer!
My mind is reeling with the possibilities of Days of Future Past, the newly-announced upcoming X-Men film. I agree with every suggestion on this list of 10 cameos that would be great to see in the X-Men sequel.
They’re really making Kick Ass 2?? And they’re courting Jim Carrey to appear in the film?? I am so happy.
While I’m on a role with super hero movie sequel news, this is a great idea.
I loved the early seasons of The Office, but I’ve been dissatisfied with the last few years and I finally gave up on the show about halfway through the last season. But with the recent news that this coming season will be the show’s last, I’m considering tuning back in to see how things wrap up. We’ll see… (Here’s some more info on the end of the show.)
Looks like Ron Howard’s proposed TV-and-film adaptation of The Dark Tower has hit another snag. I have nervousness about the idea of Akiva Goldsman being involved in the scripting, but boy would I love to see this incredible property done right. I agree 100% with Devin’s opinions in that piece (both about wishing fervently that Viggo Mortensen would take the title role, and feeling that a cable TV series adaptation is the best way to go, rather than a film trilogy…).
Sad news that actor William Windom, who played Commodore Matt Decker on the Classic Star Trek episode “The Doomsday Machine,” has passed away at age 88.
“Meanwhile, at the Legion of Doom…”
Wow, that is targeted exactly to my funny bone. Can’t wait!… [continued]
For a moment last week it looked like Joe Carnahan was going to direct a new Daredevil movie… and that it would have been a gritty, street-level crime film set in 1973. Now it seems that is not to be. But for a glimpse at the awesomeness that we might have had, take a look at the “sizzle reel” that Mr. Carnahan had put together to promote his proposal for new Daredevil film…
Aw man that is spectacular. Oh well…… [continued]
After reading for the first time the first few years’ worth of stories from the old West Coast Avengers comics (in the handsome new collected editions that Marvel has been publishing for the past few years — click here, here, here and here for my reviews), I decided to complete the story by digging into my longboxes and pulling out John Byrne’s run on the series, which ran from issues #42-57.
Mr. Byrne’s run on West Coast Avengers (the title of which changed to Avengers West Coast with issue #47) was one of the first times, as a kid, that I fell deeply in love with a comic book series. It was also the first time I had my heart broken by something I loved in pop culture. Mr. Byrne’s abrupt departure from the series just as his story seemed to be reaching its climax still remains a deep disappointment to me, even so many years later. But I’ll get back to that later.
Even as a kid, it was obvious to me that Mr. Byrne’s issues on the title were dramatically better than the previous issues, and also dramatically better than pretty much every other comic book I was reading at the time. I still remember being at camp during the summer of 1989, and the feeling of extraordinary delight I had when my parents mailed me an envelope with the next issue of the series. When I hold issue #48 in my hands (in which the Scarlet Witch gets turned to evil by a creepy mysterious black alien force and easily defeats stalwart Avengers Captain America and the She-Hulk), I remember like it was yesterday reading that issue for the first time, and not quite knowing how I’d be able to wait four more weeks for the next issue to arrive!!
Mr. Byrne kicked off his run on the series in issue #42 with “Vision Quest.” This story-line is still shocking to me today. In retaliation for the Vision’s previous take-over of the world’s computers (which happened in an older issue of The Avengers), government agencies from across the globe band together to kidnap and disassemble the android Vision. Although the West Coast Avengers and the Vision’s wife, the Scarlet Witch, quickly discover the abduction and are able to track down the bad-guys, the Vision has essentially been killed. Genius Henry Pym is able to re-assemble the Vision’s body, but without his mind and his memories, the android is once again a soul-less robot. (I will freely admit that I still get a small chill when looking at the opening spread of issue #44, titled “Better a Widow…” in which we see a beautifully-detailed rendering … [continued]
Surprising myself most of all, I’ve been really enjoying Marvel’s recently-published hardcovers collecting the early issues of their Avengers spin-off, The West Cost Avengers. (I wrote about my thoughts on the collection of the original West Coast Avengers mini-series here, and about the first collection of the West Coast Avengers ongoing series here and the second collection here.)
So, when a third collection was released, I eagerly snapped it up. Lost in Space-Time collects West Coast Avengers # 17-24, written by Steve Englehart and illustrated by Al Milgrom and several different inkers. This collection draws its title from the multi-part “Lost in Space-Time” story that ran through those issues. It is, for the most part, a fun romp through Marvel history as the West Coast Avengers find themselves zapped into the past by a super-villain, using Dr. Doom’s old time-machine (first encountered way back in Fantastic Four #5). The time-machone is damaged, so that it can only travel backwards in time, not forwards. Wonder Man hatches a scheme to use the time machine to keep jumping further back in time, all the way back to ancient Egypt, where they know dwells the Pharaoh Rama-Tut, really the time-traveller Kang in disguise (as seen in Fantastic Four #20). Of course, the team encounters one snag after another, and as the story continues the team becomes split amongst several different time-periods. Although the story is quite dated by today’s standards , I thought it was a fun adventure, and I enjoyed the connections with many famous aspects of Marvel universe history. (I also appreciated the collection’s containing the full story of Rama-Tut from Fantastic Four #20, as well as Dr. Strange’s time-travel-trip back to that same period — an adventure also referenced by Mr. Englehart’s story — in Dr. Strange # 53.)
But the most intriguing aspect of the stories in this collection were the two more serious story-lines. Picking up on the last issue in the previous collection, this story begins with Hank Pym contemplating suicide. It’s heavy stuff, though I was impressed at how that development seemed perfectly in keeping with Pym’s character, especially as Mr. Englehart had been writing him. I was quite engaged by the issue (West Coast Avengers #17) that dealt with Mr. Pym’s readying himself for suicide, though I was a bit disappointed that Mr. Englehart seemed to walk Pym back to heroic normalcy pretty quickly. The second serious story-line in this collection concerned Mockingbird. I was particularly interested in this aspect of the story, because it sets the seeds for her divorce from Hawkeye, which occurred in the very first issue of West Coast Avengers that I picked up as a kid. … [continued]
In response to this summer’s lousy Spider-Man reboot, The Amazing Spider-Man (click here for my review), comes this great article on 10 Remakes that Got it Right. There are some really intriguing films on this list that I have never seen, but have been immediately placed on my “to-watch” list…
It’s old news by now, but I haven’t yet waxed poetic on this site about how excited I am that Peter Jackson has expanded his adaptation of The Hobbit from two films to a trilogy! Very exciting. The hints of obscure bits of story from the Lord of the Rings appendices that Mr. Jackson is going to be filming in order to flesh out the story are even more exciting still. The battle of Dol Goldur?? Awesome!!
The new X-Men film is going to be Days of Future Past??? That’s hugely exciting, but also very worrisome. Days of Future Past is one of the greatest X-Men stories (heck, one of the greatest comic book stories) of all time. The idea of that being adapted into a film is extraordinary!! Bravo to Bryan Singer and xx on taking on this iconic story. But the thought of a BAD version of Days of Future Past would be horrifying. I was burned by X3′s brutalization of the Dark Phoenix Saga (probably THE greatest X-Men story of all time), and that’s a pain not easily forgotten… I am crossing my fingers and toes about this one…
Speaking of Bryan Singer, why the heck is he still developing a Battlestar Galactica movie? Do we really need another version of Galactica, after Ron Moore’s fabulous TV series…? The only place to go is down…
I am excited to see DC’s upcoming animated adaptation of Frank Miller’s seminal “Last Batman Story” The Dark Knight Returns. (DKR was a strong source of material for Christopher Nolan’s final Batman film, The Dark Knight Rises, as I noted in my review.) However, this first trailer leaves me underwhelmed in the extreme. This trailer should have been slow, spooky, and reverent, selling us on a world that had moved on without Batman. Instead, it seems to be selling a zippy animated adventure. I hope this doesn’t reflect the tone of the finished product.
In happier news — Larry David, Dave Mandel, Alec Berg, Jeff Schaffer (key players on Seinfeld and Curb Your Enthusiasm) and Greg Mottola (Superbad, Adventureland, Paul) are working together on a new movie for HBO? Can’t wait!!… [continued]
I went into the theatre very dubious about the prospects for The Amazing Spider-Man being any good. I adored Sam Raimi’s first two Spider-Man movies. I felt they captured the character of Spider-Man absolutely perfectly, and they were a heck of a lot of fun. Spider-Man 3 was a huge mis-step, but I felt there was still plenty of life in the series, so I was disappointed when Mr. Raimi and Sony parted company. I would have liked to have seen him have an opportunity to make a great Spider-Man 4 that would erase the bad memories of the third installment.
But as disappointed as I was to hear that Mr. Raimi wouldn’t be returning to the series, and that Sony planned on re-casting all of the main roles, I was even more disappointed to hear that they planned to start the series over from zero, and re-tell Spidey’s origin. What is the point of that? Why waste half a movie re-telling an origin that everyone knows, and that everyone saw so recently in the wildly successful first Spider-Man film?? I would have vastly preferred had they just re-cast the roles, maybe spent five minutes at the start of the film (maybe during the opening credits) re-establishing the origin, and then gone on to tell a great new Spider-Man story with these new actors.
So I was greatly surprised that I actually quite enjoyed the first hour of The Amazing Spider-Man. This revamped version of Spidey’s origin wasn’t dull or ridiculous, I found myself surprisingly taken by it, and by the family drama we were watching unfold. I don’t think the perfect origin story crafted by Stan Lee and Steve Ditko all those years ago needed all the added drama of making a big deal about the disappearance of Peter Parker’s parents (the movie suggests that they were up to big secret things, and that they left young Peter in the care of his Uncle Ben and Aunt May because they feared for their lives), but as executed in the film I didn’t have a problem with this new version of events. The film totally re-works the chain of events leading to Uncle Ben’s death, changes that were totally unnecessary bordering on baffling, BUT somehow I still felt it all worked. The moment is powerful, and I liked the new way they found to made Peter culpable (in not stopping the criminal, earlier, when he had a chance). It’s a dreadful, horrible moment, and it works.
It’s a shame, then, that the rest of The Amazing Spider-Man is such a disappointing mess!
I have a lot of problems with the film, but they boil down to three main mistakes.
1. … [continued]
I’ve really been enjoying, over the past few months, dipping back into the archives of Mighty Marvel Comics to read some classic stories I’d never read before. As my anticipation for the Avengers theatrical film grew, I found myself drawn to a variety of stories from Avengers history. I do love me a nice handsome collected edition, and it was great fun to read some of these classic tales.
Captain America: The Captain – This lengthy tome collects the story-line that ran for about a year-and-a-half in Captain America back in 1987-89. When the U.S. government tries to exert control over Steve Rogers’ actions as Captain America, Rogers chooses to give up his super-hero identity. He eventually adopts a new identity of “The Captain,” while the government selects another super-human, John Walker, to become Captain America. But when tragedy strikes his family, Walker becomes increasingly unstable, leading to an inevitable confrontation between the two Captain Americas. I was just getting into comics in 1987, and I remember reading references to this story-line in various other Marvel comic books that I was reading at the time. But I’d never actually read the Captain America story, so it was really fun to revisit this lengthy chunk of Captain America continuity, written by Mark Gruenwald. There are aspects to the story-line that are a bit simplistic (the Presidential Commission assigned to oversee Cap’s activities comes off as just a little too evil), but the central story is a great one. I like that Mr. Gruenwald lets us spend a lot of time with John Walker. (After Cap quits in Captain America #332, for the next several issues we don’t see Steve Rogers at all — instead we follow John Walker’s story.) Walker is clearly flawed but also sympathetic, which creates a strong dynamic in the stories. I was pleased that this collection also included Iron Man #228, a key confrontation between Steve Rogers and Tony Stark (from the famous Armor Wars story-line) that takes place in the middle of this Captain America story-line. (That’s a nice attention to detail by the editors.)
Avengers: The Children’s Crusade – While most of these collected editions I’ve been reading have been collecting stories from 20-30 years ago, this handsome hardcover collects the nine issue mini-series that Marvel published last year. This story brings some resolution to story-lines begun by Brian Michael Bendis nearly a decade ago, in the famous Avengers: Disassembled story. After Disassembled and her actions in House of M, Wanda Maximoff (the Scarlet Witch) has been pretty much absent from Marvel Comics, her fate unknown. But with The Children’s Crusade, writer Alan Heinberg set out to bring some closure to Wanda’s story, and … [continued]
Yes, this really is an enormous oil painting depicting The Death of Jennifer Sisko at Wolf 359. Love it.
I’ve really been loving the first season of Lena Dunham’s HBO show Girls. For anyone out there who is similarly digging this weird, funny show, allow me to direct you to this fabulous in-depth interview with Ms. Dunham and her fellow show-runner Jenni Konner.
