\

Browse Josh's Portfolio and the Comic, Reviews or Blog archive.

Josh Reviews the HBO Adaptation of Fahrenheit 451

Ray Bradbury’s Fahrenheit 451 is one of my very favorite books.  The novel, written in 1953, is every bit as relevant today as it was all those decades ago when it was first published.   When I first heard that HBO was working on a new adaptation, featuring Michael B. Jordan (Creed, Black Panther) and Michael Shannon (The Shape of Water, Midnight Special, The Night Before, Man of Steel), I was very excited to see it!

Michael B. Jordan plays the fireman Guy Montag, a man whose job it is to burn books.  In the world of Fahrenheit 451, firemen don’t put out fires, they start them.  (Even more frightening: in the sanitized history available to Guy and his fellow citizens, they don’t believe this has ever been different.)  Guy loves his job, and he’s good at it.  But as the story unfolds we discover that, perhaps, Guy harbors secret doubts about what he does.  Michael Shannon plays Captain Beatty, Montag’s fire chief and father figure.  Sofia Boutella plays Clarisse, a young woman who informs to Beatty on those hiding books, but there’s more to her than meets the eye.  After she and Guy cross paths, Guy is inspired to make some dangerous decisions, decisions that put him on a collision course with Captain Beatty and that will change his life forever.

I quite enjoyed this HBO adaptation!  It’s got a nice visual sense, and it’s a decently faithful adaptation of the novel.

The film is anchored by three terrific performances by its leads.  Michael B. Jordan is inspired casting as Guy.  Guy is a bit of an everyman cipher in the book (even his name is generic, I believe intentionally so on Mr. Bradbury’s part), but Mr. Jordan fills him with a rich inner life.  He is great at playing Guy as the fierce true believer in book-burning, and he’s also great at showing us the conflicted Guy.  We follow this story through Guy’s eyes, and for the adaptation to work we have to be right there with Guy as the illusions he has so carefully constructed for himself slowly collapse, one by one.  Mr. Jordan takes us carefully along every step of this journey.  It’s a fierce, compelling, emotional performance.

Speaking of fierce and compelling, I am also incredibly impressed by the brilliant idea of casting Michael Shannon as Captain Beatty.  Mr. Shannon’s intensity is perfectly served by this role.  Captain Beatty is the head Nazi in what we see of this world, and Mr. Shannon shows us his terrifying power.  But Mr. Shannon also keeps his performance very human and small-scale, and his work, and the smart script, allows us … [continued]

Browse Josh's Portfolio and the Comic, Reviews or Blog archive.

Josh Reviews Black Panther

I know, intellectually, that Marvel Studios’ incredible streak of great movies is going to end sometime.  It has to.  No win streak can continue indefinitely.  But it didn’t end this past weekend, as Marvel Studios released Black Panther, a fantastic addition to their ever-expanding Cinematic Universe.  Black Panther is, incredibly, the eighteenth film in this interconnected movie universe.  It still boggles my mind that there exists an eighteen-movies-and-growing Marvel Cinematic Universe.  And what’s even more impressive is just how terrific all of these films have been.  There isn’t a true stinker in the bunch.  (The Incredible Hulk and Iron Man 2 are, I think, the two least successful films, and even both of those have a lot to enjoy in them.)  The last several films in particular have been fantastic, and Black Panther continues that streak of excellence.

Picking up after the death of his father King T’Chaka in Captain America: Civil War, Black Panther opens with T’Challa (Chadwick Boseman) returning home to Wakanda to claim his position as king.  Wakanda is a technological paradise, though they use their technology to hide that fact from the rest of the world.  When the vicious thief and weapons merchant Ulysses Klaue (Andy Serkis), who killed the parents of T’Challa’s close friend W’Kabi (Daniel Kaluuya), resurfaces, T’Challa leads a team consisting of Okoye (Danai Gurira), the leader of the fierce female Wakandan fighting force the Dora Milaje, and Nakia (Lupita Nyong’o), T’Challa’s former flame who believes that Wakanda must engage with the outside world, to capture Klaue.  That mission goes awry when they discover that Klaue is in league with a young man named Eric (Michael B. Jordan), a black-ops soldier who calls himself Killmonger, and who has a secret connection to the Wakandan royal family.  Killmonger challenges T’Challa for the throne of Wakanda, and the once-peaceful nation threatens to split into civil war.

Black Panther is fantastic.  It fits squarely into the Marvel Cinematic Universe while also standing completely on its own and having its own unique style.  The film references Captain America: Civil War, but you absolutely don’t have to have seen that film to enjoy this one.  And while many fans thought that the one not-yet-seen Infinity Stone (which will surely come into play in this summer’s Avengers: Infinity War) would appear in this film, I was happy that didn’t happen.  Black Panther didn’t need that additional baggage — it’s better for this film to be able to tell its own, complete story.  (If that final Infinity Stone is indeed hidden in Wakanda, as many fans guess, I am glad they held that reveal for Infinity War.)

