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Josh Reviews News of the World

In News of the World, Tom Hanks plays Captain Jefferson Kyle Kidd, a veteran of the Civil War who now eeks out a living by traveling from town to town to read from newspapers for the townspeople’s entertainment and edification.  Captain Kidd winds up entangled with a young girl named Johanna, who was kidnapped from her family years ago and raised among a tribe of Native Americans; now she is alone and Captain Kidd sets out to reunite her with her surviving family members.  This was one of my favorite movies of 2020!

News of the World was adapted from the novel by Paulette Jiles and was directed by Paul Greengrass, who also co-wrote the screenplay with Luke Davies.  I thought the film was a delightful departure for Mr. Greengrass.  It’s far more slowly paced and elegiac than the intense dramas and action films for which Mr. Greengrass is best known (The Bourne films, Green Zone, Captain Phillips).  But Mr. Greengrass’ skill is on display in every frame of this beautiful, melancholy film.  His eye for composition is well evident.  This is a gorgeous film to look at; the vistas of the American frontier are dazzling.  Mr. Greengrass’ skill at character drama are front and center.  And he remains an expert at crafting an action sequence, such as the tense mid-movie shoot-out between Tom Hanks’ character, Captain Kidd, and the three criminals who try to steal Johanna away from him.

There’s nothing earth-shatteringly surprising or original in the film’s story.  I’ve seen many previous versions of this story, in which a tough older man gradually bonds with a younger child thrust into his care.  And yet I was pleased by how well the film drew me into this tale, despite the familiarity of its overall structure.  I quite enjoyed this film; I was invested in these characters’ story.

A good deal of the credit must go to the strong two main actors.  Let’s start with the great Tom Hanks, who gives yet another spectacular performance.  Now, admittedly, this isn’t exactly groundbreaking territory for Mr. Hanks; he’s played the grizzled guy with a heart of gold before.  But the power of his charisma and persona shine through the screen in a way that is quite remarkable.  And when Mr. Hanks really brings it, there are few who can match him.  I’m thinking in particular of a scene, late in the film, in which Captain Kidd finally faces the grief he’s buried.  It’s an extraordinary few moments of film.  That scene stuck with me long after I’d finished watching this movie.

Helena Zengel plays Johanna.  She’s gotten a lot of acclaim for her performance (including being nominated for a Golden … [continued]

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Click here for part one of my list of my Favorite Movies of 2020, and click here for part two.  And now, let’s dive into my top Five Favorite Movies of 2020!

5. News of the World I wrestled with which 2020 Tom Hanks film I preferred: News of the World or Greyhound.  Ultimately I gave News of the World the higher ranking, but I wonder if I’ll feel differently a year from now.  They’re both great films!  In News of the World, Mr. Hanks plays Captain Jefferson Kyle Kidd, a veteran of the Civil War who now eeks out a living by traveling from town to town to read from newspapers for the townspeople’s entertainment and edification.  Captain Kidd winds up entangled with a young girl named Johanna, who was kidnapped from her family years ago and raised among a tribe of Native Americans; now she is alone and Captain Kidd sets out to reunite her with her surviving family members.  The film is adapted from the novel by Paulette Jiles and directed by Paul Greengrass.  I thought the film was a delightful departure for Mr. Greengrass — it’s far more slowly paced and elegiac than the intense dramas and action films for which Mr. Greengrass is best known.  But his skill is on display in every frame of their beautiful, melancholy film.  Tom Hanks gives yet another spectacular performance.  (There’s a scene, late in the film, in which Captain Kidd finally faces the grief he’s buried, and it’s an extraordinary few moments of film.)  This is classical movie-making of the best kind.  (My full review is coming soon.)

4. On the Rocks Sophia Coppola’s latest film stars Rashida Jones as Laura, a woman who begins to suspect that her husband Dean (Marlon Wayans) is cheating on her.  So Laura enlists the aid of her wealthy, lecherous, “man about town” father, Felix (Bill Murray, reuniting at last with Ms. Coppola for the first time since Lost in Translation), to track Dean and get to the bottom of what’s going on.  On the Rocks is very funny at times — the pairing of Mr. Murray and Ms. Jones yields as much comedic fruit as I’d hoped — while also being a moving, sometimes sad story of the complicated relationship between Laura and her father.  I love how nuanced this film’s storytelling is.  No one is reduced to a simple character, a hero or a villain.  Everyone in this film is imperfect, and Ms. Coppola demonstrates an endearing amount of affection for these broken, flawed people.  I love that about the film.  (My full review is coming soon.)

3. The Vast of Night First-time filmmaker … [continued]

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Peril at Sea Double Feature Part II: Captain Phillips

November 22nd, 2013
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Last week I decided one intense man-faces-death-at-sea movie just wasn’t enough for me.  After watching Robert Redford’s harrowing performance in All is Lost (click here for my review), I went and saw Paul Greengrass’ Captain Phillips.

Tom Hanks plays the titular captain in this based-on-a-true-story of the shipping boat that was hijacked by Somali pirates in 2009, eventually resulting in the ship’s captain being held hostage by the pirates in their lifeboat before ultimately being rescued by navy SEALS.

I’ve read a little bit of questioning as to how true-to-the-facts this heroic portrayal of Captain Phillips is.  Perhaps wisely, Mr. Greengrass avoided opening this film with the standard “based-on-a-true-story” text caption or something similar.  That, and the tremendous skill with which this nail-biter of a thriller has been crafted, allowed me to sit back and enjoy the film without spending the whole run-time questioning it’s veracity.  (It should also be noted that Mr. Greengrass has strongly defended the accuracy of his film.)

Paul Greengrass has become extraordinarily skilled at creating intensely suspenseful, almost documentary-feeling thrillers (that are either based on real events, or that feel like they COULD have been).  He’s so good at this, in fact, that the are quite a few of his films that I have chosen not to see, because they just seemed too tough to watch.  (For example, though I am sure it was made with tremendous craft, I can’t imagine a scenario in which I would ever consider watching United 93.  It just seems too painful.)

But I love Tom Hanks, and his involvement made me push aside any worries that this movie would be too stomach-churning for me to see.  I’m glad I did, because Captain Phillips is a very skillfully-made film.  It’s every bit as edge-of-your-seat intense as I had expected, and contains some wonderful performances.

In particular, I was quite taken by the work of the men playing the four main Somali pirates.  All four are extraordinary.  These non-actors perform better than most highly-paid Hollywood superstars.  Their work is extraordinary, so real and so immediate.  In addition to their strong work, I credit perfect casting and great direction by Mr. Greengrass to help fine and hone such wonderful performances.

Then there is Tom Hanks, so is so good so consistently that he makes it look easy.  For much of the film Mr. Hanks keeps his performance very reined in.  his Captain Phillips is a strong, confident man, but also internal, not prone to demonstrative speeches or big emotional explosions.  (The sharp scrip by Billy Ray, based on the book by Captain Phillips himself and Stephan Talty, is a significant factor.)  Probably my favorite piece of performance from Mr. … [continued]