I agree with pretty much every selection on this list of 15 superheroes who deserve a great reboot. I’d have the Fantastic Four as number one on my personal list.
Speaking of super-heroes: this is old, but somehow I just recently stumbled across this wonderful depiction of Peter Dinklage as Wolverine. Genius.
Parks and Recreation is my favorite comedy on TV right now. The show just wrapped up a great fourth season, and I’m pleased it was renewed for a (short) season 5. Here’s a great interview with show-runner Mike Schur on season 4.
I think it’s super-cool that, to promote the upcoming release of season 1 of Star Trek: The Next Generation on blu-ray, they’re screening two season 1 episodes in theaters around the country. I love that idea, and I wish it was something studios did a lot more of. But why oh why did they choose to show “Datalore” and “Where No One Has Gone Before”??? Urgh, those are two very weak episodes. Ordinarily I would jump at this sort of thing, but I don’t think I’m that interested in seeing those two episodes. Two bad. (For the record, if we’re picking first season Next Gen episodes — which is tough, because that first season is VERY rough — I’d have gone with “Hide and Q” and “Conspiracy.”)
A few weeks ago I wrote about the collected editions I’d ben reading of old, classic Marvel Comics story-lines. Here are some more of the Mighty Marvel collections I’ve been reading lately!
West Coast Avengers: Sins of the Past — Picking up right where the previous West Coast Avengers Premiere Hardcover (which collected West Coast Avengers #1-9, and which I wrote about here), left off, comes this Premiere Hardcover collection of issues #10-16 and a two-part storyline from West Coast Avengers Annual #1 and Avengers Annual #15. The stories in this collection feel like less of a complete story than those in the first volume, but having enjoyed the first collection I didn’t mind as I just enjoyed reading the next series of adventures. (And I’m looking forward to the already-announced third volume which will collect the next batch of West Coast Avengers issues.) I’m not sure why anyone at Marvel feels these issues are significant enough to warrant being collected in these snazzy Premiere Hardcover editions, but I’m enjoying them. Mr. Englehart continues the blend of soap-opera and super-heroics that characterized the stories in the last collection. We get some nice resolution to the Master Pandemonium story-line left hanging by the first collection, as well as to Tigra’s struggles with the two aspects of her personality which were introduced in the previous volume. There’s a weird edge to Tigra’s characterization in these issues that is intriguing. We see her behave as, well, a bit of a slut in these issues, throwing herself at various different men (even the villain, Graviton!). It’s interesting to see this willingness to depict the sexual side of one of the characters — a prelude to some of what you see in many comics today, particularly in the Avengers issues written by Brian Michael Bendis — though I can’t help but feel that there’s something a little sexist in depicting this female character in such an unflattering way (especially when she briefly winds up as a chained love-slave to Graviton — I am not making that up). It’s an interesting tension.
Avengers: The Korvac Saga – Boy I’ve been aware of this famous Avengers story-line for decades, but hadn’t ever read it until now. It was fun to finally read this famous saga! I was very pleased that this collection begins by reprinting Thor Annual #6, which features Thor’s time-traveling battle with Korvac the Machine-Man and also featured the 31st century super-hero group The Guardians of the Galaxy. The story serves as an important prelude to the Korvac Saga that ran through Avengers #167-168 and #170-177, so I was really happy it was included. Those Avengers issues from 1978 were written by Jim … [continued]
Well, here we are at last. The brilliant post-credits scene of 2008′s Iron Man (click here for my original review) promised the beginning of a bold experiment by the fledgeling Marvel Studios — launching stand-alone films starring several of their major characters (Iron Man, The Incredible Hulk, Thor, and Captain America) which would then be followed by all of those characters teaming up in an Avengers movie. It was a gloriously outrageous idea, one common to comic-books but never before seen in movies. Marvel Studios was actually planning on making a super-hero crossover film, and one featuring all the same actors who starred in the individual films! And not only that, but the individual films would actually connect, with story-points and characters overlapping to create a building momentum for the eventual climax in The Avengers.
It was a bold plan, and I am so happy and relieved to report that Marvel Studios has stuck the landing. Not only does The Avengers work, it works crazily well, and I think it’s the strongest Marvel Studios film since 2008′s Iron Man (and I say that as a big fan of both Thor — click here for my review — and Captain America: The First Avenger — click here for my review). It’s hard to believe that I live in a world in which a film version of The Avengers actually exists!! And that it not only exists but that it kicks so much ass makes the whole thing the stuff of beautiful fantasy.
There is surely a huge list of people who must be given credit for the success of this enterprise, but at the top of the list is co-writer and director Joss Whedon. I am a huge, huge, huge fan of his film Serenity (which he wrote and directed) and that film clearly showed that Mr. Whedon was the perfect man for the job of helming The Avengers. Serenity not only looks amazing, boasting some fantastic visual effects sequences and completely selling the reality of a futuristic, sci-fi world despite being made for a relatively small budget (FAR less than The Avengers). But more importantly, in that film Mr. Whedon was able to balance nine main characters, giving depth and life to every one of them, presenting them as very different people with different goals and different attitudes and different ways of speaking, and also giving each one of them moments to shine in the course of the film, without one character overshadowing the others.
Mr. Whedon brings the same deft touch to The Avengers. The greatest pleasure of the film isn’t just that the characters are all appearing in the same film (though just the … [continued]
I’ve written before about what a sucker I am for the gorgeous Premiere Hardcovers that Marvel Comics has been issuing for the past number of years, collecting seminal story-lines from their long history. I grew up a HUGE fan of Marvel Comics (I have always been more attached to Marvel than DC), and so the opportunity to catch up on some famous runs of Marvel Comics that I’d missed is compelling, and having these stories reprinted in such beautiful hardcover editions is just icing on the cake. Here are some of the hardcover collections from Mighty Marvel that I’ve enjoyed over the past few months:
Avengers: Assault on Olympus – I wrote before about reading the hardcover Under Siege that reprinted the famous Avengers story in which the Masters of Evil invaded Avengers Mansion and brutally beat the Avengers’ butler Jarvis. The stories in that collected edition left a number of plot-lines hanging, so I was pleased to see that Marvel had released a follow-up collection reprinting the next several issues of The Avengers, numbers 278-285 from 1978. These issues were written by Roger Stern and illustrated by John Buscema and Tom Palmer. The look of that Buscema/Palmer art is exactly the look I associate with the Marvel comics that I grew up reading in the ’80s, so it’s nostalgic fun to read these issues I’d never-before-read, drawn by that art team, and presented in such a beautiful way on shiny paper and with re-touched colors. Roger Stern’s story also reminds me of the classic Marvel Comics I grew up with. There’s a lot of rhetorical bombast (and a LOT of expository narration), but also rich characterizations. Pretty much each issue contains a complete adventure, but the issues connect to tell a longer story, and there’s a great deal of continuity from issue-to-issue, with subplots constantly providing intriguing hints at story-lines-to-come. This particular story, which focuses on the Avengers’ conflict with the pantheon of Greek gods (instigated by the grievous injuries suffered by the Avenger Hercules in the previous collection), isn’t exactly the best Avengers story I’ve ever read, nor does it have much larger significance in the over-all history of the Avengers (in the way that the events in Under Siege did). But it’s a perfectly entertaining story, and a great sort-of-epilogue to Under Siege. I also really enjoyed the stand-alone issue #280, included in this collection, that was written by Bob Harras and illustrated by Bob Hall and Kyle Baker. That issue focuses on the hospitalized Jarvis’ struggle to recover physically and mentally from the savage tortures he received at the hands of the Masters of Evil in Under Siege. In many ways it’s a very dated story, … [continued]
If you’ve ever watched an enjoyed Star Trek: The Next Generation, then you must read this short blog post by Wil Wheaton about his e-mail exchange with a former Next Gen castmate. So funny!!
Speaking of Wil Wheaton, this behind-the-scenes pic from Stand By Me is wonderful. Makes me want to go re-watch that spectacular film right now.
I am counting the minutes until The Avengers opens. For all the Marvel Zombies out there, this interview with Marvel Studios head Kevin Feige is full of intriguing hints at the next few years of the Marvel movie universe. It’s a good read. Also a good read: this Q & A with Joss Whedon on reddit.
So, they’re really making a sequel to the 1988 film Twins? And Eddie Murphy will play the newly-discovered third sibling to Arnold Schwarzenegger and Danny DeVito? This is a joke, right? That can’t possibly be real, right??
I had quite a lot to say about Disney’s adaptation of John Carter. (Click here for my review.) I enjoyed the film far more than the horrible reviews and terrible box-office performance would suggest, but the film had some serious problems. I cited the senseless withholding of the tragedy in John Carter’s past until late in the film as an example. It would have FAR strengthened the story and the character had the audience UNDERSTOOD the reasons for John Carter’s behavior right from the beginning. Well, FILM CRITIC HULK over on badassdigest.com had a similar reaction, and he wrote a magnificent (albeit LENGTHY) dissection of John Carter’s story problems that focuses on precisely that example. It’s a great piece about film screen-writing and narrative, and is well worth a look.
My buddy Rabbi Ethan Linden has written a great review of The Hunger Games film, which you can check out here. My review will be posted on Friday!
I really dug the “Franchise Me” (from CHUD.com) look back at the four Lethal Weapon films that just wrapped up. These articles are fantastic. Boy, I loved those Lethal Weapon films as a kid, but I haven’t seen them in years. I just haven’t had any real interest in re-watching them. Mel Gibson’s recent shenanigans haven’t helped. But reading those articles makes me wonder whether I’d still like those films if I watched them today…
Now let’s dig into my list of the Top 10 DVDs/Blu-Rays of 2011!
10. The Increasingly Poor Decisions of Todd Margaret: Series One – As a huge fan of Arrested Development, this six-episode IFC series that reunited Will Arnett (Gob Bluth) and David Cross (Tobias Funke) was something of a disappointment. More agonizingly awkward than actually funny, it’s on this list because that fact that this weird, short little series exists at all on DVD is one of the reasons that I love this format! I had missed this series when it aired on IFC, so I was so pleased that it was released on DVD. The show isn’t without merit, but it’s nowhere near the genius of the late, great (and now possible resurrected!) Arrested Development.
9. Marvel’s super-hero movie blu-rays: Thor, Captain America: The First Adventure, and X-Men: First Class – I praised these three Marvel super-hero movies in my list of the Top 10 Movies of 2011, and I was equally taken by their blu-ray releases. Not only do all three films look absolutely gorgeous on blu-ray, but all three are accompanied by some fairly in-depth featurettes exploring all aspects of the films’ production. None of these are super-elaborate special editions, and I do wish that, for all of these films, the featurettes had been edited together into one longer, comprehensive making-of documentary. But these are very, very solid releases, with a lot for fans of these films to dig into. Extra props for the wonderful “Marvel One-Shot” shorts included on the Thor and Captain America discs, that further connect the Marvel films leading up to The Avengers.
8. Louie: Season 1 – I’d been reading about this show for a while, and having now finally watched the season one set I can say that this show deserves all the praise it’s been getting, and more. In it’s structure, the show resembles Seinfeld: clips of Louie C. K. performing stand-up are intercut with vignettes of his life. But in other respects the show is the exact opposite of Seinfeld. Whereas on Seinfeld all of the story-lines would wind up beautifully dovetailing by the end, on Louie the individual scenes on the show often have little or nothing to do with one another. We’ll watch a seven-minute sequence of Louie and his buddies playing poker, and then after some more stand-up we’ll shift to an entirely different scene … [continued]
Welcome back to the conclusion of my list of the Top 15 Comic Book Series of 2011! Click here for part one. (And click here for my list of the Top 15 Movies of 2011: part one, part two, and part three.)
5. Moon Knight – I really enjoyed Brian Michael Bendis’ years-long run on Daredevil with Alex Maleev, and their relaunch of Moon Knight has been pretty terrific so far. I love the new conceit that the slightly unhinged Marc Spector is now hearing the voices of Spider-Man, Captain America, and Wolverine in his head. The result is some great comedy as the three super-heroes banter back and forth in Moon Knight’s head. (Comic banter is a Bendis specialty!) Seeing Echo back in a lead role is just icing on the cake. I never thought Moon Knight could be at all interesting, but I guess the character was just the right sort of tabula rasa for an exciting reinvention. I hope this is the start of a long run for Mr. Bendis and Mr. Maleev on the character.
