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The Trial of the Chicago 7, written & directed by Aaron Sorkin (mastermind behind Sports Night & The West Wing, writer of such terrific films as A Few Good Men, The Social Network, Steve Jobs, Moneyball, and Charlie Wilson’s War, and the writer/director of the underrated Molly’s Game) tells the story of the seven men (really eight, counting Bobby Seale, the co-founder of the Black Panthers) who were put on trial by the U.S. government following the violence between the Chicago Police and the anti-war and counter-culture protests at the 1968 Democratic National Convention.  The film is a story about members of our government using their political power to try to destroy their enemies.  It’s about how our criminal justice system can be twisted by bad-faith actors to be used as a weapon against against our citizenry.  And it’s about men and women protesting what they see as the wrongs of our society and being met by anger and violence from the police.  In short, this is not only a critical history lesson that’s important for every American — it’s also a film that is very much about what is happening in the United States of America today in 2020.

The Trial of the Chicago 7 is phenomenal.  It’s riveting.  It’s funny and it’s horrifying.  It’s a film that will make you angry — it’s designed to do so — but it’s not a depressing slog.  Mr. Sorkin’s skill with dialogue ensures that almost every single scene is so brilliantly written that you’ll be dazzled by the word-play.  His skill with structure ensures that he is able to dramatize a trial that went on for month after long month is presented in such a way that, when watching the film unfold, you’re carried along with the drama of the story.  The film that is jam-packed with characters and plot points, but Aaron Sorkin’s stills as a writer and director ensures that none of this ever becomes overwhelming or confusing or, worst of all, boring.  (The film’s opening sequence, which introduces us to a wealth of characters and backstory in a mile-a-minute series of walk-and-talk scenes that somehow manage to be clear, concise, and fun, is magnificent, and gave me confidence that I was in good hands with this film.)

The cast is absolutely extraordinary.  One of the film’s greatest strengths is how well we’re allowed to get to know all eight defendants in the trial, how they’re each well-developed as distinct and interesting characters.  (OK, six of the eight.  We don’t spend too much time with Lee Weiner, played by Noah Robbins (Zach on Unbreakable Kimmy Schmidt) or John Froines, played by Daniel … [continued]

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The Top Twenty Movies of 2015 — Part Three!

What fun this has been, revisiting a great year of movies,  Click here for the numbers twenty to sixteen, and click here for numbers fifteen to eleven.  And now, on to my top ten!

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10. Star Wars: The Force Awakens This was the hardest film to find the right place for on my list. I briefly had it in my top five, and then for a while had it all the way down at number twenty.  This is a film that has me very much of two minds.  There is so much about it that works spectacularly well.  The tone is perfect — this is a Star Wars film that is actually FUN (and funny!) again, a welcome relief after the stiff and dour prequels.  The film is wonderfully paced, carrying the audience along from one great action bit to the next.  The new cast is magnificent, with each actor perfectly chosen, creating a group of new young characters who I can’t wait to follow through additional adventures.  The film looks gorgeous, with beautiful special effects and top-notch work from every production department.  Harrison Ford returns as Han Solo and gives the best performance he’s delivered in two decades.  And yet… there are so many little things about the film that bug me, that don’t work as well as they should.  All of the coincidences and plot-holes.  The muddiness regarding what exactly the situation is with Resistance, the Republic, and the First Order.  The way Han Solo’s final scene works but not nearly as well as it should have worked (something I touched on in both of my articles about the film, and that I’ve been struggling to express to friends when talking about the film.  Thankfully, BirthMoviesDeath’s Devin Faraci absolutely nailed what was frustrating me in this terrific analysis.)  The fact that for the third time the Rebels have to blow up a Death Star-like thing.  This is a film with a lot of imperfections, and yet I do still sort of love it despite how rough around the edges it is.  J.J. Abrams and co-writers Lawrence Kasdan and Michael Arndt have brought Star Wars back to life in a big, big way, and for that they have my thanks and appreciation.  (Click here for my original review, and here for my follow-up post.)

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9. Bridge of Spies When Steven Spielberg and Tom Hanks work together, you know you’re in for a treat, and Bridge of Spies does not disappoint.  This quiet, intelligent film tells the story of Jim Donovan, a lawyer tasked with defending a Russian spy caught in Brooklyn in 1957 (an act that then  leads to Mr. Donovan’s … [continued]

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What fun this has been, looking back at all of the amazing movies from 2014!  Click here for part one of my list of the Best Movies of 2014, numbers twenty through sixteen.  Click here for part two, numbers fifteen through eleven.  Click here for part three, numbers ten through six.

And now, at last, it’s time to draw this list to a close with my five favorite films of 2014.  Here we go:

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5. Dawn of the Planet of the Apes I dearly love every film in the Planet of the Apes series, even the terrible ones.  (Though the least said about Tim Burton’s disappointing entry, the better.)  But I was bowled over by the greatness of Dawn, the eighth Planet of the Apes film and the second in the rebooted prequel series.  What a rare thing it is to see a sequel with such ingenuity, such creativity, such narrative power.  Director Matt Reaves has come in and crafted an astounding piece of speculative fiction.  Ten years after the events of the last Apes film, a plague has wiped out most of humanity.  Caesar and his apes have crafted for themselves a utopian civilization, deep in the woods of San Francisco.  But when a small group of humans wanders into Caesar’s community, the struggling human community and the developing ape community find themselves on a collision course, and Caesar’s belief that the apes are naturally superior to the flawed humans leads him to the precipice of a disastrous misjudgment.  Yes, this is a film that features talking apes, but Dawn is a rich human drama with Shakespearean levels of emotional complexity and power.  When everything goes to hell in the third act, it is tragic.  Andy Serkis does some of the best work of his career as Caesar, bringing such pathos, such richness of feeling to this ape character.  The mad geniuses at Weta Workshop and all the countless visual effects artists and crafts-people who brought the visual effects of this world to life have outdone themselves, creating one of the most impressive visual effects achievements I have ever seen.  Those apes look so real it is staggering.  Dawn of the Planet of the Apes is a spectacular achievement, and I can’t wait to see where this series goes from here.  (Click here for my original review.)

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4. Guardians of the Galaxy What was it I said back when writing about Captain America: The First Avenger about Marvel Studios making it look easy?  They took a comic book team fairly obscure even to comic book fans, one that has not been able to ever support its own comic book series for very … [continued]