Director Ryan Coogler (Creed) has crafted a magnificent film, … [continued]

Browse Josh's Portfolio and the Comic, Reviews or Blog archive.

Josh Reviews Creed

I don’t have any attachment to the Rocky series.  In fact, the only Rocky film I have ever seen is the very first one, the 1976 original.  I loved it, but I never had any burning desire to continue on to watch all the sequels.  When I first read about Creed, I wasn’t interested.  But I’ve really enjoyed the work of Michael B. Jordan (cast here in the lead role as Adonis Johnson Creed), and over the past month I have seen review after review heaping incredible amounts of praise on the film.  And I must admit that the film’s trailers made it look great, something of interest to a non-Rocky-fan like me.  I finally decided that I had to see for myself what all the fuss was about.  I was not disappointed, and that’s putting it mildly.  Creed is phenomenal, a rich and resonant film that actually got me quite choked up in a few places.  Holy shit, I can’t believe the seventh film in this boxing franchise made me cry!!

Creed.cropped

Michael B. Jordan, as I’ve already noted, plays Adonis.  When we meet him, Adonis is using the last name of Johnson, but we quickly learn that he’s the illegitimate son of Apollo Creed (played by Carl Weathers in the first several Rocky films).  Adonis has a good life.  He has a loving mother, a nice house and a good job.  But in his heart he wants to be a boxer like his father, even though in most other ways he tries to deny everything about his father, most particularly his famous last name.  Adonis moves to Philadelphia to track down his father’s rival and friend, Rocky, begging Rocky to coach him.  Rocky has tried to put his life in boxing behind him, living a quiet life running a small restaurant (named after Adrian).  Rocky initially refuses, but Adonis persists, and eventually Rocky begins to warm up to him, agreeing to help.

The over-all plot of this film is familiar, but it works because that familiar structure is used to tell a surprisingly emotional story about the relationship forged between these two men, Adonis and Rocky, and the powerful demons they each still carry with them.

Sylvester Stallone is magnificent in the film.  I can’t believe how good he is.  Writer/director Ryan Coogler (the script was co-written by Aaron Covington) has crafted a perfect role for Mr. Stallone, putting Rocky into the Mickey role as Creed’s wizened, elder-statesman trainer.  It’s a brilliant idea, and Mr. Stallone absolutely kills it.  He plays Rocky with such sadness and loneliness that he makes it impossible for the audience not to root for the big galoot.

After seeing Star Wars: The [continued]

Browse Josh's Portfolio and the Comic, Reviews or Blog archive.

Josh Reviews Fantastic Four

I’ve been a fan of the Fantastic Four ever since I first started reading comic books as a kid.  The FF was the first super-hero comic book I ever followed monthly, and I’ve been reading it on and off ever since.  I long to someday see a faithful adaptation of the FF on-screen.  Sadly, Fox’s latest attempt is, for the most part, another mis-fire.

FantasticFour.2015.cropped

It’s a shame, because there are many good elements to Josh Trank’s Fantastic Four (though maybe I shouldn’t call the film “Josh Trank’s Fantastic Four,” seeing as how the director publicly disassociated himself with the film just days prior to its release).  Reacting against Tim Story’s two light and silly (and very unfaithful to the comics) films from a decade ago, this latest version of the FF is a far more serious film.  I like that approach.  But even what works in the film is hindered for me by its being so far removed from the source material of the comics.  There is almost nothing of the familiar Fantastic Four characters in this film.  Where Mr. Trank and his team drew from the comics, they drew not from the classic characters but from the “ultimate universe” reboot of the FF from about a decade ago.  That’s not actually a bad move, since that rejiggered version of the FF’s origin (written by Brian Michael Bendis and Mark Millar) has a lot of good qualities that make more sense when setting the FF’s origin in the modern era rather than the nineteen sixties.  But then the film goes in directions all its own, and although the characters have the names of the familiar FF heroes, the characterizations and look of the characters are way off from what is familiar to readers of the comics.  Had we not gotten the last decade of Marvel Studios movies, in which we have seen that these Marvel superheroes can be adapted incredibly faithfully, while still working as films, I might like this version of the FF a lot more.  This approach feels more in line with the way Bryan Singer tackled the X-Men back in 2000.  (And I’ll note that even that film felt, to me, far more faithful to the comics, even though the costumes were all different.)  But now it’s 2015, and we’ve seen that even incredibly “comic-booky” characters and concepts (like Captain America, Thor, and the Guardians of the Galaxy) can be brought to life so faithfully on screen.  I dearly wish to someday see the classic FF characters realized in a movie.  I want to see those classic FF uniforms, not the ugly “containment suits” of this film.  That’s just one example, but it’s a damning … [continued]