4. RASL – I wish Jeff Smith’s sci-fi opus would come out a little more frequently, but I can’t really fault creator/writer/artist/self-publisher Smith, seeing as how he’s pretty much doing everything himself on this comic. It’s just that the series is so good! I want more!! This adventure/love story is just grounded enough in real scientific theories to anchor all of the fun flights of fancy involving parallel universes, lizard-men, and weird-looking little girls. Jeff Smith’s art is perfection — with a cartoony stylization that is endearing, but also an extraordinary amount of detail to give all of the settings and characters a distinct, “real world” feel. It feels like things are really starting to come together with the story, which is very exciting. The wait between issues is BRUTAL!! If you’re a comic book fan but you’re not reading this self-published gem, do yourself a favor and remedy that immediately.
3. Criminal: The Last of the Innocent – The work that Ed Brubaker and Sean Phillips do together just keeps getting better and better and better. I love all of their projects, but the crime-comic Criminal has always been my favorite, and The Last of the Innocent might be the very best installment since the first story-line, “Coward.” In this dark tale, we meet young man Riley Richards, who is married to a beautiful, wealthy woman. But he’s tremendously unhappy, and when he returns home and reconnects with his old goof-ball friend and the blonde girl-next-door he used to have a crush on, he realizes that he just might have chosen the wrong girl. … [continued]
15. John Byrne’s Next Men – When Mr. Byrne’s Next Men series was originally released back in the 90′s, it was one of my very favorite comic book series. Mr. Byrne’s illustration skills were at their peak, and the story was just “mature audiences” enough to peak my teenaged interest. I was also very, very taken by the fiendishly clever circular narrative. I was disappointed when the series ended, particularly since it was only supposed to have gone on hiatus for a few months, BUT I thought that, if it had to end, Mr. Byrne had wrapped things up beautifully. I never imagined the series would ever return to the comic book stands, but lo and behold, IDW brought the series back for a nine issue run this year. There were moments when the relaunch approached the greatness I had remembered (I enjoyed the twisted revelations about Bethany in issue 4), but for the most part, I wasn’t quite sure the point of this new story. It sort of muddled the perfect ending of the series, without really enhancing what had gone before. Ultimately, I didn’t quite understand the new time-travel machinations, and so was left a bit underwhelmed. Still, new issues of John Byrne’s Next Men!! How cool is that??
14. Ultimate Spider-Man – I hated the whole Death of Peter Parker story-line, but I am very much enjoying the initial issues with the new Spidey. The focus on this young kid and his classmates reminds me very much — without being derivative — of what attracted me so much to this series when it began, over a decade ago (wow). Ultimate Spidey has been one of the most consistently enjoyable comic book series I have followed ever since it began. Attentive readers will note it has slipped down in the rankings of my end-of-the-year list in the past few years, but it’s still on here as one of the stronger serialized super-hero comic books out there. And god bless Mr. Bendis and his various artistic collaborators (including the very, very talented Sara Pichelli) for their consistency in getting this book out on a regular basis, month after month, year after year!
13. Kick Ass 2 – Mark Millar and John Romita’s sequel is just as gloriously profane and juvenile as the original. Taking the concept of “escalation” (an idea explored in many comic books and also in Christopher Nolan’s The Dark Knight film) to the extreme, the … [continued]
So last year I really struggled to come up with my Top 10 Movies list. I had a hard time finding ten films that I felt were really GREAT. What a difference a year makes! This year there were so many films that I loved that I wanted to include on my list that, for the first time, I decided to expand my Top 10 list to a Top 15 List! AND I cheated even more and made my number 15 a three-way-tie!
I thought 2011 was a really terrific year for movies, and there were a lot of great films that didn’t make it onto this list. I really enjoyed Moneyball, 50/50, The Ides of March, Like Crazy, The Descendants, 30 Minutes or Less, Your Highness, Harry Potter and the Deathly Hallows Pt. 2, The Rum Diary, The Muppets, Midnight in Paris, and Our Idiot Brother, but they didn’t make the cut in this strong year. (Follow the links to read my reviews of those films.) But, wow, those films could have been on my Top 10 list and that would have been a really strong Top 10 list, one that would have held up quite well in comparison to my previous years’ Top 10 lists! That’s how good a year this was.
I saw a lot of films in 2011, and particularly in the last month I’ve crammed in a lot of movie-watching, trying to catch up on all the 2011 films I wanted to see. There are a lot of films that I saw in the last few weeks that I didn’t think warranted inclusion on this list, but about which I’ll be writing reviews on this site in the coming weeks. These include My Idiot Brother, The Help, Tree of Life, Horrible Bosses, and more. So you can look for those reviews soon.
As I always do, before I dive into my lists I want to mention the films I wanted to see, but never got to: A Dangerous Method, Shame, The Debt, Drive, Don’t be Afraid of the Dark, Larry Crowne, Beginners, The Trip. So if you loved one of those films and want to know why they’re not included on my list — well, now you know. Hopefully I’ll get to track down some/all of those films in the near future. (They’re all on my Netflix queue, so all I need is time!)
15. Marvel’s Summer Movies: Thor, Captain America: The First Avenger, and X-Men: First Class — I do love me a good super-hero movie, and this summer mighty Marvel gave us three of ‘em, each one a really terrific, fun … [continued]
Last week saw the release of teaser posters for two big super-hero movies coming out in Summer 2012, and they pretty powerfully indicate why I’m far more interested in one of these films than the other.
First is Christopher Nolan’s third (and apparently final) Batman film, The Dark Knight Rises:
What a powerful image. Obviously with Bane (the villain known for crippling Batman during the Knightfall story-line from the comics in the ’90s), the meaning behind the title The Dark Knight Rises begins to take shape. (Is Bats going to struggle to walk again after being broken by Bane?) Christopher Nolan is apparently swearing up and down that this movie represents his final Batman film, and I am really curious to see how much of a “last Batman story” this film is going to be. Just how finale is this finale going to be? I’m intrigued and very excited.
Then there’s this poster, for The Amazing Spider-Man:
It’s actually a pretty cool image, but that tag-line “The Untold Story” just bugs the hell out of me. No, it’s NOT an untold story. Spider-Man’s origin has been told countless times and countless ways, and we saw it really well done on film in Sam Raimi’s Spider-Man film less than a decade ago! I’m already annoyed enough that they’re rebooting this great franchise. This rather defensive tag-line just irritates me even more. Just tell a great new Spider-Man story! I don’t mind that there’s a whole new cast. Just go tell a great new Spidey story and I’ll be there. I don’t need to sit through another version of the origin story.
So surely you’ve all seen this, right?
That’s a pretty solid trailer, but I find that I have to stop myself from being blase about the fact that they’ve actually gone and made an Avengers movie. I need to remind myself just how amazing and unbelievable it is that they have actually made a super-hero team-up film. I mean, ever since I was a kid, Marvel comic books have always been all about the super-hero team-ups, but to see that realized in a movie, done on this scale, is extraordinary. That they have taken the leads of four films — each huge or potentially huge franchises in their own right (Iron Man, the Incredible Hulk, Thor, and Captain America) and brought them together for one film is such a giddily never-been-done-before notion that I still find it hard to believe, even though in less than a year this will all be reality that we’ll get to see projected on theatre screens across the country.
As for the trailer? It’s pretty strong, and we get some fun glimpses of the heroes assembled. There’s a bit of wit on display, which is nice. This film should be tense (after all, the stakes need to be HUGE to warrant the bringing-together of all of these super-heroes), but it should also be fun. The mighty Joss Whedon is not only directing the film but he also wrote the script, so I have hope.
They did cut back to those explosions on a city street a few too many times in the trailer, I thought. The footage looks great, but I hope that whatever is going down on that city street isn’t the only major action sequence in the film. This movie needs to be BIG, and this trailer hasn’t quite sold me on the epic scale of the story. It feels a little small so far. (This might be because the trailer doesn’t really reveal much about the actual story of the film, so I’d imagine they’re still holding back on revealing too much of the good stuff at this early date.)
I’m also not quite sold on the re-worked costumes for Captain America and Thor. I thought the costumes for both characters worked really well in their individual films from last summer, largely because both outfits felt lived-in and had a certain gritty weight to them. But in this trailer (and the terrific teaser at the end of the end-credits of Captain America) both Cap and Thor seem to have shiny new outfits that look a bit too simplistic and “costumey” (for lack of a better word) to me. But I will withhold judgement until getting a better look. … [continued]
Lots of fun geeky goodness has been spilling out onto the nets recently, mostly because of the annual San Diego Comic-Con.
Did you miss the teaser trailer for The Avengers at the end of Captain America? Check it out here. Pretty sweet.
Here’s another teaser for one of next summer’s big films — though this isn’t just a teaser, it’s a full-length trailer for the Spider-Man reboot, The Amazing Spider-Man. The trailer is well put together, but I still can’t muster up too much excitement for this film. I hate that they’re rebooting the series, and that we have to sit through another version of Spidey’s origin. Just re-cast the roles and tell a great new Spider-Man story. Why start over from zero?? Frustrating.
Now this is more intriguing: it’s the much-discussed abandoned introduction sequence to Bryan Singer’s Superman Returns, in which Superman explores the ruins of Krypton. I can understand why it’s not in the movie (the whole scene is perfectly summed up in Superman’s one line to Ma Kent, that all he found at the end of his long journey into space was a graveyard), but it’s still a pretty cool sequence. I love Supey’s crystalline Kryptonian ship, and I love the huge S.
Oh, Lost, will you ever stop breaking my heart? If you are (or WERE once, like me) a fan of Lost, this hilarious “lost” scene from season one, that was unveiled at Comic-Con, is a wonderful piece of genius. (But Damon Lindeloff’s comments about why they didn’t answer one of the most annoying, to me, lingering questions from season 5 — just who was shooting at Sawyer and co. from the other boat — makes me CRAZY. CRAZY!!!)
Sooo… is Prometheus an Alien prequel or not??? AAARRGH!!! I’m desperate to know, but either way, a new sci-fi film from the great Ridley Scott has me excited.
We’ll see what people say about the set once it’s released, but for now I stand by my comments that I do not plan on purchasing the blu-ray set of the Star Wars films. Still, I did begin salivating at the report that the set will include never-before-seen deleted scenes from the Original Trilogy, and this teaser trailer for those deleted scenes is pretty awesome:
Speaking of George Lucas, it seems that he and his collaborators have FINALLY finished Red Tails, the film about the Tuskegee Airmen from WWII, about which Mr. Lucas has been talking … [continued]
And so we come to it at last, the final piece in the puzzle before next summer’s unprecedented super-hero cross-over movie, The Avengers. There was Iron Man, The Incredible Hulk, Iron Man 2, and Thor, and now we have Captain America: The First Avenger. Captain America is overly simplistic and a little corny at times, but I’ll be damned if it isn’t a rollicking good time in a movie theatre.
As with all of the Marvel Studios films so far, the film sets itself up for success with its impeccable casting. Chris Evans was the best thing about the terrible Fantastic Four movies, and he’s found an even better role here in that of Steve Rogers/Captain America. He absolutely looks the part, and more importantly than that he’s able to sell Steve Rogers’ aw-shucks good-hearted nature without coming off as silly. He’s an un-ironic heroic lead, and I found his honest, open-faced portrayal to be quite compelling. This performance is assisted by some wonderful CGI effects that create the 90-pound weakling version of Steve Rogers that we see in the first act. This isn’t The Curious Case of Benjamin Button style photo-realism, not by any stretch. But the effects are convincing, and after a few moments I really did stop thinking about the visual effects and just accepted skinny-Steve as a fully-realized character. It’s a terrific achievement in effects.
Hugo Weaving (The Matrix, The Lord of the Rings) creates yet another iconic villain in the role of Johann Schmidt, The Red Skull. Putting on what sounded to me like his best impersonation of Christoph Waltz in Inglourious Basterds, Mr. Weaving chews a lot of scenery but never tips over the edge into camp. The Red Skull is a big, bad, totally EVIL comic-book villain, and I thought he was just terrific. (Possibly the best bad-guy in a Marvel Studios film so far.) I loved the look of his make-up effects, and I was pleased that once his fleshy mask comes off, it stays off for the rest of the film.
I was surprised at how large a role Tommy Lee Jones has in the film. I thought this would just be a cameo, but his Colonel Phillips becomes a key character throughout the film, and Jones just kills. He gets many of the film’s best lines, and his gruff, warm presence is a delight. Most of the rest of the film’s best lines go to Stanley Tucci as Dr. Abraham Erskine, the inventor of the super-soldier serum that transforms Steve Rogers into Captain America. This was another surprise for me, and I appreciated that we really got to know Dr. Erskine in the film’s first … [continued]
I was beginning to think I’d never get to see another great X-Men movie!
I’m a big, big fan of Bryan Singer’s first two X-Men films. I think they’re pretty much perfect, the first two steps in what seemed like an epic cinematic saga. When the final shot of X2 tantalized viewers with the promise of the Dark Phoenix saga (probably the single greatest X-Men storyline ever), I was overcome with gleeful anticipation. I think I’m still recovering from the disappointment at how badly the film series fumbled things from there. The studio rushed X-Men 3 into production with another director, as a big up-yours to Bryan Singer, who had been hired to direct Superman: Returns. X-Men 3 has a decent first 45 minutes or so but then things totally collapse, and the brutally awful handling of the Phoenix storyline was crushingly disappointing. And in the years since, the only new X-Men movie we’ve gotten is the abysmally terrible X-Men Origins: Wolverine (share the pain and read my review here).
When I heard that they were finally putting together a new X-Men film, and that it was a prequel, I was not pleased. I really hate prequels, as readers of this blog are probably aware. I think it’s a lazy approach to story-telling, and I’d always rather see a story move FORWARD rather than circle back upon itself. That we’ve been so deluged with prequels these past few years makes me absolutely crazy. Why do I want to see the young versions of characters I love? I want to see the experienced versions of these characters, in their prime, kicking ass and going on new adventures. Why has that seemingly been so difficult for the masterminds behind the X-Men film franchise? Can no one in Hollywood think past a trilogy? X-Men 3 was flawed, but it still made a TON of moola. Hire some new writers and get to work on X-Men 4! Of all the franchises in the world, the X-Men seems like the easiest no-brainer in the bunch. There are SO MANY great characters and story-lines in the comics to choose from. Is Patrick Stewart getting too expensive? No problemo! The comics were constantly writing Professor X out of the stories for long periods of time. Let’s see the films adapt some of the great X-Men stories from the eighties, in which Prof X was gone and Magneto tried to reform and take over the X-Men. That would be awesome! It just seems so simple to me — we should be getting brand new X-Men films every 2-3 years, like clockwork.
But, obviously, that hasn’t happened. Just one god-awful Wolverine solo flick and a prequel. … [continued]
Following up on my review of Source Code, which I posted yesterday, click here for a wonderfully spot-on assessment of all of the myriad problems with the film’s ending. It’s a sweet ending that felt right when I walked out of the theatre, but like the rest of the film, if you think about it for more than five minutes, it totally falls apart.
Here’s another trailer — this is for the very low-budget indie sci-fi movie Another Earth. I don’t know anything about this film, but my curiosity is piqued. It’s always interesting to see sci-fi elements mixed with drama (rather than action).
This is awesome. Lucasfilm Animation’s new building is shaped like a Jawa Sandcrawler.
It’s really happening! The Avengers has begun filming!! Here’s what Joss Whedon had to say on the matter. Funny as always. Boy, The Avengers is happening, The Hobbit is happening… this is all very exciting! Now if we could just get the next James Bond film into production, then I’d be over the moon.
I’ve written before about how I think the way some people defend bad movies by saying “oh, it’s not a movie you’re supposed to think about” is incredibly stupid. Here’s a well-reasoned support of my opinion.
This is a beautiful article but it also made me kind of sad. No matter how much we might try to read all the books we want to read, or watch all the films we want to see, or listen to all the music we want to listen to, the simple mathematical truth is that we’re all going to miss almost everything.
I’ve always thought that the next Star Trek TV show needs to move the story forward (the same way Next Gen did after the original Star Trek), not backwards. Apparently I’m not alone in that thinking. Trekmovie.com has put together a fascinating piece on the pitch for a new Star Trek TV show that Bryan Singer, Chris McQuarrie, and Robert Meyer Burnett put together in 2005-06 put never actually presented to Paramount. I would have watched that show!
This is a great defense by Nordling of AICN on the experience of seeing movies theatrically. I agree with him wholeheartedly, but I wish there were theatres like the Alamo Drafthouse here in Boston. It kills me to go to a movie and have people talking on their cell phones or texting or doing other annoying things that distract from actually watching the movie.
Finally, … [continued]
Although Thor doesn’t come close to equalling some of the amazing super-hero films we’ve been blessed with over the past several years (the first Iron Man, which kicked off this current run of inter-connected Marvel films, The Dark Knight, the first two X-Men films, and the first two Spider-Man films), it is a WAY better film version of the character of Thor and his mythos than I EVER would have imagined possible.
Despite by being a huge comic book fan and a Marvel Zombie since I was a kid, I never read the Thor comic regularly. I always thought Thor was great as part of the ensemble of The Avengers, but his solo title never captured my interest. And when Marvel announced, after the huge success of Iron Man, that they were working on a film version of Thor (as part of a series of films that would build up to The Avengers), I was dubious. The recent Marvel films had worked so well in large part because they were fairly grounded. Sure, Iron Man wound up with two guys in huge metal suits punching each other, but the filmmakers and the actors took pains to ground the story in the real world (and to give the characters human, real-world motivations and emotions). I think that was a big part of the film’s success. Same goes with the Spidey films and the X-Men films (which, for example, cast off most of the more colorful aspects of the comics — like the yellow spandex costumes).
But Thor? The Thor comic books are all about a big guy who is ACTUALLY A NORSE GOD and speaks in archaic language (a lot of “thees” and “thous”) and who has crazy adventures with other gods or god-like characters. How could that possibly be achieved in a film that wouldn’t feel painfully small-scale (without the budget or the resources to properly achieve the epic scale of Thor’s cosmic adventures as seen in the comics) and/or feel totally ridiculously silly.
And yet, somehow, director Kenneth Branagh managed to pull off a film that, for the most part, works really well and is enjoyable both as a film in its own right and as a key stepping-stone towards The Avengers. This is an impressive achievement and a pretty fun time at the movies!
As with Iron Man, the film’s biggest success lies in it’s casting. There are other things that one can pick at about Thor (and I will of course do so momentarily), but I think the casting is pretty much spot-on perfect. Chris Hemsworth (so great as James T. Kirk’s doomed dad in the opening scenes of J.J. Abrams’ Star Trek… [continued]
Though I think the quality of his films has dipped considerably in the last decade or two, I remain an enormous Woody Allen fan. So I tip my hat to Juliet Lapidos from Slate Magazine who just watched every single Woody Allen film and summarized what she’s learned. It’s a wonderful piece — well-worth your time. (I’m also pleased that to learn that, after her massive re-watching project, she concurs with my long-held opinion that 1997′s Deconstructing Harry was Mr. Allen’s last truly great film.)
Here’s also a fascinating ranking of Mr. Allen’s films into categories (from the “masterworks” to the “bad”). There’s not too much I can disagree with about this listing! It’s pretty spot-on, I think. A few quibbles: I think Hannah and her Sisters and What’s Up Tiger Lily should be bumped up to “great,” as should Play it Again Sam, Deconstructing Harry, and Zelig. Bananas deserves a spot in the “Masterworks” category, and I’d bump The Purple Rose of Cairo down one notch to the merely “great.” And Scoop definitely needs to be shifted down into the “bad” category. OK, I guess I did have some objections! But still, over-all, a terrific list.
Speaking of obsessive-compulsive types, check this out: a complete guide to every single sneaker Jerry Seinfeld ever wore on Seinfeld. Very cool (and just slightly frightening).
So, Rise of the Apes (which was originally called Caesar) is now Rise of the Planet of the Apes? Wow, the title just became simultaneously way more awesome and also way, way stupider. I can’t wait! (By the way, did you watch the new trailer???)
I’m not sure what makes me happier: that we’re actually getting a new Planet of the Apes movie this summer, or that in New Zealand right now they’re actually, finally, for-real, filming Peter Jackson’s two-film adaptation of The Hobbit. Have you seen the first new production diary? I have tingles. I’m not kidding! Peter Jackson was a true innovator with the video diaries that he posted back in the day, chronicling the making of the Lord of the Rings trilogy and then King Kong, and I have fond memories of devouring those whenever they were released during the pre-production and production of those films. It makes me so happy that they’re finally back, and that The Hobbit is at long last under-way. CAN’T WAIT FOR MORE.
Are we really just a few weeks away from Thor? I really want that movie to be good, but I’m a bit nervous. This very positive early review has me optimistic, though!
I’ll be posting a piece soon with my thoughts on the last few DC animated projects … [continued]
OK, I’m officially excited.… [continued]
Last month I wrote about some of the great Marvel Premiere hardcovers I’d been reading, collecting some classic Marvel comics from days gone bye. I had so much fun reading those that I decided to dive into several other Marvel trade paperbacks that had been sitting on my “to-read” bookshelf. These aren’t quite as snazzy as the premiere hardcovers, but they’re some slick new collections of some great old comics. Here’s what I’ve been reading:
Excalibur Visionaries: Warren Ellis — This three-volume series collects some of Warren Ellis’ earliest work for Marvel comics, helming the continuing adventures of the British X-Men spin-off, Excalibur. Chris Claremont & Alan Davis’ original run on Excalibur was one of the very first comic book series that I ever fell in love with. It was also the series that taught me how sometimes the magic of a comic book is due to it’s creative team, as once Claremont & Davis left the book, the subsequent writers/artists could never capture the spark of their run. Those were some bad comics. Just when I’d about given up on the series, Alan Davis returned (this time as artist and writer) for a lengthy run that tied up many of the loose ends left hanging by his original issues with Mr. Claremont. Those were some GREAT comics! But once Mr. Davis left the book, Excalibur again plunged right into the crapper. It only took a few issues for the follow-up writers/artists to destroy the book (killing Cerise, replacing Captain Britain with the moronic “Brittanic”) and I dropped the title. But I would always keep my eye in the book, and I did occasionally pick up some future issues. Several of them were written by Warren Ellis, and while I didn’t like the direction in which Excalibur had been taken, those Ellis issues weren’t bad.
Cut to present day. I’m a HUGE fan of Mr. Ellis’ work. He initially caught my attention as the writer for Wildstorm’s Stormwatch, The Authority, and the incredibly amazing series Planetary (read my review of the series here), and he’s also written some really top-notch Marvel comics, particularly in the Ultimate universe. (His Ultimate Galactus story ranks among my favorite super-hero comics of the last decade.) So when I saw that Marvel was collecting his early run on Excalibur from 1994-96, I was intrigued. What would I think of those issues, looking back on them today?
All in all, not bad! This is definitely not the Excalibur team that I fell in love with, and these stories don’t hold a candle to Chris Claremont & Alan Davis’ work. Still, it’s interesting to see these sort-of proto-Warren Ellis stories. … [continued]
Over the past few years, Marvel has been reprinting many famous and well-thought-of story-lines from years past in a series of gorgeous Premiere Edition hardcovers. Many of the story-lines being reprinted are ones I’ve already read or own, and there are some that just don’t interest me, but there have been quite a few of these Premiere Editions that have collected old comics that I’ve always wanted to read. The idea of finally having a chance to read those old stories — reprinted in handsome hardcover collections — is very appealing to a hard-core comics fan like myself! Here are some of the ones I’ve read recently:
The Death of Captain Marvel — Despite being a momentous event in the history of the Marvel Universe, and despite my having read and loved quite a lot of Jim Starlin’s cosmic stories from the ’70s and ’80s, I never actually read The Death of Captain Marvel graphic novel (Marvel’s very first graphic novel ever published!). This hardcover not only reprints that famous graphic novel, but also several earlier Captain Marvel comics whose events play a part in the Death of Captain Marvel story. It’s really cool to see those older comics included. They’re certainly not critical to understanding the Death of Captain Marvel, but they’re fun samplings of Captain Marvel’s long history of outer-space adventures. It’s interesting to read them, and compare them to the more mature, somber story-telling of Jim Starlin’s epic The Death of Captain Marvel. It’s easy to forget, today, just how ground-breaking that story was, when it was originally published back in 1982. Not just that a prominent character was being killed off, but also that he would perish not as the result of some super-hero/super-villain slugfest, but as a victim of cancer. I applaud Mr. Starlin’s boldness in incorporating such real-world drama into the stories of his cosmic characters. While this does lead to some narrative silliness, in which Mr. Starlin has to come up with some not-quite convincing reasons for why none of the Marvel Universe’s array of geniuses (Reed Richards, Tony Stark, etc.) can cure or at least staunch the spread of the cancer affecting the Captain, it’s a forgivable sin. I can suspend my disbelief enough to be able to invest in the drama of the story Mr. Starlin was crafted. (Anyways, those scenes aren’t nearly as weird as the one in which the dying Captain Marvel suggests that his womanizing buddy, Eros, “look after” his girlfriend Elysius once he’s gone…) Over-all, the story stands up quite well, and I particularly enjoyed the final fourteen pages, everything that happens after the caption “midnight.” It’s a very clever way to end the story, and … [continued]
This is a pretty funny assemblage of 1980′s movie references. Don’t miss Topher Grace’s dynamite Marty McFly impersonation that comes at around 2:30.
I was sad to read of the passing of famed composer John Barry. He’s responsible for so many pieces of iconic James Bond related music, it’s staggering. He wrote the scores for eleven Bond films, including Goldfinger and From Russia With Love.
In happier Bond news, is it possible that Javier Bardem will be the villain in the next Bond film? James Bond vs. Anton Chigurh? What an inspired idea!
In even-happier-than-that Bond news, comes this casting possibility. I really hope these casting rumors pan out! I’m very excited with the way Bond 23 looks to be shaping up so far…
Click here to read The New Yorker‘s fantastic profile of Guillermo del Toro. It’s a lengthy piece, stuffed full of delicious tidbits of information on the many projects that he has in the hopper (and some — like The Hobbit with him as director — that sadly will never be). I really hope that his adaptation of At the Mountains of Madness actually happens.
I’m a dreamer, and I dare to dream that someday we’ll get another awesome X-Men movie. (I adored X-Men and X2, but was disappointed by X3 and thought X-Men Origins: Wolverine was one of the worst movies I’ve ever seen.) I’m starting to think it just might be happening when I read articles like this about The Wolverine, the upcoming film directed by Darren Aronofsky (The Wrestler, Black Swan), written by Christopher McQuarrie (The Usual Suspects), and based upon Chris Claremont & Frank Miller’s famous, amazing Wolverine mini-series from 1982, set in Japan. My hopes are VERY high for this one, gentlemen. Please don’t let me down!
The moment I knew was coming has arrived: Brandon Routh is officially not playing Superman in Zack Snyder’s upcoming film. Readers of this site know that I am a fierce defender of Superman Returns, and in particular I thought Mr. Routh was phenomenal as Clark Kent/Superman. I totally understand that Mr. Snyder wants to set his film apart from Bryan Singer’s film, but I’m still really disappointed that we’re not going to get a whole series of films with Mr. Routh in the lead. It’s a big disappointment.
And, I must add, this rumor that Jessica Biel is up for the role of Lois Lane has me VERY worried. Urgh, that’s a terrible idea. But then I read that that Jessica Biel rumor is just that — a rumor. OK, whew, I thought, bullet dodged. But then I read … [continued]
Apparently police officers in Pittsburgh spent eight hours investigating “the most grisly murder scene in 35 years” before discovering it was, in fact, a movie set. Pretty funny.
The breaking news this week, of course, is that Jon Favreau won’t be returning to direct Iron Man 3. I’m somewhat disappointed. I like Mr. Favreau as a director, and I think he was a key component of the first film’s success. And I like it when the creative teams for these super-hero sagas remain consistent from film to film. (Look at what happened to the X-Men franchise once Bryan Singer departed after X2.) On the other hand, as much as I adored the first Iron Man (click here for my original review), I think the second one was pretty mediocre (click here for my review of Iron Man 2). So maybe some fresh blood is in order. I’m a little nervous about just what Marvel has planned following their grand Avengers crossover film in 2012. How does one go back to making Iron Man movies after The Avengers? I hope they find a talented, steady hand to guide this franchise forward. (And psst! The Mandarin would be awesome!!)
Speaking of Marvel, last week they released the first full trailer for Thor, and it’s a much more substantial look at the film than I’d been expecting. I really want this film to work, but I’m still a little dubious as to whether they’re going to be able to pull off all of the Asgardian stuff convincingly. Fingers crossed….!
Speaking of trailers, have you seen the preview for the new Pirates of the Caribbean movie, On Stranger Tides? Click here to check it out. Is this going to be any good? So far it certainly looks of a piece with the previous three films, despite Rob Marshall’s taking over from director Gore Verbinski. On the other hand, I was never all that wild about any of the first three Pirates of the Caribbean movies, so it’s difficult to get too excited about the prospect of a fourth (and possibly a fifth and sixth) installment.
Since I’m posting links to trailers, I guess I should also note that, sigh, Paramount has released a trailer for the aren’t-they-missing-a-word-in-that-title third Transformers film, Dark of the Moon. Click here to check it out. It’s actually a pretty clever, well put-together trailer. If I hadn’t seen the first two Transformers films, I’d probably be pretty excited. But I did, so I’m not. (Also, many on-line writers have already noted how the trailer is basically just a souped-up version of the original teaser trailer for … [continued]
The casting announcements have been coming fast and furious for the new Spider-Man film, but I just can’t muster up much excitement. I simply think it’s a terrible idea to re-boot the Spider-Man franchise, which felt to me like it still had a ton of gas in the tank (despite my dislike of Spider-Man 3). Take the recent news that Rhys Ifans will be playing The Lizard in the new film. That should be exciting news — I think the Lizard is a great Spidey villain. But I’m just bummed that they’re finally using The Lizard in a Spidey film and the great Dylan Baker — who appeared as Dr. Curt Connors in ALL THREE previous Spider-Man films — isn’t going to get to play the character.
Speaking of big announcements about which I just can’t muster up too much excitement is the news that George Lucas will be releasing the Star Wars movies back to theatres in 3D, as well as the follow-up announcement that they’re also working on 3-D conversions of the Indiana Jones films. On the one hand, any excuse to see the Star Wars and Indy films back on the big screen is exciting. (After having so much fun seeing Back to the Future back on the big screen, I’ve been hoping that other studios would follow suit and bring some of their best films back to theatres so we can enjoy them as they were meant to be seen.) But I’m not so excited about the 3-D conversions. That has the potential to be cool, but a big part of me would really just rather see a beautifully restored 2-D print of those films. Also, Lucas has unfortunately decided to release the Star Wars films one per year, in order of episode number — which means he’s starting with Episode I, and we won’t get to see The Empire Strikes Back until something like 2016!! That stinks!
I’ve been interested in the upcoming sci-fi film Skyline ever since seeing the trailer. But I’m even more interested now, after reading Mr. Beaks’ great piece at AICN about how Colin & Greg Strause basically made the film independently, free from studio oversight or interference. I can’t wait to see what they’ve put together.
Check out this amazing web-site that contains a treasure trove of footage of Andy Kaufman performing throughout his career, arranged chronologically. Astounding.
I’d never heard of this movie before seeing the trailer, but now I’m intrigued:
The combination of Andy Serkis (who played Gollum in the Lord of the Rings films) and Simon Pegg is genius, and it’s exciting to see John Landis directing again!
Like most viewers, … [continued]
Last month I wrote about a number of great comic books that I’d read lately. Here’s some more of the fun stuff I’ve been reading these past few weeks:
The Marvel Art of Joe Quesada — I remember taking note of a young artist named Joe Quesada back when he was illustrating Azrael for DC Comics and a variety of books for Valiant Comics (like Ninjak and, as I recall, a zero issue of X-O Manowar), and I’ve been following his work ever since. These days he’s one of the biggest superstars out there, but not just as an illustrator — Mr. Quesada has been the editor-in-chief of Marvel Comics for a decade. This gorgeous oversize hardcover is a comprehensive look back at his work for the House of Ideas. In particular, I love the spotlight given to all of his phenomenal cover work. I wish there was a little more commentary provided along with all the beautiful reproductions of his work (I’ve been spoiled by the way the Cover Run: The Art of Adam Hughes book contained commentary by Mr. Hughes for EVERY IMAGE), but that’s a minor complaint. A stunning collection that sits proudly on my bookshelf.
Baltimore: The Plague Ships — Another winner from Mike Mignola and his team. Written by Mike Mignola and Christopher Golden (working together to bring the lead character from their novel Baltimore,: or, the Steadfast Tin Soldier and the Vampire to the world of comic books) with wonderfully atmospheric art by Ben Stenbeck (and phenomenal coloring by Dave Stewart), the mini-series has me gripped so far. Lord Henry Baltimore hunts vampires across Europe in the early 1900′s. It’s grim and bloody and phenomenally good.
The Amazing Screw-On Head and Other Curious Objects — Speaking of Mike Mignola, I must also heap praise on this wonderfully loony hardcover collection of his one-off story, The Amazing Screw-On Head (about a robotic head that can screw into various elaborate action-figure bodies in order to hunt monsters for Abraham Lincoln) along with a variety of other equally bizarre short-stories (many of which were written and drawn specifically for this collection). Wonderfully off-beat and gorgeously illustrated by the phenomenally talented Mr. Mignola, I am in love with this handsomely-designed collection.
Dr. Horrible and Other Horrible Stories — I was a bit dubious that the characters from Joss Whedon’s triumphant web-series Dr. Horrible’s Sing-Along Blog (read my rapturous review here) could translate to comics, but this softcover collection (reprinting Dark Horse Comics’ Dr. Horrible one-shot from earlier in the year along with several other short stories spotlighting different characters from the Dr. Horrible universe) but boy was I wrong. Zack Whedon wrote all of … [continued]
I am speeding ahead with Stephen King’s Dark Tower series, and loving every page. (Click here if you missed yesterday’s review of Book II: The Drawing of the Three.) Now comes word that Ron Howard and Brian Grazer have acquired the rights to the series, and are planning a trilogy of films AND A SIMULTANEOUS TV SERIES. Here’s the juiciest quote from Deadline.com:
The plan is to start with the feature film, and then create a bridge to the second feature with a season of TV episodes. That means the feature cast—and the big star who’ll play Deschain—also has to appear in the TV series before returning to the second film. After that sequel is done, the TV series picks up again, this time focusing on Deschain as a young gunslinger. Those storylines will be informed by a prequel comic book series that King was heavily involved in plotting. The third film would pick up the mature Deshain as he completes his journey.
WOW. That is an awesomely ambitious idea. I hope this comes to pass, and that Ron Howard is up for tackling this dense, dark saga.
Here’s an intriguing rumor that Judd Apatow might be returning to television! It’s hard to know, at this early stage, just how involved Mr. Apatow would be in this proposed show — surely nowhere near as centrally involved as he was in Freaks and Geeks and Undeclared. But nevertheless, this is cool news.
Although my life is as hectic as usual, I did have a little time off after the summer that allowed me to catch up on a whole host of great comic books that had been sitting unread on my shelf! Here’s some of what I’ve been reading lately:
Batman #700 – “Time and the Batman.” Loved this one. It’s a great mind-bender of a story, set in three different eras. This issue had all the Grant Morrison weirdness that I love, but contained in a one-shot story that had a strong resolution. Great art, too, by Tony Daniel, Frank Quitely, Andy Kubert, and David Finch.
Streets of Gotham – I am continuing to love this series. Fun mystery/adventure stories by Paul Dini and great art by Dustin Nguyen equals a winner for me.
The Marvels Project — I caught up with this whole miniseries by Ed Brubaker and Steve Epting, depicting the early (WWII-era) days of the Marvel Universe. Brubaker and Epting are enormous talents, and great collaborators, but I wasn’t bowled over by this series. It felt like pretty familiar ground (covered pretty thoroughly by Alex Ross and Kurt Busiek’s seminal series Marvels), and while the story was engaging and entertaining I didn’t feel like I learned any dramatic revelations about the origins of the Marvel Universe.
Nemesis — Another hyper-violent series from Mark Millar, but I’m loving every juvenile minute so far. Glorious art by Steve McNiven. I’m really eager to see where this goes.
Powers — Boy, after singing the praises of this long-running (over a decade!) series in the spring, I’m sad to say I’ve been disappointed by the first five issues of volume 3. The issues all seem rushed — the usually stupendous art feels scratchy and unfinished, and the story feels half-baked. (We’ve seen that Walker has been a good guy ever since the dawn of time — yet suddenly we learn he was a prick back in the ’50s? Doesn’t really work for me.) I hope things pick up soon.
Avengers and New Avengers — I know he has his critics (and I just said I’m not loving Powers these days), but I get enormous enjoyment out of the vast majority of Brian Michael Bendis’ writing, and I love how things have kicked off with his re-launches of these two series. In Avengers, he and the phenomenally talented John Romita Junior are telling a big, huge, cosmic time-travel storyline that is rollicking along, while in New Avengers he and the equally phenomenally talented Stuart Immonen are crafting a slightly more down-to-earth tale that nevertheless involves an upheaval in the magical aspects of the Marvel Universe and the possible destruction of … [continued]
Have you heard that they’re making new Looney Tunes cartoons to show theatrically? Check out this glimpse of the first new Road Runner cartoon in far too many years:
Battlestar Galactica lives on! Rumors are that SyFy are working on an on-line BSG spin-off, tentatively titled “Blood and Chrome” that would depict a young Bill Adama during the first Cylon War. I LOVED the glimpse at a young “Husker” Adama that we got in Razor, and would LOVE to see more. I hope this comes to pass!
I’ve been reading for years about the Alamo Drafthouse’s Rolling Roadshow film series, in which famous films are screened in a location connected in some way with the film. It’s always sounded like a cool idea, and these special posters for the upcoming tour are just phenomenal. I love movie posters, and these are about the coolest posters I’ve seen in a long, long while.
If there’s one sliver of a silver lining from MGM’s financial woes forcing Guillermo del Toro to leave the in-development Hobbit films, its the announcement that he’ll next be directing an adaptation of H.P. Lovecraft’s Mountains of Madness, a project that del Toro has been talking about for years. Should be awesome.
As readers of the site are probably well aware, I am one of the few people on Earth who unabashedly loved Superman Returns. So I wholeheartedly second this plea from CHUD that Brandon Routh be allowed to reprise his role as Clark Kent/Superman in the next Superman film. I thought Routh was pretty much perfect, and I would be thrilled to see him continue.
Speaking of superheroes, I’m sure you’ve all heard about the official announcement of The Avengers‘ cast and line-up at Comic-Con last week. Here are some more details from the panel. Pretty astounding cast, if you ask me, and I think Joss Whedon is a perfect choice as director. Now please please please don’t screw this up, gang!!
Here are some fascinating reports from the Thor panel & footage from Comic-Con, as well as the Captain America panel. I cannot wait to see some actual footage from these two films. I really hope Marvel is able to pull these movies off.
Behold The Infinity Gauntlet!! Awesome.
If they ever actually make another Judge Dredd movie, I love the idea of Karl Urban under the helmet.
There has been some exciting news recently in the world of superhero movies.
EW has premiered the first look at Ryan Reynolds in his Green Lantern costume. I think it looks absolutely terrible, frankly — but I often think that the first time a live-action superhero costume is revealed. I remember really disliking the first glimpse I got of the X-Men costumes, and the Spider-Man costume, but both worked well on film, so I’ve learned not to put too much stock into that first pic. Still, not encouraging.
More encouraging is the word that, following the whole brou-ha-ha over Edward Norton getting booted from the upcoming Avengers movie is word that Mark Ruffalo is being considered for the role of Dr. Bruce Banner. That’s an inspired casting idea, and I really hope this happens.
Is Kevin Bacon going to be the villain in the upcoming X-Men prequel? That’s a sort of weird idea. The casting so far for X-Men: First Class has been superb, so hopefully this isn’t the first wrong turn. (I still think making an X-Men prequel is a dumb idea… Let’s move teh story FORWARD and make X-Men 4 already!!)
Here’s some news on Marvel’s next films: Thor and Captain America. There’s a fun pic of Anthony Hopkins as Odin, but I’m not sure what to think of the idea of converting the two films to 3-D. The jury’s still out, in my opinion, as to whether and of these late-in-the-game 3-D conversions can be done with any decent level of quality. We’ll see…… [continued]
I’m always chasing after that perfect cinematic experience — the rare movie where everything just seems to magically click, and I walk out of the theatre totally jazzed by what just unspooled before my eyes. I felt that way when I saw the first Iron Man. I was really blown away by the confidence with which director Jon Favreau and his team (headlined, of course, by the amazing Robert Downey Jr.) pulled off their exciting, engaging, and all-around FUN first installment.
Best of all, while that first movie was certainly a complete story all its own, it ended on a terrific high-note that promised fertile stories ahead — Tony’s spur-of-the-moment “I am Iron Man” admission in the final scene of the film, and the end-of-the-credits button that introduced Director of S.H.I.E.L.D. Nick Fury (played by Sam Jackson, who was the visual model for the character in Marvel’s “Ultimate” universe created about a decade ago) and made mention of the “Avengers Initiative.” I walked out of that theatre unbelievably pumped for the stories to come, and when Marvel announced, about a week after Iron Man‘s opening, their plans for future films based on Thor, Captain America, and Iron Man 2, all of which would build to a movie-version of Marvel’s super-hero team The Avengers, it was clear that an extraordinary venture was underway.
But that venture was fraught with risk. Both Thor and Captain America seem like characters who work great in comic books but would be fiendishly difficult to pull off believably in a movie version. And while most of the key creative players behind Iron Man were returning for the sequel, well, I probably don’t need to list for you the many, many sequels that have been colossal disappointments, unable to capture the magic of the first installment.
Alright, already, so what did I think of Iron Man 2?
Mr. Favreau and his team have crafted another fun, engaging installment of the adventures of Tony Stark. They haven’t reinvented the wheel. They haven’t turned over the apple-cart in the way that makes some of the truly great movie sequels so notable (The Empire Strikes Back, The Wrath of Khan, The Dark Knight…). I didn’t walk out of the theatre with that same tingle that I had after seeing the first Iron Man. But that doesn’t mean that the film isn’t very good.
Robert Downey Jr. proves that his perfection as Tony Stark in the first installment wasn’t a fluke. He’s once again phenomenal, totally magnetic whenever he’s on screen. I was pleased that the filmmakers resisted the temptation to trim any of Stark’s rough edges — Tony is just as much a … [continued]
I have an extensive series of posts, that will be running over the course of the next month, in which I write about my revisitation of Arthur C. Clarke’s four-novel Odyssey series which began in 1968 with 2001: A Space Odyssey — as well as the two film adaptations (of 2001 and 2010). On Wednesday of this past week, literally moments after I had typed the final words of my review of Mr. Clark’s fourth and final Odyssey novel, 3001: The Final Odyssey, I read the sad news that Mr. Clarke had passed away at the age of 90. What sad news. This detailed obituary from the New York Times is worth a look. Mr. Clarke was a giant in the world of science fiction, and he will be sorely missed by all of his fans world-wide, including this one.
Some big trailers have hit the web recently. Check out this terrific new trailer for Iron Man 2, as well as this intriguing glimpse at the I-can’t-believe-this-actually-got-made sequel to Tron. How great is Bruce Boxleitner in that trailer? How about that glimpse of (newly-minted Oscar winner) Jeff Bridges? Both films look fantastic, and I fervently hope they both can deliver.
Speaking of Jeff Bridges, I wanted to direct your attention to this great recent piece from aintitcoolnews.com, in which Jeff Dowd, the inspiration for “the Dude” in The Big Lebowski, waxes poetic about Mr. Bridges.
And speaking of films I hope will deliver, here’s a sneak peek at Robert Rodriguez and Nimrod Antal’s upcoming movie Predators. Is it possible that we might finally be getting a truly kick-ass Predator film that can hold its own with the Arnold Schwarzenegger original? I am beginning to hope… (At the very least, they have settled on a phenomenal title, one that echoes James Cameron’s Aliens, the sequel to Ridley Scott’s film Alien.)
News broke yesterday that Sam Raimi’s planned Spider-Man 4 has been scrapped, and the studio is going ahead with a total reboot of the series. DeadlineHollywoodDaily broke the story. Personally, I’m bummed by this news. Though Raimi & co. broke my heart with the atrocious Spider-Man 3, the first two Spidey flicks were so great that I really wanted to see him come back and try to return to the greatness of those first two films. I hate that his run on the character is ending on such a low note, and the idea of rebooting a series that is only eight years old and wildly successful just seems insane to me. But hey, I’m the guy who also wants to see Bryan Singer make another Superman film.
I have not read any of the Twilight books, nor seen the movies, nor do I have any intention of doing so. But this piece over at CHUD about why Breaking Bad (the fourth and final Twilight book) MUST be made into a movie is absolutely hysterical.
Behold the weirdest wedding video I have ever seen. This dude had his friends in the wedding party act out scenes from Superman II. I am at once awestruck and disturbed.
Speaking of slightly-insane Superman fans, a few weeks ago I stumbled upon photos of this guy who decorated his office cubicle as the Fortress of Solitude. Check it out:
You can find the full story behind his crazy construction project here.
Then there’s this incredibly bizarre stop-motion animated interview with Fantastic Mr. Fox director Wes Anderson. Except Wes Anderson is played by Jason Schwartzman. You read that right. Check it out.
In case you haven’t seen it yet, a super-cool new trailer for Iron Man 2 came out last month. Take a look. I was an enormous fan of Iron Man (read my review here), and have high hopes for the sequel. Don’t break my heart, Mr. Favreau! (By the way, in re-reading my review of Iron Man, I can see that I was sure that the Mandarin would be a key villain in the sequel. It’s not looking that way… so I’m wondering whether that character factors into the story at all. I certainly hope he does!)
Speaking of trailers, let me lay a few more on you. Here’s a sort of weird new trailer for Ridley Scott and Russell Crowe’s latest collaboration: Robin Hood. Take a look. This seems like familiar ground for Scott and Crowe, and I can’t say that I have been lying awake at nights waiting for a new version of the Robin Hood story. That being said, … [continued]
OK, so this is about the craziest thing I’ve ever heard of — Star Wars fans worldwide are uniting on a project to re-make the original film (A New Hope), 15 seconds at a time. Fans can claim individual 15 second moments of the film, recreate them in whatever for they desire (re-enactments, animation, etc.), and then the whole thing will ultimately be strung together. Wild. Click here for all the details on Star Wars Uncut, or just watch this bizarre trailer below!
After watching Julie & Julia with my wife Steph recently (you can read my review of the film here) I was interested in learning more about Julie Powell, so I tracked down her Julie/Julia Project blog and her current blog (since she ended the Julie/Julia Project blog in 2003, with only one additional post in 2004 after Julia Childs’ death). Both blogs were fun to read through after having seen the film.
Not a week goes by, it seems, that I don’t read about Ridley Scott being attached to yet another movie-in-development. I’m not the only one who’s noticed, it seems. Check out this helpful guide: Know Your Ridley Scott Projects That Will Probably Never Happen.
I am an enormous Beatles fanatic. Thus it is really painful for me that I have not yet had an opportunity to sample the newly remastered versions of all of the Beatles albums that were released last month. Scorekeeper from AICN’s detailed run-down of each Beatles album, and how the new versions match up against the original CD releases from 1987, has only further whetted my appetite.
CHUD (Cinematic Happenings Under Development) has been running a ridiculously entertaining series of posts entitled “Bad For Us, Worse For Them.” What is it about? Let me quote from their intro: This is a list of forty deaths in cinema, twenty of which that have a profound affect on the viewer whether by the sheer tragedy of it, how emotionally impactful it is, or how it is a catalyst for a real descent in the progression of the story. The other twenty are deaths that go beyond the call of duty, not because they’re cool or really well executed FX, but because they are just knee-capping in their immediacy, brutality, or simple visceral impact. Kills that will probably leave a mark. The whole list is fantastic, but I was particularly pleased to see that Spock’s death in Star Trek II: The Wrath of Khan merited inclusion.
Last week I wrote about some of the great comics I’ve read lately. That list was just scratching the surface! Here’s some more fantastic stuff that I’ve been enjoying recently:
Hellboy: The Wild Hunt and BPRD: 1947 – The Hellboy saga continues in these two new wonderful mini-series. In Hellboy: The Wild Hunt, things are coming to a head for the big red guy. Cut off from his old friends and comrades in the BPRD, and hunted by the newly-resurrected Queen of Blood, things are looking grim for our hero! Last month’s issue (#6) was jam-packed with astonishing revelations about Hellboy’s origin that I never saw coming, but that I thought worked absolutely PERFECTLY. Meanwhile, BPRD: 1947 takes us through a rollicking tale of the second year of the Bureau for Paranormal Research and Defense as Professor Bruttenholm struggles against vampires and a lot of other weirdness. The Hellboy universe has really richened and deepened over these last few years, and I am really excited to see where things go from here.
Ultimate Comics: Spider-Man — The relaunch of Brian Michael Bendis’ take on Spider-Man (three issues have been published as of this writing) continues just where the previous 133 issues (plus a handful of annuals and other specials) left off. Young Peter Parker must juggle his, um, interesting love-life with a boring job at a fast-food joint (since he lost his job at the Daily Bugle following the devastation of NYC in the truly awful Ultimatum miniseries) with, oh yeah, his crime-fighting escapades as Spider-Man! Mr. Bendis is well-known for his witty, true-to-teenaged-life dialogue, but I think his real strength is the depth of characterization he brings to Peter Parker and all the rest of the extraordinarily numerous cast of this comic. Mary-Jane, Flash Thompson, Aunt May, “Kong,” Kitty Pryde from the X-Men, Johnny Storm from the Fantastic Four (and it is almost embarrassing how much more interesting Kitty and Johnny are here than in their “home” comics) and many more characters are all brought to amazingly real life in these pages. I’ve been following Bendis’ run on “Ultimate” Spider-Man and I’ll be with the series until he leaves. Spider-Man has never been done better (in my comic-reading life-time, at least!). My only small complaint: I’m not quite taken with the overly stylized work of new series artist David Lafuente. Let’s see if it grows on me any more after a few more issues…
Stephen King’s The Dark Tower — I fell way behind on this series of mini-series, adapting and expanding upon the back story of Stephen King’s seven-book The Dark Tower opus, but I was finally able to catch up last month. Breathtakingly gorgeous art by … [continued]
Battlestar Galactica vets Hamie Bamber (Lee Apollo) and Tahmoh Penikett (Helo) will be together again on the season 2 premiere of Joss Whedon’s Dollhouse! Click here for more details.
Speaking of Dollhouse, any interview with Mr. Whedon is always worth a look, and this piece contains some tantalizing glimpses at the unaired Dollhouse episode “Epitah 1″ (which screened at Comic-Con and sounds super-cool) as well as hints at a sequel to Dr. Horrible’s Sing-Along Blog (one of my favoritest things ever)!!
So wow, Capone over at AICN has a report from Peter Jackson covering about 10,000 upcoming projects, all of them enormously exciting!! Click here to get an update on The Hobbit, District 9, The Lovely Bones, Tintin, and more!
The Sci-Fi channel (urg, I really don’t want to call it Sy-Fy) has posted video from all of its Comic-Con panels. Perhaps, like me, you couldn’t care less to watch video of people talking about Stargate: Universe — but be sure to check out the full hour-long panel about Battlestar Galactica: The Plan and Caprica!
Seth Rogen and Jonah Hill will be lending their vocal talents to The Simpsons? Awesome! Here’s some additional info that came to light at Comic-Con on the season’s upcoming 20th (20 years! Unbelievable!!) season.
I am disappointed, but not terribly surprised, to read that Kevin Smith might have to change the title of his upcoming buddy cop movie (starring Bruce Willis and Tracy Morgan), A Couple of Dicks.
By all accounts, the Iron Man 2 panel was pretty awesome. (Click here for a description.) Why can’t some of this footage be found on-line?? Grrr. But here’s another interesting tidbit of Marvel movie news: some hints about the line-up for the upcoming Avengers movie! Some interesting choices. I really hope that they use Millar/Hitch’s magnificent Ultimates series (which I reviewed here) as the basis for this film.
Since Comic-Con is also a place for news about, you know, comics, I’ll close with a piece of comic-book news that should get any true comic fan very excited: Planetary #27 is finally being released in October!!! Can it possibly live-up to the hype generated by the years-long delay? We’ll see!… [continued]
Yesterday I wrote about three terrific series that told the story of The Ultimates, Marvel Comics’ reinvention of their super-hero team, the Avengers. In addition to those three phenomenal series that I discussed (The Ultimates, The Ultimates 2, and the Ultimate Galactus Trilogy), there have been a number of subsequent mini-series that have carried forward the stories of many of the characters from those series.
Some have been excellent. Others, not so much.
Let’s take a look!
Ultimate Vision, by Mike Carey & Brandon Peterson — Basically an epilogue to Warren Ellis’ Ultimate Galactus storyline, we follow Sam Wilson and the Vision (two characters that Ellis introduced to the Ultimate universe in his series) as they discover that one Galactus module has survived. If they don’t destroy it, bad things will happen! The story is really carried by Brandon Peterson’s magnificently detailed art, which I could look at all day long.
Ultimate Wolverine/Hulk, by Damon Lindeloff and Leinil Francis Yu — The promise of a Wolverine/Hulk battle authored by Lindeloff (one of the masterminds behind Lost) was very tempting, and the first two issues were a lot of fun. Then the series ceased publication. Last month, after more than 3 years, the third issue was finally released (with the assurance that the remaining 3 issues will be coming out monthly). The jury is still out on this one.
Ultimate Power, by Brian Michael Bendis, J. Michael Straczynski, Jeph Loeb, and Greg Lang — This 9 issue crossover started with an intriguing premise: Reed Richards, desperately searching for a cure for his friend Ben Grimm (who was transformed into the Thing in the accident that gave the FF their powers), sends probes into alternate universes. One of them gets contaminated and apparently winds up wreaking incredible devastation upon the Supreme Power universe (from the series Supreme Power, Straczynski’s reinvention of Marvel’s classic Squadron Supreme characters). What followed was an extended super-hero slugfest. Land’s art is beautiful, but the story was extremely choppy. Instead of Bendis, Straczynski, and Loeb collaborating on all nine issues, each one of them scripted three issues. I enjoyed the Bendis and Straczynksi issues, but Loeb didn’t stick the landing. Characters suddenly seemed completely out of character, and in the end it all turned out to be a pretty stupid super-villain plot. Lame.
Ultimate Iron Man, by Orson Scott Card and a variety of artists — I got very excited when it was announced that famed sci-fi novelist Orson Scott Card (Ender’s Game) would be writing the origin story for Tony Stark, but sadly the execution left something to be desired. Card’s story had a lot … [continued]
Last month I wrote several posts about my favorite graphic novels. One of the works that I mentioned (saying at the time that a more lengthy review would be coming) was Mark Millar & Bryan Hitch’s The Ultimates.
In the early 2000′s, Marvel Comics launched their Ultimate line, in which they took several popular, long-running Marvel characters and basically started them over from ground zero. Spearheaded by some of Marvel’s top talent, the idea was to make the characters fresh and dynamic again, and remove the burden of 30-plus years of back-story and continuity. The Ultimate line kicked off with Brian Michael Bendis and Mark Bagley’s Ultimate Spider-Man. This was an amazing, extraordinary piece of work, and it deserves a longer article of its own. Suffice to say, I have never enjoyed a monthly Spider-Man comic as much, and I am still following the series every month.
Today I want to talk to you about Millar and Hitch’s reinvention of Marvel Comics’ premiere super-hero group, the Avengers, in their series The Ultimates that ran from 2002-2004. (The series is available in two softcover collections or in one gorgeous hardcover.)
This is a magnificent, adult piece of work, and one hopes that it will be used as a template for the coming Avengers feature film. The story begins at the end of World War II, as we witness the last mission of Captain America. What might be a short 4-page flashback in another series is a lengthy (taking up almost the entirety of the series’ first issue) tale of gritty combat that sets the series’ tone of brutal intensity and incredible attention to detail.
Then the story jumps forward to the 21st century. It’s a brave new world filled with new wonders and new threats, both at home and abroad. Nick Fury, Director of SHIELD, decides that the only way to protect America is to create a new team of American super-heroes. Unfortunately, no one has been able to re-create the super soldier serum that turned scrawny Steve Rogers into the super-human Captain America. But disparate events are about to come to a head that just might give Fury the elements he needs for his super-human task force: Scientist Bruce Banner injects himself with an experimental formula; brilliant industrialist and drunkard Tony Stark creates an extraordinary suit of armor; an anti-corporate hippie who claims to be Thor, the Norse God of Thunder, has begun to amass a legion of followers; and finally, the frozen body of Captain America is discovered, perfectly preserved in the Arctic.
Mark Millar’s writing is very contemporary — the story really runs with the conceit that all these events are happening in our … [continued]
One of my first articles, when I started this blog, was about great franchises that have fallen on hard times. I was writing about my once-beloved Alien and Predator series, but we can all now safely add the X-Men films to that list. What in the world has happened to this series?? X-Men and X2 were so spectacular — but after X3 and now the rather verbosely titled X-Men Origins: Wolverine I am sad to report that the series is batting only two for four.
X-Men Origins: Wolverine is a Fantastic Four caliber catastrophe. Some talented actors appear on-screen, there’s some exciting action, some familiar X-Men characters pop up (one in particular really surprised me), and we finally get to hear Wolverine say on-screen, “I’m the best there is at what I do. But what I do best isn’t very nice.” But the scant enjoyment I felt from those moments was short-lived. X-Men Origins: Wolverine is a rentlessly dour and joyless affair, one that consistently reveals itself to be a truly B-Grade effort. What do I mean by that? Allow me to elaborate:
The film is filled with plot-holes, but more than that, it doesn’t hold together at all as any sort of coherent narrative. I respect the filmmakers’ ambition in trying to capture a number of different periods in Wolverine’s life, from his birth in the late 1800′s, through his experiences in a variety of wars (captured really well, actually, in an exciting opening credits sequence), through his time with Silver Fox, his involvement in the Weapon X program, and beyond. But none of the bits and pieces hang together. Instead of merging together to form an expansive back-story, each jump in time left me with countless unanswered questions: Why would Logan, a Canadian, fight in so many of America’s wars? Right from the first scene, he is established as a gentler soul than his mean brother Victor — so why would Logan hang around with Victor for so many years? If Stryker and the team were so upset when Wolverine left them, how and why did the whole group disband soon after? And why would Victor, of all people, be the one to remain in Stryker’s service? I could go on.
The film makes a total hash of the X-Men comic continuity. There was a lot of precedent for this, of course, as the previous three X-Men films also mixed and matched characters and story-lines from different periods of the comics with great abandon. But there’s a souless “everything and the kitchen sink” approach to this film as it ties a barrage of random Marvel Comics characters (Gambit! Deadpool! The Blob!) into Wolverine’s origin — and … [continued]
Let’s begin the day by my pointing your attention to two great pieces recently from The Onion A.V. Club: this article about 25 great albums that work best when listened to from start to finish, and a spirited defense of the recent seasons of The Simpsons that lists 10 episodes from the past 5 seasons that stand among the series’ best.
If you haven’t seen it yet, click here to watch the new trailer for Sacha Baron Cohen’s new movie Bruno. For a little more detail on some of the sequences that you get glimpses of in the trailer, click here for a terrific write-up of the 25 minutes of footage that screened a few weeks ago at SXSW, the theatre-owners convention. How is he able to still fool people with this stuff after all the publicity that surrounded Borat?
I am not a big fan of Broadway musicals. That is putting it mildly. So I’m not exactly doing cartwheels at the news that there is a Spider-Man musical in the works. And I was completely befuddled to read that they’re working on a musical based on Groundhog Day! What a bizarre notion.
By the way, speaking of Spider-Man, has director Sam Raimi admitted what was immediately apparent to discerning movie-goers about an hour into the film — that Spider-Man 3 was just terrible? Well, sort-of. Click here to read his interesting comments. Since a Spider-Man 4 seems inevitable, this gives me a smidgen of hope that perhaps we will see a return to the high quality of the first two Spidey films. What could possibly go wrong, right?
Harlan Ellison is a brilliant Sci-Fi author. He’s also responsible for one of the finest hours of Star Trek ever committed to film: the Original Series episode “The City on the Edge of Forever.” He is now suing Paramount and the WGA. You have got to read his hilarious press release all the way to the end.
So there’s going to be a James Bond museum? And I thought Christmas only came once a year.
Finally, did you know that some people are getting all bent out of shape about a Chuck Jones Looney Tunes print that parodies Leonardo da Vinci’s The Last Supper? Well, they are. In these troubled times, aren’t there more important things that we should be worrying about? Like the enormous size of the nacelles on the U.S.S. Enterprise in J.J. Abrams’ new Star Trek movie??… [continued]
Over the past two days I have listed several of my favorite graphic novels. (Click here for part I and here for part II.) You’ll notice that most of them had nothing to do with super-heroes. This was purposeful — although super-hero stories dominate the American comic book scene, there are so many other types of stories that can be told using the comics medium. That’s something I wanted to highlight.
But that’s not to say that I don’t also love a terrific super-hero story, because I certainly do! Here are some of my favorites, that are available in graphic novel or collected-edition formats:
Batman: The Dark Knight Returns — Following the death of Robin, Bruce Wayne retired his Batman persona. It’s been 10 years, and Gotham City has sunk into an urban decay of crime. Bruce Wayne is a broken man, empty and lost. But when something drives him to put on that mask one more time, everything changes. (Although not necessarily for the better!) Along with Watchmen (which was also released in 1986), Frank Miller’s magnus opus changed the comics industry forever, demonstrating without a doubt that it was possible to tell sophisticated, mature stories with super-hero characters. (It also was a tremendous influence on the look and tone of Tim Burton’s 1989 Batman film.) This story is intense and shockingly brutal. It is also a gorgeous work of art, filled to the brim with overlapping narratives that tell the stories of an enormous cast of characters, all struggling to make their way in the brutal urban jungle that Gotham City has become, and all of them somehow affected by the shadow of the bat. The Dark Knight Returns is also infamous for Miller’s depiction of an almost fascistic Superman, and his battle with the Batman in the series’ final chapter is a show-stopper. (I should also mention that I am quite fond of Miller’s Batman: Year One, illustrated by David Mazzucchelli, from which a great deal of the story of Batman Begins was adapted.)
The New Frontier — Darwyn Cooke’s brilliant series re-tells the origins of many of DC Comics’ most familiar characters, albeit set in the years in which they were originally created. Similar to the way in which The Right Stuff showed how American fighter pilots gradually became our astronauts, The New Frontier tells the story of how the pulp heroes that came out of the second world war gradually became the costumed super-heroes of a brave new age. Cooke’s somewhat retro, simplified art style is stunningly gorgeous and absolutely perfect for the story being told. The New Frontier captures the innocence and wonder, as well as the growing dangers, of the 1950′s and … [continued]
Today we continue my list of the Top 10 Movies of 2008! Scroll down (or click here) to read yesterday’s installment, listing numbers 10-6 and several honorable mentions, if you missed it.
5. Tropic Thunder — Ben Stiller’s evisceration of Hollywood actors and their quest to win Oscars by making “serious” movies is one of the funniest films in recent memory. Somehow Stiller was able to corral an astonishing group of actors and comedians (Jack Black, Nick Nolte, Steve Coogan, Danny McBride, Jay Baruchel, Bill Hader, Matthew McConaughey, and many more) into the project, creating one of those special films in which every single scene has about ten funny things going on. Special attention must be paid to the brave work by Robert Downey Jr. (as Australian actor Kirk Lazarus, a man so “method” that he dies his skin black to become the Afrian-American character Sgt. Osiris) and Tom Cruise (buried under a hilariously hideous hairy fat-suit as studio head Les Grossman), who turn in two of the best performances of the year. Though not the type that will win Oscars! (Click here for my full review.)
4. Religulous — Comedian Bill Maher partnered with director Larry Charles (Seinfeld, Curb Your Enthusiasm, Borat) to create this movie in which Maher travels around asking people questions about religion. You might not agree with Maher’s views, but it is impossible not to respect someone willing to ask straight, tough questions of believers. (Well, not impossible, apparently, as Maher’s film certainly angered some.) Maher speaks with members of various different religions and denominations, both religious leaders and common people. He demonstrates a surprising (to me, at least), gentleness with most of the people he questions. Whatever your faith, the issues that Maher raises are important ones to consider, and it doesn’t hurt that the film is also absolutely hysterical. (Click here for my full review)
3. Man on Wire — This extraordinary documentary looks behind-the-scenes at Philippe Petit’s incredible achievement of walking on a high-wire strung between the roofs of the Twin Towers in NYC back in 1974. The audacity of Petit’s artistic crime is astounding to contemplate, and this film provides an insightful peek into the years that Petit and his friends spent planning the event. It also explores a variety of ideas about art and human accomplishment. Amazing. (Click here for my full review.)
2. Iron Man — Director Jon Favreau and actor Robert Downey Jr. created one of the best, most joyful comic book movies I have ever seen. A fun, funny epic that is also a serious film filled with great character work (as opposed to a camp-fest), Iron Man is everything that a super-hero film should … [continued]
In the weeks before Marvel’s The Incredible Hulk opened this summer, there were a lot of stories on-line and in various entertainment magazines about a dispute over the editing of the film between Marvel and star Edward Norton (who played Bruce Banner). As the tale was told, Norton was fighting for a longer cut of the film that would include more character development, while Marvel wanted a leaner, more action-packed version.
Ultimately, it seems that the latter is what was released to theatres. And while I found the film to be fairly enjoyable, it certainly didn’t blow my skirt up the way Iron Man had the month before. I also found it to be inferior to Ang Lee’s weirder, more cerebral 2003 movie The Hulk.
But I was intrigued to read that the DVD of the new Incredible Hulk movie would include a significant number of deleted scenes (almost 45 minutes worth). That’s not the same as having an extended cut of the film to judge, but I was still very curious to check out all of that additional footage to see if I felt those scenes’ inclusion would have strengthened the film.
Well (and I’m not sure if this is good or bad), with just a few exceptions I must report that they would not have. What we have here is a fascinating study in film-editing. There isn’t one scene, amongst the deleted footage, that is a complete “thank god they cut that” clunker. Everything is good, and interesting. There’s an opening opening to the film in which Bruce Banner tries (unsuccessfully) to kill himself; scenes that show us more of the life Bruce made for himself on the run in Brazil, including how he created the science set-up in his apartment; several additional scenes with Betty’s new boyfriend Leonard (whose presence on-screen suffered the most in the theatrical cut); several scenes with General Ross which shed some more light on why he was so focused on capturing Banner, etc. etc. It’s all decent stuff.
Probably the best scene is a monologue by Ross, in which he describes his awe at having seen a glimpse of god (in his encounters with the Hulk), and he compares himself to those great men throughout history who have dared to grasp such power for the good of mankind. It’s a great moment of acting, and it makes his character a bit less of an evil-for-no-reason villain, while also making him even scarier as we glimpse his passionate dedication to the cause.
And yet, none of these scenes really would have added much of anything to the movie as a whole. Is it sort of neat to see how Bruce made his … [continued]
Here are some of the DVDs that have been spinning recently in the Edelglass abode:
Recount — This HBO film chronicles the tumultuous 36 days that followed the contested 2000 Presidential election. The cast is stupendous across the board: Kevin Spacey plays Ron Klain, Bob Balaban is Ben Ginsberg, Ed Begley Jr. is David Boies, Laura Dern is Katherine Harris, John Hurt is Warren Christopher, Dennis Leary is Michael Whouley, Tom Wilkinson is James Baker, and Mitch Pileggi (A.D. Skinner!!) is Bill Daley. For those of you out there who followed every minute of this political morass, most of those names are probably very familiar to you. I’ll also add that Derek Cecil (Push, Nevada) plays Democratic lawyer and my former camp counselor, Jeremy Bash. Although the film is at times heartbreaking to watch for a Democrat like myself, it is a terrifically well-told tale. There’s a lot of very detailed information covered in its under two hour run-time, but the film never becomes a boring talking-heads history class. Its dramatic and extraordinarily well-paced, bouncing back and forth between the Democratic and Republican camps trying to bring home the election for their candidate.
The Band’s Visit — An Egyptian band (the Alexandria Ceremonial Police Orchestra) arrives in Israel to play at a cultural event, but find themselves stranded in the tiny Israeli town of Petach Tikvah. Stuck there for the night, the film follows the different members of the band as they interact (or don’t interact) with the local Jews, and vice versa. This is a quiet film. There is no great action — nor is there loud conflict or histrionics. Instead, its a small, personal story about a group of Egyptians and a group of Israelis, each with their own problems and demons, and their efforts to find common ground for one lonely night. Nobody LEARNS A BIG LESSON or FALLS MADLY IN LOVE and I respect the film for that. This is a movie about ordinary people leading ordinary lives. Occasionally it might be a little TOO slow for some tastes, but its worth a viewing.
The Good German — My wife Steph recently read the book (by Joseph Kanon), so we decided to check out the film. I’d wanted to see the movie when it came out in 2007, but never got to it, so I was excited to give it a try. Unfortunately, it was a disappointment. The film boasts a top-notch cast that includes George Clooney, Tobey Maguire, and Cate Blanchett, but I never engaged with the story being told. Part of the reason for that may be that the film has been molded to the style of a 1940′s film like … [continued]
There’s a great, in-depth interview with Jon Favreau on his plans for Iron Man 2 (and 3!) to be found here. Some really interesting tid-bits to be had. I have a lot of faith in Favreau and am really excited to see what he and his team cook up over the next two years.
I love movie posters, and here’s one I think you might enjoy as well: Kevin Smith has posted the new poster for Zach and Miri Make a Porno, his upcoming movie starring Seth Rogen and Elizabeth Banks. If you follow that link, be sure to also scroll down a bit to see the poster design that the MPAA rejected. Pretty funny, the both of them!
This is old news, but I’ve mean meaning to mention it: Don LaFontaine passed away earlier this month. Don’t recognize his name? Well I guarantee you’d recognize his voice. He’s the famed “trailer guy,” whose deep tones graced the narration of so many movie trailers over the years. A fascinating trip-down-memory-lane sampling of his work can be found here.
Hope to see everyone back here tomorrow!… [continued]
As an addendum to my list of my five favorite super-hero movies posted at the start of this week, here are three super-hero movies that I consider to be tremendously under-rated:
Superman Returns — I just don’t understand the almost universal apathy or even dislike towards Bryan Singer’s Superman relaunch. I love that this film has a somber, melancholy feel to it. I love that the story creates complicated character conflicts (the Clark-Lois-Superman-Richard love tangle) that aren’t easily resolved by the end of the film. (I was SHOCKED that Richard lived through the movie — and I really respect the filmmakers for not killing him off, thus providing an easy way for Lois and Clark/Superman to get back together.) I also love reverence the filmmakers showed for Richard Donner’s Superman movie — it really tickles me all the times the movie refers to Donner’s films, both visually (the design of the Fortress of Solitude, the use of Brando as Jor-El), and in the echoing of lines of dialogue in the script (such as Superman’s “statistically speaking, its still the safest way to travel,” and the reprise of Jor-El’s message to his son: “You will make my strength your own. You will see my life through your eyes, as your life will be seen through mine. The son becomes the father and the father… the son.”) The film has weaknesses — there’s not enough action, and Lex Luthor’s plot is pretty stupid. But watch again the plane crash sequence in which Superman reveals his return to the world, and tell me that’s not a magnificent moment of pop-fantasy magic. I’d love to get a sequel to this film to see where Singer takes the story from here, so I hope Warner gets around to making one.
Daredevil – Here’s another movie that I seem to be the only one who likes. As with Superman Returns, there are weaknesses to this film, like some embarassingly dodgy CGI effects. But there’s so much that I enjoy about this movie. I love how down-beat it is. I love how the filmmakers differentiate Daredevil from a more selflessly heroic character like Spider-Man. (This is epitomized by the scene on the rooftop between Matt Murdock/Daredevil and Elektra, in which he hears someone in trouble — but when Elektra asks him to stay with her, he does. Peter Parker would never make that choice — and I love that.) Speaking of Murdock/Daredevil, I know that its a popular sport to make fun of Ben Affleck, but I actually find him to be extremely watchable as Matt Murdock. And the rest of the cast is strong as well — Michael Clarke Duncan, Joe Pantoliano, Jennifer Garner, Colin Farrell, … [continued]
I saw Iron Man tonight.
What follows is as spoiler-free as I could make it. But if you want to go into this flick totally devoid of any knowledge, why don’t you check back in after you see it and let’s see if we agree?
OK, now, let me get right to it: the film is tremendous. Director Jon Favreau was able to create a very intense, serious film (one not aimed just at the little kiddies) that is also quite funny and endearing. There’s a lot of humor, but its not the type of forced “stand back, here comes the wakka-wakka” type of humor that so often makes me cringe in comic book films. Much of the credit for this must go to the man in the lead role.
I’ve already read a number of reviews that emphasize how perfect Robert Downey Jr. is as Tony Stark, and I most vigorously agree with the chorus. Not only is he a visual dead ringer for the character (the goatee is perfect), but he’s able to convey just the type of rich, spoiled, brilliant, cocky bastard that is Tony Stark. As I alluded to above, there’s a tremendous amount of humor is this performance – I love his banter with his “lab assistants,” and with Jarvis – but also a lot of weight. Like most superhero origin stories, this movie centers on “the turn” – when the hero character has to change from the person he was to the more righteous person he will become. That can be a tough moment to play, and not every superhero movie – or ever actor assaying a superhero – can sell that. But Downey Jr. just nails it.
The whole rest of the cast is dynamite as well. The casting of Jarvis was dead-on. Terrence Howard is terrific as Stark’s buddy Jim Rhodes. I love how he’s able to nudge Stark on his behavior without being a total stick-in-the-mud himself. (In the plane-ride scene early in the movie, you can really see why he and Stark are friends!) Gwyneth Paltrow is also very strong as Pepper Potts, Stark’s assistant. She maybe gets a teensy bit too damsel-in-distressy towards the end of the flick, but she is a lot of fun to watch throughout the film. Just as Terrence Howard does in his role, her performance hints at a long shared history with Tony Stark – and that really helps to flesh out the “world” that these characters inhabit.
Jeff Bridges brings a lot of charisma and energy to his role of Obadiah Stane, Stark’s mentor. I just love Jeff Bridges, and it looks like he was having a lot of fun in the … [continued]